Fortune 

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  • André’s creation: eclectic pleasures
    by Maxwell Edward

    Black and white keys, saxophone, guitar, everywhere. The music has much more magnificence than can be tried to be explained through words…

    Black and white keys, saxophone, guitar, everywhere. The music has much more magnificence than can be tried to be explained through words. This jazzy rendezvous has always been André’s favourite ear-food. He just loves the way its beauty, splendour, radiance is ‘unleashed’. André stares at the canvas for over a dozen times. Here he is staring at the blank space which is future marvel…or was it to be past marvel? Had he missed his chance, missed the boat which would have sailed to sentimental stardom? He refuses to collaborate more than a sentence for any one idea. Any idea that deserves a sentence must deserve no doubt. Any canvas is only worth the greatest ideas. Two André’s exist; though only one at any one time. The withdrawn analytical front, designed for most occasions. On rare occasions the other character may appear, the intensive, massively determined André who acts on impulses. Impulsive André must be begged out. A Pandora’s Box of surprises, his job will at least never cease to astonish. “Dearest André, Through years have you befriended my son Louis, so therefore I am offering an opportunity to benefit both of our interests (with intent towards your gain). Litton inc., my company has stepped up towards mainstream success. We require visual arts for our newly bought edifice. I understand you have been painting for the eight years since high school. To your discretion I would like to require a painting; just one will suffice. I would like something vibrant and colourful, yet deep and meaningful; Contemporise to your own vision. Much thanks, Dr. Raymond Fonck.” The commissioned paper lies stuck on the wall. André has read it. Now it is time for the future. It has been too long sitting around (or rather bouncing around); too get too much productivity from anything. Someone once said to him that anything is good experience. True perhaps, although he prefers productivity, especially in a time of intensity such as this; three days left until confrontation. His vigilant eyes stroll around the room, searching for advice. He is not bored, nor has he painters block, for such a term does not exist and will not ever for him. His eyes strike the clock. The clock glares 5:48 pm back. What a disgusting fierce look it has. Not 5:45, nor 6:00 and only one uncomfortable minute in-between. For at this time these uncomforting three digits add to the frustration in the actual time. “Aw!” André suddenly realizes the importance of the time. It is the one factor which never seems to be on his side but actually encourages his total progress. It is an epiphany like that of a mother to the newborn. André decides to let his hands take / control. They are the secret key, (sometimes the gatekeepers of unleashing impulsive André) His dominant left one picks up the brush (over time it has made up for its fault of statistically losing him seven years). His right hand decides to lose cognition. It dips itself into a little puddle of Sangria oil paint muck. Than it flies onto the near-centre of the canvas, smeared diagonally. His left hand takes initiative once again, waving lines of smudge to and fro. Right hand brings more paint to its destination. Myrtle, Indigo, Olive, Magnolia…and no, not that…Yes, yes, even black! (Well seal brown to be precise). All of these contextually beautiful colours unleashed! There are no thoughts in André’s mind now. This is impulsive André now; organised thought is of little importance! That colour is important here. This colour is unimportant there. A few lines of any colour are important right here or there, but perhaps a darker colour is better. More negative space up and down the edges. Shape is forming. Lines are bolding. Complete non-representational form is diminishing. Visualizations; the visualized images in mind are being…unloaded bit by bit. It is coming about. What is it though? No one knows. If anybody could guess it definitely would not be André. André knows he has the power to bring out the reality in it though. In a seemingly paradox situation he must not connect to reality at the moment though. Now, after these hours of painting, André is in the painting. He would not know it has been hours besides the constant glare of the illuminating digital clock staring from across the room; it unconsciously processes its recognition into André. The phone screams out, ‘br-ring, br-ring!’ Like the other external matter it creeps into André, until finally its screams become too annoying to ignore. It’s too late now…impulsive André has vanished; his conventional counterpart has replaced him. The phone persists though. André decides to take it (typical for his returned mannerism). He dives across the room horizontally attacking the corner where that nuisance phone lies. ‘Aw, aw, aw, aw!’ A tube of paint has squirt from underneath his stomach. Agonising that his material friend can be so painful at times (like any of his life long friends). He picks up the phone; only the tone. He has missed whatever, whoever it was. Once again, missing the boat… Now thought and all that comes with it has returned. Why now out of all times possible? There is only sadness, misery, all this escalated from these small miniscule misfortunes; all has turned to turmoil! What can one do, when feeling like crawling into a hole? His secret minor disorders such as his claustrophobia would prevent him from crawling into that hole, even if he had one. At the moment everything feels like one big hole. Not surprisingly André’s eyes begin doing the only thing they know to do in times of unrest; wander. It is impossible to ignore what is there; it has been there all along, yet has never been seen. It is beautiful! It is splendour! It is radiance!! It is interrupted by another scream of ‘br-ring br-ring’. André picks up the damn phone. Without contemplation he whispers, “Sir, madam, I’m very terribly busy, could you perhaps call back sometime?” A deep sophisticated voice replies, “Raymond Fonck, André. Listen, I need to know about the progress of the painting. How is it going; ready to sell on Friday?” Many emotions garner at the speed of light inside André allows these emotions to clash inside of him. The painting; it is beautiful, splendour, radiance! How could he give it away now, after an indescribable series of emotional contributions? It is something that has not been attempted before; yet it is new but the expression of old. It is everything, at the moment, hopefully containing more interpretive inoculations for the future. It is a subject, of just some time, yet it contains a collaboration of detail separated from time. It is…once again interrupted by screams, this time of another sort; the infuriating talking of man. “André. Are you there?” Feelings of great rebellion sweep André off his feet. He knows how he will revolutionize his life, because after all; this painting has revolutionized his thought already. “Mister Fonck. I am so sorry. Some things have come over me…a type of sickness…although I am sure you are not aware of this mad syndrome I am suffering due to it. Well to the point, I must say I will not be supplying you with your wanted artwork. Thank you for your understanding. Hopefully we can collaborate something in future.” André hangs the phone up without replies, without a stated understanding from the mister Fonck. Without even the knowledge of acceptance or approval from the mister Fonck…it does not matter. All that matters is this new painting, this contemporised vision. It is everything. Most importantly of all, it is…unleashed!

