Digital creation using Ulead Photo Express software.
Canon 10D / 17-40mmL Antelope Canyon is the most-visited and most-photographed slot canyon in the American Southwest. It is located on Navajo land near Page, Arizona. Antelope Canyon formed over the course of millions of years by erosion of the Navajo Sandstone, primarily due to flash flooding and secondarily due to wind erosion. Rainwater (especially during monsoon season) runs into the wash that Antelope Canyon is part of, picking up speed and sand as it rushes through the narrow passageways. Over time the passageways are eroded away, making the corridors wider and smoothing hard edges in such a way as to form characteristic ‘flowing’ shapes in the rock. Lower Antelope Canyon, called Hasdeztwazi, or “spiral rock arches” by the Navajo, is located a few kilometers away from the upper Antelope Canyon and is a more difficult hike. In the same series: / / /
I took this picture a couple of years ago at the beach of Marina di Grosseto, Tuscany, Italy. / This is a fine example I think of how a fisheye lens can completely change the feeling of an ordinary scene. The subject is simply some surf on the seashore, captured from a distance of not more than a foot. / The original picture is a Fuji Velvia 50 Iso medium format slide. Hope you enjoy it, thanks for dropping by. Paolo
Sunlight reflecting in a pool of Karijini National Park/Western Australia create a surreal atmosphere. Equipment: CANON 5D Image was featured in Style! Class! Elegance! Excellence! SOLD: / Laminated Print, Large 610×305mm, through RB-site / / Framing suggestion: / © aabz-imaging / ALL RIGHTS RESERVED
This pool in Karijini National Park / Western Australia is a bit hard to get to but well worth the effort. Equipment: CANON 5D, CANON 24-105 f4 L IS Framing suggestion: / Photo was featured in Style! Class! Elegance! Excellence! SOLD: / Durst Lambda Fuji Flex Print 20×12 inch, / Sold to person from Western Australia, / through www.aabz-imaging.com / Matted Print, 218mm x 326mm, through RB-site © aabz-imaging / ALL RIGHTS RESERVED
Incredibly shaped rocks in Hamersley Gorge, Karijini National Park/Western Australia Equipment: CANON 5D, 17mm This image has won the following RB-Challenges: / Australian Traveller Travel Photography Challenge / National Parks of the World Group – Your Best Feature Framing suggestion: / / / SOLD: / Laminated Print, Large 610×406mm, through RB-site / / Image was featured in Fine Art of Landscape Photography – Style! Class! Elegance! Excellence! – Australian Travel Photography and Writing – Your Magic Place / / © aabz-imaging / ALL RIGHTS RESERVED
Featured in Mountains and Mountain Light Group – January 9, 2009 / Featured in Shots in the Fog Group – December 20, 2008 / Featured in Americas National Park Group – June 2008 Sunrise photograph of the early morning fog at the Colorado National Monument, near Fruita, Colorado. All images are © Brian Hendricks. / These images may not be reproduced, copied or manipulated without written permission. No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright. All Rights Reserved. / brianhendricks.net
Spires in Arches National Park – Utah USA tour 2008 Please view large This area preserves over 2,000 natural sandstone arches as well as many other unusual rock formations. In some areas, the forces of nature have exposed millions of years of geologic history. The extraordinary features of the park create a landscape of contrasting colors, landforms and textures that is unlike any other in the world. / I took this shot after a fall down a hill, my wide angle lens took the brunt but survived thankfully although the polarizer was a little worse for wear. Limping, bleeding and rather scarred I throughly enjoyed my hike around this area. Moral of the story look before you shoot !!! Hope you enjoy the view :) WARNING / ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
This is a PS composite of three Holga shots, the Frisco skyline, a window on Alcatraz and me on the tube in London. What I am trying to say here is that deep underneath everything that exists, there is a filthy window, and if you can peer through this darkness and into your imprisoned inner being you can see …... ....that the fucking Northern Line is suspended again.
The British Royal Air Force Red Arrows displaying some of their signature 9 ship formation flying skills. This image was recently taken during a rare US apparence at the Airpower Over Hampton Roads airshow in Langley, VA.
A watersplash photograph in form of a heart with reddish underlighting :)
From the San Juan Islands while whale watching for Orcas. This was taken with a crappy camera so the Quality isn’t the best but it is still high enough to be enjoyable :) / Red-Orange colors are edited.. or practically fake Cokin ;P.
