Frost
10 members found (show all)
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Naomi Frost
Australia
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Lisa Frost
Australia
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Anastasia Frost
United Kingdom
3951 creative works found
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LITHUANIA THE LAST WORKS (CLIKC FOR VIEW)
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SOLD: Laminated Print / / / / /
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SOLD: 3 Laminated prints / 6 cards Taken on the Hunter River. This is my most popular image….and it’s my best ever infrared. / / / / / /
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Love this little lone tree. Trying to capture every season…have winter and fall so far. Somehow I missed summer and spring….next year maybe? 1st place in the Calendars R Us Challenge and Featured on the Red Bubble Home Page.
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An infrared capture taken on Lake Macquarie, Newcastle, Australia. / / It was a really overcast day and a huge storm was rolling in. I managed to get a couple of shots off before the rain arrived. / / Camera: Fujifilm FinePix S7000 / ISO200 / f/4.0 / 1.3 sec exposure / R72 Filter / Tripod / Shutter Release SOLD: As a small laminated print to a Redbubble member / As a mounted Print to ? / 4 x as a card / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
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Canon 350 D 17-40 mm lens. Winter landscape with sunset in fog.
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Spotted some horses in a field on the way to work yesterday, the sun was just coming through the mist, had to go turn round and go back to have a look and came away with a couple of nice shots. There was a thick frost on the ground, real crisp winter morning Thanks to Richard Shepherd for the title.
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Back to infrared. Taken on the farm in Tumut on the Canon 450D. I promise I’ll think of a better title.
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I was inspired this morning after reading and commenting on Julie Langford’s Post. It made me remember that sometimes the journey – the people you meet, the things you learn along the way – is more important than the destination. So despite the bitter frosty morning I rugged myself up (two thermals are better than one) and set out to greet nature and the day with Sami and my trusty tripod in tow. Turns out The Day had advance warning from Nature that I was coming (I think it was the blue wren who visits me that let the secret out)... and together they turned on an absolutely gorgeous – albeit bloody freezing – show. This is most likely the easiest image I have ever had in post production, the only enhancement it has had is a slight vignette added. For the mist gently rising off the water… the glorious colour… the frost on the reeds… the delicate reflections… the beautiful ray of illuminating light… I owe a huge debt of gratitude to Nature and The Day. Title inspiration from Newton Faulkner’s song “Gone in the Morning” Best viewed LARGE
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/ Sold as cards, matted prints, framed prints Canon Rebelxt Sigma 17-70mm Southern Ontario Canada
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/ CAnon rebel xt canon L 70-200 Southern Ontario Canada / sold as card, matted and framed prints
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West Flanders,Belgium
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Self Portrait This image was featured on the HomePage of RedBubble! © Jessica Walker
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This is an old infrared shot. I’ve been doing lots of portraits lately and haven’t had the opportunity to shoot much infrared . I found this one on the hard drive and had a little play with it. It was taken at a place called Little Pelican, down near Swansea. It’s part of Lake Macquarie.
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Out for hours on a perfect day out with my new dslr it took ages to get far as I kept stopping to try things like this…. bliss! Taken outside Peebles in the lovely scottish borders on a bright frozen frosty day – not a snowflake in sight.. its all frost left over from 24 hours of damp freezing fog… Nikon d60, Nikkor 18-200 lens, UV filter / f/3.5 / 1/500 sec / ISO-100 / focal length 18mm Tips and comments hugely appreciated as ever on this early attempt…untouched . / . / cheers / ding / :)) / http://www.redbubble.com/people/dinghysailor1/art/2153518-3-poor-lambs
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Tonights Sunset at Warners Bay, Lake Macquarie, NSW. Long exposure: f/22, ISO100, 124sec. FEATURED in the “Light & Reflection” and the “Dawn & Dusk Light” groups
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Another from this mornings sunrise.
