Fuji
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510 creative works found
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Coops Shot Tower, Melbourne Central, Melbourne / Holga 120CFN, Fuji Pro ISO400
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Swanston Street, Melbourne, Victoria / Lomo Lubitel166B, Fuji Neopan ISO400, .45x wide angle adapter / Ultrafin Plus, 1:6, 8:30min @ 20DegC
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This design inspired by Japanese kimono designs and wood block prints. I originally designed it for dark colors, but it actually looks kind of cool on some of the lighter ones – aqua, lt blues and pinks.
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The view looking out onto Broad Street from a third-floor window of the Divine Lorraine Hotel in Philadelphia, PA. The hotel, which has been abandoned since the late ‘90s, takes it’s name from the leader of the Universal Peace Mission movement, Father Divine (aka George Baker) who housed his followers on it’s premises. Shot on Fuji Velvia 50 film with a Rolleiflex medium format camera.
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After discovering this amazing forest of Californian Redwood’s, I spent about 5 day’s on this image returning to this same spot everyday. Location – Victoria / Camera – Fuji Gx617 / Film – Fuji Reala 100
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This beautiful river scene sunset was photographed from the south bank of the Hastings River at the Boundary Street Ferry Wharf in Port Macquarie, NSW, Australia, on a mid-winter’s day. Milady Fuji was sitting high and proud on her tripod, with the White Balance set to Sunny due to the glare from the sky and nearest boat, the ISO to 100 for the good Image Quality and to minimise Noise, and with Spot Metering, Centre Focussing, Continuous Focus and Fast Shooting settings completing the set-up. / I chose the 1/500sec Shutter Speed in Shutter Priority as I had some previous success using this setting on some sunset shots and found it helps control the Exposure very well in these conditions as well as freezing any motion quite well. / (Fortunately it froze the flying Pelican. Can you spot him?) :) / After an earlier test shot under the same conditions and a check of the Histogram, I found I did not need any Exposure Compensation. / After I set the Timer to 2 seconds, I pre-focussed on the brightest area on the nearest boat, framed the shot, locked the tripod, squeezed the trigger and after the “Beep! Beep! Beeeeep! Kachunk!” … here it is! Enjoy! BOATS & SUNSETS Sunset Moorings #1 / Sunset Moorings #2 / Ship’s Bell #1 / Boat Silhouette at Sunset #4 / One Afternoon on the Hastings /
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This misty, moody Australian bush scene was photographed along one of the logging tracks in the Willi Willi National Park, up in the mountains far west of Kempsey, NSW, Australia on a very wet and chilly winter day. This the view in the opposite direction of “Into the Mist #1”. I had not realised the difficulty in photographing misty scenes such as this but I soon discovered that even though the light was very low there was still a big problem with the dynamic range. Aperture Priority did not work for me here so I opted for Shutter Priority, 1/60sec being the slowest speed recommended for a hand held shot. With the mist being so close, the resulting f/3.1 kept the background nice and soft. Even though few photographs were made throughout the day due to the weather and time of year, six of us in two 4WDs had a great day out in the bush communing with nature. One bloke, who has travelled 250,000Km in such road conditions in his 4WD had never had a mishap until the last two times we were out in the wilds. Last time it was a fuel line fracture and a flat tyre. This time it was another fuel line fracture! Fuji S9600: 1/60sec @ f/3.7, manual focus, hand held, gave me the moody exposure and good foreground detail. / Lightroom & Photoshop CS3 with a good B&W conversion rendered the fine result. Enjoy! WILLI WILLI NATIONAL PARK / (Click the links!) Into the Mist #2 / Into the Mist #1 / Misty Mountain #1 / Misty Mountain #2 /
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This awesome winter sunset was photographed on Town Beach in Port Macquarie, NSW, Australia. I had been photographing the rocks at the south end of the beach where the light from the setting sun was painting its way across the seascape when I turned around to go back to my car and saw this. How could I resist? If you look closely at the bottom left corner there is the silhouette of an Oyster Catcher walking around the rocks. Enjoy! Here is another shot made a little earlier during that sunset: “Into the Sunset” /
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Looking down the gorge from the lower bridge, Falls of Bruar . I’m particularly impressed by the colours and the smooth glistening rocks. This area is rich in geology (an extension of the Loch Tay fault?): there’s a lot of limestone and other metamorphic sedimentary rocks (layered slate, possibly some schist) and a bit of red sandstone nearby, all folded making rakish angles. Taken on the Shen Hao 5×4” large-format camera with Fuji Velvia (old RVP emulsion) film.