Hundreds of little drops on a Gerbera daisy. Colors weren’t edited. Camera: Canon Digital Rebel XSi (450D) / Lens: Canon Macro Lens EF-S 60mm / Focal Length: 60 mm / Flash: Canon MR14-EX Flash / Flash Mode: ETT-L Shutter Speed: 1/60 sec / Aperture: 2.8 / ISO: 100
Garden of the Gods, Colorado
The latest fashion. I shall be doing a whole heap of these now i know how. You need to be good at juggling cameras, however, they are so much fun. Theory: / TTV (Through The Viewfinder) photography is when you use an old medium format camera and a digital camera. / These old medium format twin reflex cameras have large viewfinders. Firstly you compose your image using the medium format camera (in my case i have used a mamiya c33) then you actually take the picture using a digital camera (here i use my pentax K10) of what is in the viewfinder of the old camera. The result, to me, is a kind of dreamy, nostalgic (yep it’s the old camera) feel. All the dust, scratches, textures, increment measurements and imperfections come straight from the viewfinder of the medium format camera used here. All you lovely ladies, Dani Di Cesare, for making me see the light. hehe, Jules Campbell for her amazing explanation on this method and Kitsmumma for providing beautiful visuals on this. / You are all so inspirational. Thank you! Pssst PJ, i know i’ve seen an old twin reflex camera on your mantel, so you best get your creative visual juices flowing too. ♥
Dark brooding storm clouds (in a most fascinating formation) roll over the red sands of the desert today, bringing with them the long forgotten pleasures of rain. Captured at Uluru (1st November 2008). [Creative Effects: Brightness/contrast/shadow adjustments, omni spotlight with Photoshop]
part of a ttv (through the viewfinder) series Theory: / TTV (Through The Viewfinder) photography is when you use an old medium format camera and a digital camera. / These old medium format twin reflex cameras have large viewfinders. Firstly you compose your image using the medium format camera (in my case i have used a mamiya c33) then you actually take the picture using a digital camera (here i use my pentax K10) of what is in the viewfinder of the old camera.
An exhilarating afternoon desert storm approaches over my backyard. Uluru, 1st November, 2008. [Creative Effects: Brightness/contrast adjustments, Spotlight with Photoshop]
...cause tomorrow is remembrance day. In Flanders Fields In Flanders fields the poppies blow / Between the crosses, row on row, / That mark our place; and in the sky / The larks, still bravely singing, fly / Scarce heard amid the guns below. / We are the dead. Short days ago / We lived, felt dawn, saw sunset glow, / Loved, and were loved, and now we lie / In Flanders fields. / Take up our quarrel with the foe: / To you from failing hands we throw / The torch; be yours to hold it high. / If ye break faith with us who die / We shall not sleep, though poppies grow / In Flanders fields. — Lt.-Col. John McCrae
A group of ducks fly by in the dawn and captured with a panned slow shutter speed exposure near the breakwater of Santa Barbara, California. Canon 1Ds Mark II / 600 mm focal length / 1/10 second / f/8
Been scanning through some old shots and came across this horizontal format of Kermits Pool in Karijini National Park. Thought I would upload this one as a different view to the successful portrait image: Equipment: CANON 5D, 24-105 f4L IS SOLD: Poster, Small, Through RB-Site © aabz-imaging / ALL RIGHTS RESERVED
Rimrocks area, Grand Staircase Escalante National Monument, Utah. Camera: Nikon D50. Post processed with RawShooter. Featured in Welcome to Utah: March, 2009. Featured in Americas Natural Wonders: March, 2009. Featured in America’s National Parks: April, 2009. Featured in The Wild West Show: April, 2009. Featured in Color and Light: May, 2009. Featured in Rural Around The Globe: May, 2009. Featured in Canon Vs Nikon: May, 2009. Featured in The Feature Fraternity: June, 2009. Featured in Utah Landscapes: June, 2009. Featured in Beautiful: October, 2009.
This was taken in the Park Avenue area of Arches National Park near Moab Utah, USA. Nikon D300, Nikor 18-200vr, circ polorizer
Tim Scullion: Storm clouds turn shades of red at sunset in Sedona, AZ. (almost looks like a tornado, but there was no wind, just some spotty rain) Boynton Canyon Park, (city park) Sedona, AZ. / Canon EOS Rebel / ISO 100, f/22, 1/60 sec. / Featured in American Southwest and All Parks.
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