  • Chinese energy hand, abstract painting with Chinese characters.

  • Mix medium photograph of a nest with 3 eggs and the Chinese characters LOVE, TRUST DREAM FORTUNE.

  • Mixed medium collage on various papers. Photograph of bird’s nest printed on Japanese rice paper with gouache staining and chinese calligraphy. Red square collage with bird head. Japanese block printed tree paper. Two leaves collaged onto Kinwashi paper. A fortune reads ” A pleasant surprise is in store for you”. The characters mean: love, trust, dream, and fortune.

  • Roll the die, / Win the game, / Everytime. MORE WORKS FROM MY PORTFOLIO /

  • Hartsville, SC. USA. Graflex Supergraphic 4×5. 135mm Optar. Ilford Delta 100 sheet film. Developed in Ilfosol S and then scanned.

  • Lady Luck – The Turn of a Card..you got to know when to hold them, know when to fold them…don’t you wish you had written that song;) / Art by Shanina Conway / Available as a framed print, poster and card. Image copyright © 2008 Shanina Conway. / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.

  • Tasmanian Botanic Gardens

  • The title of this photo used to be: Say a prayer for me, with the following description: / °°° / A delicate branch of cherry blossoms, symbol of spring, symbol of new life, carrying someones hope, someones prayers. Such a beautiful tradition in Japan… / °°° But it seems to be that I was misinformed and that the little paper on the tree is not a prayer, but a bad fortune. Here I found the following description of this custom: / °°° / Omikuji are fortunes written on strips of paper available at most Shinto shrines in Japan. There are 12 levels of fortunes, ranging from Great Blessing to Great Curse. When the fortune is bad, it is customary for the person to fold up the strip of paper and tie it to a pine tree branch at the temple grounds, thus freeing the person from the bad fortune. In the event of the fortune being good, the bearer should keep it. / °°° / As you can see, they don’t only use pine trees for it. / More Japan / / /

  • My origami calendar / / Just one sheet makes a big difference; / One sheet that can make over 2000 cranes. / Each crane a step closer to a better world; / Each piece a step closer to peace. Each square in the grid paper is 5×5mm; and to be exact, there were 2028 full squares in the paper When I was in grade 5 our teacher read “Sadako and the Thousand Paper Cranes” to our class. Sadako Sasaki was infected with leukemia. She spent her days folding cranes and making wishes upon them; wishing for her health and for a more peaceful world (the quote above is my writing inspired by the story of the thousand paper cranes). This concept was originally created in 2008, and photographed without a tripod. But now I have a tripod and decided to re-shoot this again and re-uploaded it on September 6, 2009. This piece has been included among RB’s featured pages, and in the following groups: / Inspired Art / Young Enthusiasts / / _Winner of The Challenge For a better idea of scale: / / Works by Category / / Origami / Drawings,Paintings and Graphics / Abstract Photography / Guessing Games Flowers, Trees and Plants / Water and Waterscapes / Scenery/Skyscapes / Light, Shadow, and Reflections / Still Life Living Creatures / Human Portrait Japanfluence / Canada / Europe / / / More Sample Origami / / / / / / / / / / / / / ‘Serenity’, the Firefly spacecraft (My own design) / / / / / / / /

  • Ok so this one’s a bit wierd…but some of you seem to like that :) I read a book in which the future could be told by feeding gold dust to animals, dissecting them and seeing where the gold collected in their viscera. It was a crap book but an interesting idea! 3 separate canvases – watercolour, chalk pastel, ink, conte, metallic leaf on canvas. These are bigger than life size:

  • This is basically a cinema4D render which i deconstructed in Photoshop to add some visual effects and textured layers.