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A spectacular Sunrise I spotted as I headed to work.
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Foggy, rainy, near dark, in my car at a stoplight. What can one do? Turn the lemon into lemonade – a clever way of saying that I embelished (heavily) the reality. / / / / . / Please view also my other work.. / : / Thank you for visiting.
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Swanston Street, Melbourne, Victoria / Lomo Lubitel 166B, Fuji Neopan ISO400
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Mt Gambier, South Australia / Holga 120CFN, Fuji Neopan ISO400 This was taken in May 2006. When I returned in May 2007, the bench had collapsed and had been removed.
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Forgive them for they know not what they do, nor do they care. Forgive them for the insults and assumptions for they do not know our heart. Forgive them for the arrogance that they put themselves on a throne not knowing the struggles of those who just want to be a part of the same Kingdom as well. Forgive them for the superior attitude that they assume they have the right, to insult, demean, and judge. Forgive them for not thinking of the struggles that some face just to learn and create and want to belong. Forgive them for thinking we should see the world through their eyes. I pray please forgive them!!!!!!!!!!because I can not. Bye
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This lunar photograph was made a little more than an hour before the start of the recent eclipse on Town Beach, Port Macquarie, NSW, Australia. I was all set up with my feet in the wet sand, ready to set off the Timer when I caught sight of this moonlit surfer walking into shot. I could not believe my luck! I waited for him to get further into the scene and ….. here he is! Enjoy! Before the Eclipse (1/3): / Here is “Moonsurfer #2” (3/3): / Under an Autumn Moon: /
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Here we have a nice set of Actinotus helianthus (Flannel Flower) basking in the mid-afternoon sun on a warm Spring day. The photograph has been purposely under exposed by taking the metering directly from the brightest flower to show the full affect of the sunlight on the petals of the open flowers, making them look like lamps with inverted lampshades. The shot was made whilst on a wildflower hunt with a couple of camera club friends along the Flower Bowl Walk in the Kattang Nature Reserve at Dunbogan, NSW, Australia. What I really like about the final result is the wonderful natural composition of the flower head, the clarity of detail and of course that glorious light. Camera: Fuji S9600 / Processing: S7RAW & Photoshop CS Enjoy! Flannel Flowers and Friends: / Dianella caerula (Blue Flax Lily) / Blue Flax Lily & Leaf Beetle #3: / Billardiera scandens (Apple Berry): / Patersonia occidentalis (Native Iris or Purple Flag): / Leptospermum sp (Seed Pods): / Noodles ‘n’ Chopsticks: / Philotheca salsolifolia (Philotheca): /
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This was the last shot as I was packing up, while I was chatting to a fellow medium-format photographer. It’s got everything: lovely subtle pink & blue sky colours, reflection in still water… well worth getting up early for. Taken on the Hasselblad using Fuji Provia film, at Friar’s Crag on the end of Derwentwater, Keswick, in the Lake District.
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The American Bald Eagle
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Ridiculed, put down, caged, confined, NO MORE!!!!!!!!!!!!!!!!!
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This misty, moody Australian bush scene was photographed along one of the logging tracks in the Willi Willi National Park, up in the mountains far west of Kempsey, NSW, Australia on a very wet and chilly winter day. This the view in the opposite direction of “Into the Mist #2”. I had not realised the difficulty in photographing misty scenes such as this but I soon discovered that even though the light was very low there was still a big problem with the dynamic range. Aperture Priority did not work for me here so I opted for Shutter Priority, 1/60sec being the slowest speed recommended for a hand held shot. With the mist being so close, the resulting f/3.1 kept the background nice and soft. Even though few photographs were made throughout the day due to the weather and time of year, six of us in two 4WDs had a great day out in the bush communing with nature. One bloke, who has travelled 250,000Km in such road conditions in his 4WD had never had a mishap until the last two times we were out in the wilds. Last time it was a fuel line fracture and a flat tyre. This time it was another fuel line fracture! Fuji S9600: 1/60sec @ f/3.1, manual focus, hand held, gave me the moody exposure and good foreground detail. / Lightroom & Photoshop CS3 with a good B&W conversion rendered the fine result. Enjoy! WILLI WILLI NATIONAL PARK / (Click the links!) Into the Mist #1 / Into the Mist #2 / Misty Mountain #1 / Misty Mountain #2 /
