Flower wilde
4533 creative works found
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Best viewed LARGE Image copyright © 2008 Kitsmumma / Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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Wild flowers, captured while out walking in Derbyshire, UK. Photography and editing by Jennifer Woodward © 2008
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/ / Ellie Elephant is created from chalk pastels, ink, charcoal and acrylic paint with a crackle effect to make her hide look authentic. I finally got around to enlarging her, as i have her loaded as a small image for a card, but now she’s available as a print also…one of my favourites :) I hope you like her….she’s hiding in the jungle
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Macro
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©Aimee Stewart, Foxfires – please see my CC Terms of Use before considering using this image for any personal or commercial: Foxfires Terms / (Please do not repost this on Photobucket or Flickr!) / —-—-—-—-——- Like a pearl dropped in red dark wine, / Your pale face sank within my heart, / Not to be mine, yet always mine. The cruel agonies, the poignant struggles, / the bitter tears have been replaced by a tender companion… / pale and gentle Melancholy —-—-—-—-——- Artist’s notes: What started out as a doodle to break through my Artist’s block, turned into this. Letting the mind wander, enjoying texture and color…. —-—-—-—-——- / Model: Chona Stock / Brushes: Greenaleydis-Stock / Obsidian Dawn Brushes
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Acrylic on canvas / 60×60cm Close up:
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LITHUANIA
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/ 2009 06 05 LITHUANIA LITHUANIA CLICK for VIEW or COMMENT
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Lithuania CLICK for VIEW or COMMENT
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Lithuania CLICK for VIEW or COMMENT
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This photo has not been cross-processed properly, apparently. However, I’d never heard of cross-processing until recently. I’ve read that the term started by developing color print or slide film in the wrong chemicals – for example, color negative film in slide chemicals or slide film by the color negative process. This causes wild color and contrast shifts and requires lots of trial and error. for more, see Dana DiPasquale’s forum page. Apparently a group exists for cross-processing experts, as well. / / However, playing with the RGB channels certainly stretched my tendency for more realistic, staid photos! I played with this photo last night using Sue Wickham’s method and the tutorial that Mary Campbell posted. I used curves and RGB channels in Photoshop and Nikon’s Capture NX2.1 software. / / This is the Capture NX2 version, with a bit of a vignette blur from efex. Original: Nikon D200, Nikkor 70-300mm, 145mm, f/5.6, 1/1000sec, -0.3ev., ISO 200, manual exposure, / Converted from 12-bit RAW to jpeg. Manfrotto tripod. / 2025×3037px
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Lithuania CLICK for VIEW or COMMENT
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Lithuania CLICK for VIEW or COMMENT
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Lithuania CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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“Wild is the Wind” is part of the semi- abstract collection that showcases the effect of wind..at 22×30, it is the largest of the series…painted with one 3” chip and two colours, it follows the tradition of the other paintings where the wind is interpreted by the movement of the brush loaded with colour… no drawing in done prior to painting..watercolour on gessoed Arches Hot Pressed Paper... / Anticipation / Prairie Fires / Yesterday / After the Harvest / Prairie Gold / Prairie Night / Prairie Wind / Gale Force
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WINNER of the challenge Extreme Depth of Field Yellow Hypericum / Nikon D300 / Nikon 18-55mm / 1/100, f/5.0, ISO100
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