  • This Fortune Cat brings you luck… then kills you

  • “Every man is the artisan of his own fortune”

  • Hand drawn and digitally coloured. One of my favourite shows is Outrageous Fortune, and one of the characters Pascalle West has an incredible storyline about being a kind of new age guru who tries to change everyone’s lives. She gives everyone raw food and pep talks, so I decided to create motivational posters for her :D / This work is licensed under a Creative Commons Attribution-No Derivative Works 2.5 Australia License

  • Original watercolor and inkline depiction of “The Queen of Wands” tarot card designed for an Art Nouveau deck. I designed this piece as part of a proposal for an all-female tarot card deck to be depicted in an art nouveau style. I also wanted the women to have different ethnicities depending on suit and for the deck to combine astrological (signs) and wiccan (elements, Four Directions, seasons) components into each card in a meaningful way. I see Wands as a Fire suit, with a Southern direction, situated at noon during a blazing summer. Wands signify the spark of creativity, energy and growth, and I wanted my Queen of Wands to be truly regal and somewhat fierce. Believe me, I had no idea when I painted her that she would end up looking so much like our First Lady! She says, “I Am”, “I Will” and “I Know”. I envisioned all the women in the Wands suit as being African, and this Queen is seated in her throne with her sunflower amidst the most creative of endeavors ever: the pyramids. Her wand is carved with the zodiac symbols Aries, Leo and Sagittarius. All wands are depicted in hot colors and earth tones. This original artwork is copyright Ramona Szczerba 2006. Copyright is not transferable with the sale of this item. The buyer is not entitled to any reproduction rights – image cannot be reproduced without my express written permission. Thanks!

  • Named by my 2 friends Bradley Shawn Rabon / and monocotylidono Nighttime, to some, a brief interlude, / To others, the fear of solitude Dawn is a feeling / A beautiful ceiling / The smell of grass / Just makes you pass / Into a dream You’re here today / No future fears / This day will last / A thousand years / If you want it to You look around you / Things they astound you / So breathe in deep / You’re not asleep / Open your mind You’re here today / No future fears / This day will last / A thousand years / If you want it to Do you understand / That all over this land / There’s a feeling / In minds far and near / Things are becoming clear / With a meaning Now that you’re knowing / Pleasure starts flowing / It’s true life flies / Faster than eyes / Could ever see You’re here today / No future fears / This day will last / A thousand years / If you want it to Lyrics: Dawn is a Feeling, Moody Blues

  • Original is Acrylic, Guache, and Metallic Craft Paint on 14×18 stretched canvas The insect and arachnids come to her call. She is their home and her blood sustains them. They are her ears and her voice. They whisper to her your innermost desires so that she may show you your destiny. She weaves your path with her silver silk into the very fabric that is time and space. She is The Oracle. Available as a T-Shirt HERE Featured on the Home Page 10/30/09 /

  • TAROT SERIES Original Available A4- £70 + P&P Finally I’ve made a start on my Tarot Project / I would like to do the full deck but will be starting with / the Major Arcana (this will probably take me some years / to complete, but you have got to start somewhere) I am deciding whether to do an all female tarot, whether this would work for divination purposes. As we all have male and female energies, I’m hoping to tap into this concept. / On completion, I will decide whether to add colour to the deck, again an important feature in representing energies and elements. I also need to think of a name for the Deck. / (Any feedback on these 3 ideas is most welcomed) Each piece will be an artwork in its own right (with its art and tarot title). When the deck is complete, I will add borderings to make them into the cards. My Inspirations will be Beauty, Nature, Modern Subculture meets Ancient Culture, My Dreams and Visions, The Devine Feminine / Hope you enjoy xx The Empress represents Motherhood and fertility, represented by the roses on her skirt and the soft invite of her petticoats. The crescent moon of her belt buckle represents, the waxing and waning of the moon and its links to fertility (the cycle of life).The cats are the children in this piece, in need of love, care and attention, but ultimately their own spirits and independant beings. The Empress has physical and spirtitual security, you can tell by her confident gaze she is mature and knowing. Loving and generous, she wears her heart on her sleeve and has one foot firmly in earthy matters and her spirit flying with Angels I want to thank my good friend Paul for picking up on the Crescent Moon Belt Buckle, something I was unaware of, that emerged from the subconscious and makes so much sense in the piece. / Paul’s Gallery-Gottheshot / Thank YOU xx Pen and Ink on Cartridge Paper FEATURED IN ALL THINGS BLACK & THE DEVINE FEMININE JULY 2009 (with thanks x) / FEATURED IN REAL MEN WEAR TIGHTS AUGUST 2009 / FEATURED IN PAINTED LADIES AUGUST 2009

  • Uno de los siete dioses de la fortuna. / / One of the seven gods of fortune.

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