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Ladies and gentlemen, boys and girls, here we have a fine specimen of a Caleana major (Flying Duck Orchid), an Australian native terrestrial orchid which grows in sandy alkaline heath-land on the east coast. The flowers are only ¾” (2cm) long, two flowers on a n 8” (20cm) stem and with only a single spear shaped leaf at ground level. When disturbed, the flowers drop their heads, lift their tails and curl up. This is to trap any pollinating insect inside until released perhaps hours later or even overnight. Because of their small size and drab colouring they are difficult to find. This one and a handful of others in the near vicinity were discovered by accident as I was attempting to photograph a different wildflower. Lucky me! This li’l quacker was photographed in the wild, in the Queens Lake National Park, at North Haven, NSW, Australia, on a lovely Spring afternoon, in the company of two friends from my camera club, while on a wildflower hunt. To obtain the angle of shot to isolate the orchid from the background and to be able to get very close to this little flower, I was lying on my left side, resting on my shoulder, with Mr Fuji hand held, viewfinder hard against my glasses and using controlled breathing. The UV Filter was off and the screw-on Macro Lens was on to get as much of the orchid in the frame as possible. To make the shot I chose to go fully manual as previous attempts using aperture priority were giving me big problems with exposure due to the dark flower and the overcast lighting. Pop-up flash is not an option when using the screw-on Macro Lens and I didn’t even think of using my slave flash unit. (If I had, it would have been very hard to use the pop-up flash to set it off so it may not have worked). Camera: Fuji S5500; Macro Mode; Manual Priority; f/2.8; 1/160sec; 6mm; WB Daylight; ISO 100. / Processing: Photoshop CS. Enjoy! WILD AUSSIE ORCHIDS Caleana major / Petalochilus quadrifarius / Pterostylis nutans / Caladenia catenata / Cryptostylis subulata / Thelymitra ixioides / Thelymitra ixioides /
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These two dedicated and undaunted rock fishermen were photographed from Tacking Point, at Port Macquarie, NSW, Australia, on a sunny winter afternoon. The swell was perfect for this kind of break and the anglers were in good position to be on intersecting “Rule of Thirds” lines for a good composition. The break was way more than I had hoped for and the winter afternoon light was magic. Camera: Fuji S9600; RAW; Aperture Priority; f/8; 1/320sec; 39mm; WB Daylight; ISO 80; Hand held. / Processing: S7RAW & Photoshop CS. Enjoy! FISHIN’ Rock Fishing Series Rock Fishermen #2 / Rock Fishermen #3 / Fishing Lessons / Sunset Fishing / Flat out Fishin’ / The Flathead Expert / Preparation / Fishing is for the Birds / Stranded! / Oh What a Tangled Web / Silhouette Series The Akuna Comes Home 1/3 / Fishermen All 2/3 / Waiting, Waiting 3/3 / A Man and His Dog in a Tinny / Just Fishin’ / Pontoon Silhouette Series Back to Back 1/2 / Dusk Silhouette on the Pontoon 2/2 /
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This was a strange morning, I woke up a 3am to be on the sunshine coast for sunrise. Only to find the beach covered in sea foam. I thought oh well the images will be different. So in I went, within 5 minutes I was covered in foam so was my camera bag and tripod. The sunrise was great. Just as I was finished shooting a lady walking her dog looked me up and down and “said oh my god, you poor thing” Camera – Fuji GX617 / Film – Fuji Velvia 50asa
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This very large bird with the goofy look is an Emu (Dromaius novaehollandiae), one of Australia’s icons. / The emu shares pride of place on the Australian Coat of Arms with a kangaroo. (The reason a kangaroo and emu are depicted on our national symbol is that they can’t walk backwards). This dippy emu was photographed during my camera club’s Christmas party at the Billabong Koala Sanctuary at Port Macquarie, NSW, Australia, in very early Summer 2006. These are NOT very easy subjects to photograph as they are constantly on the move pacing up and down with their heads bobbing around. As Mr Fuji is not renowned for his focussing speed, my frustration was beginning to show after about half an hour but persistence paid off in the end. Those curly bits on top of its head which add to the goofy expression are new feathers which have not fully developed. Camera: Fuji S5500; RAW; Aperture Priority; f/3.1; 1/140sec; 34mm; WB Daylight; ISO 100; Spot Metering; Centre Focussing; Low powered Flash; Hand held. / Processing: S7RAW & Photoshop CS. Enjoy! AUSSIE BIRDS Dromaius novaehollandiae / Dacelo novaeguineae / Phylidonyris nigra / Boorganna Silhouette / Rhipidura leucophrys / Anthochaera chrysoptera /
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