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Newcastle Beach. Canon EOS450D
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An accompaniment to Going Nowhere / It is a combination of two photographs and four textures…from memory. / The main location was Edgeworth, Newcastle, NSW. (the shed is from the farm in Tumut)
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How To Do INFRARED
by Naomi FrostI posted this a while ago but had to put it away until it was published in a magazine…well that magazine (Australian Digital Photograph…
I posted this a while ago but had to put it away until it was published in a magazine…well that magazine (Australian Digital Photography & Design) comes out next week (I think) so here you go…this is what I do….. HOW TO Shoot INFRARED IMAGES Characteristics of infrared photographs are deep black skies, bright white foliage and sometimes bright blue skies. Often quite mundane scenes can be transformed into extraordinary images when captured with infrared. / To achieve the effect, you need to use a lens filter that can block visible wavelengths of light, while allowing infrared (IR) light to pass through. The most readily available filter that can do this is an R72 screw-type filter. HOYA is the most popular but you can also purchase Lee and Cokin filters which act in the same manner. / All DSLR cameras are capable of detecting varying degrees of infrared light but manufacturers put permanent infrared blocking filters over the sensor to stop the infrared light penetrating. However, they still let some light through, so by placing an IR filter over your lens you will be able to capture these escaping wavelengths and thus a surreal image. / The downside to these IR filters is that they actually let in very little light of any kind so long exposures are necessary. Some cameras are more sensitive to IR than others but because you will have an exposure that it several seconds long a tripod is a necessity and a shutter release is optional. / Your IR filter will cut all visible light so the viewfinder will be rendered useless when it comes time to compose a shot. All images will need to be composed before the filter is attached. Point and shoot Digital Cameras are usually capable of seeing through the filter as the filters used to block the IR wavelengths are not as strong as those of the DSLR. So in many cases the filter can be attached when composing the image. As you will have a long exposure (of up to 20secs perhaps) still subjects are the easiest thing to shoot. Most successful IR shots are of landscapes. / An unedited IR imaged will take on a red hue and look un-useable, but this is just because you have not set a Custom White Balance (CWB). By attaching the filter and taking a shot of green grass and setting this as the CWB you will vastly improve your image. In doing this you will allow for mid-tones and whites to appear. Of course you can always adjust the white balance in Photoshop later. / All infrared images will need some post processing in Photoshop to get the best out of them. The simplest technique is to convert the image to Black and White and increase the contrast a little. This will achieve the classic infrared look achieved by infrared film. However, digital cameras can create false colours and can produce a surreal effect. Trees can be blue, the sky can be yellow and the ground red. .................................................................................................................................................... HOW TO PROCESS AN INFRARED IMAGE TO GET A SURREAL WINTERY FEEL. Step 0 — Bringing your file into Photoshop / Download your images – if RAW, convert (to tiff or jpeg) and bring into Photoshop. Note: Exposure and White Balance will make a difference on your final result, so there might be some trial and error – in general I set a Custom White Balance by attaching the R72 filter to the camera and shooting green grass. / Step 1 — Auto Levels / I always adjust the levels before progressing further. This will swing the colours significantly. SHIFT+CTRL+L is the shortcut for this process. If you have a good shot, tree leaves and clouds will appear close to White in colour and the sky will take on a yellow tinge. / Step 2 — Channel Mixer (Swap Red & Blue Channels) / From here on it is about shifting colours. If you want Blue sky you will need to swap the Red and Blue colors in your image. It is easiest to do this with the Channel Mixer. Image>Adjustment>Channel Mixer. / Set Red to 100% Blue / and set Blue to 100% Red. Leave Green 100% Green. / You could probably get a similar effect using Hue/Sat function to shift Hues, but Channel Mixer is MUCH easier. Step 3 — Levels (Clip Back and White Points) / Select IMAGE>ADJUSTMENTS>LEVELS and adjust the White and Black points. It seems beneficial to clip the Black point a bit and perhaps even the White point a little depending on the image exposure. Boosting midpoint may help as well (or may not). Input might be something like: 15, 1.10, 250 (for Black, Mid, and White) but this will be image dependent and you will have to tweak the settings. Experiment! / Step 4 — Hue/Sat (Adjust Sky & Cloud Color) / At this point your image should be pretty close, but you will probably want to further adjust Hue and Saturation. IMAGE>ADJUSTMENS> HUE & SATURATION. You can change individual colours by using the drop down menu in the EDIT box. To make the trees look whiter I reduced the saturation of all REDS in the image. / Step 5 — Brightness/Contrast / Now adjust the brightness/contrast of the image to bring out the colours just a bit more. IMAGE>ADJUSTMENT>BRIGHTNESS/CONTRAST. In this image I increased the contrast by 5. / Step 6 – Noise Reduction / A feature of classic infrared film images is the film grain. If you are not a fan of the noise produced by your long exposure then use a NOISE REDUCTION FILTER to remove any excess noise. / Step 7 – Burning / If some parts of your image are not as dark as you would like use the BURN TOOL to bring them out a bit. In this image some of the tree trunks are a bit pale for my liking so I am going to burn them slightly, especially the ones reflected in the water. Make sure that you set the Range to SHADOWS and the Exposure should be set very low. I have set it to 5. / And there you have it – a fully processed Infrared image.
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It was a dreary and grey day today. The fog was so thick so I decided to go for a drive to one of the lighthouses. This is an old outhouse hanging over the edge of the cliff next to the lighthouse. This is what the lighthouse keeper would use to scratch that itch… lol. It’s probably about 100 feet to the ocean straight below. / / What you can’t see in the image is that behind the outhouse there is nothing but open ocean for the next 3000 miles. / / Visit my website On The Rock Photography / / Canon 400D/XTI / 3 Shots. RAW. Handheld. Photomaitx. Lightroom. CS3 / / / / More in my Outhouse Series: / / / / / /
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Been doing lots of portraits lately. This was taken at “ABC Teralba Laundromat”. Thanks to my gracious model, Kim.
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