Forever
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2033 creative works found
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Title: Where She Sat / Camera: Nikon D80 / Capture Date: 10/01/2007 / Dimensions: / Exposure: 1/60 sec at f/5.0 / Focal Length: 93mm / ISO: 100 / Filter: None / Flash: None / Tripod: Yes / Uploaded Date: 10/01/2007 / Comments: Has she passed away? Did she leave him? You decide… © 2009 Charles Dobbs Photography. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Charles Dobbs. Any reproduction, modification, publication, transmission, transfer, or exploitation of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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Taken Canon Rebel Xt / Pro9
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My Journal 2005 / 2007 / 2008 / sold 21×15 double matted framed Prints-gallery
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This for you Terez , my lovely daughter , she died when she was nearly 15 …… The original is 100cmX100×2cm cm , oil on canvas . /
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An Photomanipulation.Hope you all enjoy.
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The sad monkey is back… still requires much cheering up
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Image captured near Uluru, 3rd October 2008. [Creative Effects: Contrast adjustment, Omni Spotlight with Photoshop]
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Canon 350D
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Home Page Feature 15/12/2009 / Straight from the Camera. The swirls of gold and orange seemed to go on forever in this rose – just like an ongoing vivid sunrise. / /
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Let me take you down / cause I’m going to strawberry fields / Nothing is real / and nothing to get hung about / Strawberry fields forever / ~ Beatles Strawberry Fields Forever I guess you can say this is a beatle inspired work. I have had an itch to do something. I scratched it for the moment. I hope you all Enjoy. / ROCK IT BABY / Canon 30Dslr
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model: Steph Tout / photography: Jo O’Brien / location: McCrae beach, Victoria
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I wanted to do an image that symbolizes the Victorian bushfires that started on Saturday the 7th of February 2009, but I didn’t want this image to be sad (although we all know how devastating it has been), I wanted this image to be about the loss, the lives saved, how Australians came together and the growth to come. The Bird symbolizes all the lives that were saved, but this bird has no nest, so it also symbolizes all the homes that were lost and the nothingness some of these people now feel. The Birds claw clinging onto the tree branch is there to symbolize the fire fighters thoughts of hanging in there, and putting all these fires out. The Heart is there to symbolize all the heart ache and love, which us Australians have felt and will never forget. The Flower is there to symbolize all the help, support, donations and everything that us Australians have given to those affected, just to let them know that they have got support, and us Aussies are all here to help. The Music symbols are there to symbolize (all the lives lost) all the spirits flying up into the sky. The Leafs symbolize the growth to come, with rebuilding these affected communities. And I did not want an actual image of a fire in my design, so the swirls of the bird’s tail are there to symbolize the raging fire that affected so many. I ended up donating $630 for the bush fire appeal, from 2 paintings i auctioned and a couple of T’s :o)
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another year to start again / another lonely wish as time is bleeding away / you’re growing small in yourself / you come to know the motion of sinking so well / the tide will rise over your head / forgo the breath, you learn what keeps you down / now you’re breathing under there / you drift away from all your blinding fear oh oh you opened your eyes / oh oh you came into sight / no more burning hands / you buried doubt away you walk around beneath clouds / and count the days that should have been spent / the chilling air it whispers / it resonates in memories you swept aside / I want to wear that feeling now / when you’re close it echo’s throughout my soul / proliferate what’s left wanting / and self demise will drown inside past times oh oh you opened your eyes / oh oh you came into sight / no more burning hands / you buried doubt away -me / /
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featured in Universal Innovation 09-19-2009 / MUSIC / The summer sun is fading as the year grows old, / and darker days are drawing near, / the winter winds will be much colder, / now you’re not here. / I watch the birds fly south across the autumn sky / and one by one they disappear / I wish that I was flying with them, / now you’re not here like the sun through the trees you came to love me / like a leaf on a breeze you blew away through autumn’s golden gown we used to kick our way / you always loved this time of year / loose fallen leaves lie undisturbed now / cos you’re not here like the sun through the trees you came to love me / like a leaf on a breeze you blew away a gentle rain falls softly on my weary eyes / as if to hide a lonely tear / my life will be forever autumn / cos you’re not here A combination of fractals rendered in Apophysis
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Letraset. Paper. Half a lifetime. Originally it was a graphic about ‘not heeding warnings’ and ‘time running out’, but as I made it I started to think more and more about how 1984 is just as much an instruction manual for the powerful as it is a warning for the proles. There’s a name for this effect I think, but I have forgotten it. 3mm Helvetica Condensed Bold. / The bottom half of the hourglass never made it on. Looked too much like a moustache. / “Nothing was your own except the few cubic centimetres inside your skull.” / There was also a variation I quite liked but the text was too small I think.
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playing in my thoughts today….asking..about spirits playing…and then this kinda just evolved…..as i went deeper in the thought…xx i started with the photo of this beautiful flower and and showed, as i see it… going thru time….. i hope you like this…
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A single dandelion seed stranded amongst the wet. / [earlier macro work] Full view a must =) Canon 400D / Canon 100mm usm macro lens
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love letter
by mimi yoonfolded into the shape of a heart
o7.o2.2oo9 .
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can i justify my time and promise you the world / sinking views still rise once you fall low enough / now I’ll change direction on a one way street / but this is what it takes when Im holding on / ...to you / and this is what it seems / and nothings as it seems / but you can still believe / keep it locked inside / you’re begging for a change / and nothing feels the same / but your voice still remains / keep it locked inside take a point of view from a wold that you see through / on the other side you’re dreaming can’t disguise / a dream that waited to breathe and I could fall into / searching for a place to hide and whispers that / ..you keep and this is what it seems / and nothings as it seems / but you can still believe / keep it locked inside / you’re begging for a change / and nothing feels the same / but your voice still remains / keep it locked inside -me
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BEST VIEWED LARGE Digital work. You can see a full list of PS brushes I use on my profile page. / Group Features: ‘Dimensions’ – August 2009 ‘Shoot the Moon’ – September 2009
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The Sydney Harbour
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featured in Globes, Sphere’s&Curves 11-26-2009 / featured in Yellow Gallery 11-13-2009 / featured in Monochrome 11-04-2009 / featured in Peace, Love & Tranquility 11-04-2009 / featured in Bits&Pieces 11-02-2009 / featured in Imaginative Realism 11-02-2009 / featured in The World As We See It 11-02-2009 The summer sun is fading as the year grows old, / and darker days are drawing near, / the winter winds will be much colder, / now you’re not here. / I watch the birds fly south across the autumn sky / and one by one they disappear / I wish that I was flying with them, / now you’re not here like the sun through the trees you came to love me / like a leaf on a breeze you blew away through autumn’s golden gown we used to kick our way / you always loved this time of year / loose fallen leaves lie undisturbed now / cos you’re not here like the sun through the trees you came to love me / like a leaf on a breeze you blew away a gentle rain falls softly on my weary eyes / as if to hide a lonely tear / my life will be forever autumn / cos you’re not here / / Created with Apophysis & Incendia /
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