Film photography
584 creative works found
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Someone on Flickr said I should call this “Skyroad”. So there you go. Taken at Tullamarine airport, Melbourne.
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All profits of the sales of this tee go directly to the Melbourne Silver Mine.
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Not a nude but still a bit naughty. Dark elegant and compelling. Another old analouge image from the vaults. This looks great framed.
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Bill couldn’t get any emergency accommodation because no one would let him keep Ted, so they chose to live together under the bridge.
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Shot with a Nikkormat 35mm body and Nikon 55mm macro lens on Kodak TMax 100 ISO, f22 8 secs. Printed on Ilford Multigrade and scanned. Toning applied in post processing. Other images in the series: / Very Still Life #2 / Very Still Life #3
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Coops Shot Tower, Melbourne Central, Melbourne / Holga 120CFN, Fuji Pro ISO400
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The two lovers enter each others mouths in a passionate exchange of lust and sexual energy. Shedding their clothing slowly, they progress to more and more heated exchanges of hand movements and mouth actions. Inside each other, they have found something so alluring and erotic that neither can go a day without the sensuous bodily rhythm they share.
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Swanston Street, Melbourne, Victoria / Lomo Lubitel166B, Fuji Neopan ISO400, .45x wide angle adapter / Ultrafin Plus, 1:6, 8:30min @ 20DegC
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As part of a series. This image was shot using a / mamiya 220 camera (6X6 medium format) and iLford black and white roll film. The original is printed on Ilford Multigrade IV Fiber Based Paper.
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Scanned 35mm film Other Images Europe / All Things Italy / Animals / Fabulous Felines / Flowers & Leaves & Things / Black & White / Urban / Land, Sea & Sky Scapes / Textures & Abstracts / Triptychs (and one quartet!) / Film
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cannon elan II E, FD mount lens with converter to cannon eos, 200mm F2.8, exposure F22 @ 2sec., fujufilm iso-400
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Scanned 35mm film Other Images Europe / All Things Italy / Animals / Fabulous Felines / Flowers & Leaves & Things / Black & White / Urban / Land, Sea & Sky Scapes / Textures & Abstracts / Triptychs (and one quartet!) / Film
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This was shot using a Nikon N80 and kodak potra 160NC colour film.
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This picture of a lovely laughing child was taken some years ago now while I was driving out from Meekathara in the WA central desert on my way towards the Gun Barrel Highway. At a tiny camp called Wiluna I stopped to look for some art and come across this family sitting in their car in the shade. This child’s sweet face has stayed with me all this time but today, this momentus day, is the first time I’ve felt like I could display it. Little Debbie and her family are impoverished by anyones standard but they clearly have love and strong family bonds. This child represents what we that is we white Australians are saying sorry for. Sorry that we couldn’t see value in our fellow Australians. The first settlers here in this wide brown land. Sorry that we took little children away from their family and their country and people. Only a relatively short time ago this child and her mother would have fled at my approach fearing my whiteness and the dreadful things we whites perpetrated upon them in the name of the law. So from the bottom of my heart Debbie I would like to say Sorry. Sorry Sorry indeed I am very sorry. And I hope that now we can all go on together in peace and trust and mutal respect. For all the little Debbie’s white and black and brown and pink and yellow lets all step forward together hand in hand and welcome whatever it is that comes next….....
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This was shot using a Nikon N80 and kodak potra 160NC colour film.
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This image was shot using a mamiya 220 camera (6X6 medium format) and the very luscious Fujichrome Velvia ASA 50 slide film. / A little bit of fun, just on twilight on a full moon, i set up the camera and raced around the playground with my Maglite illuminating the play equipment. / tis part of a series of fun
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Swanston Street, Melbourne, Victoria / Lomo Lubitel 166B, Fuji Neopan ISO400
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PHOTO SHOOT MELBOURNE & SYDNEY PHOTOGRAPHERS ALL WELCOME: JOIN THE MAILING LIST
by AlateiaI PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE / for Amateur & Professionals alike PRIVATE ENQUIRIES ALSO WELCOME / ”!http:/...
I PRODUCE & DIRECT PHOTO OPPORTUNITIES FOR STILL CAPTURE / for Amateur & Professionals alike PRIVATE ENQUIRIES ALSO WELCOME / / photo courtesy of MAREE TOOGOOD / / photo courtesy of Jodie Johnson If you are interested in attending any of the PHOTOGRAPHIC SESSIONS that i stage and stepping off the virtual platform for a shoot, meeting other bubblers, working with excellent models, picking up tips on the job, let me know! and i will add you to our mailing list and keep you in the loop. / _photo courtesy of KARLS I organise, models, drops & props, venues, equipment etc. for on location and studio shoots. So jump on the mailing and stay in the loop just email SHOOTER MELBOURNE or SHOOTER SYDNEY to / events@arthouseproductions.com.au Some of the sessions are by invitation only as location can restrict numbers so let me know what areas interest you ie, dance, portraiture, black and white, cityscape, sports, nudes, fashion, catwalk, landscape, storms, seascape, animals, babies, night , long exposure, photo journalsim, macro, etc. etc Look forward to seeing you at the next SHOOTERS GALLERY !!
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Mt Gambier, South Australia / Holga 120CFN, Fuji Neopan ISO400 This was taken in May 2006. When I returned in May 2007, the bench had collapsed and had been removed.
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All profits from the sale of this tee go directly to the Melbourne Silver Mine. Please Support them. :-)
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Model – Halohid Sunken bathtubs are awesome. Copyright 2008 Harmony Nicholas
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Just lately I’ve been having a nice time posting all sorts of random things for all sorts of distracted reasons and thats been lots of fun. But time to run another series across the screens of bubbleland…..and that can only mean Infrared images are coming up. I love the dark and mysterious light that can be inticed into being with B/W infrared film…. and yes all my IR work is done the old fashioned way with film….. Kodak High Speed Infrared film to be exact. This particular series was shot in Sydney some years ago at the old Reschs site on Lachlan Street as it was being demolished to make way for a new housing development in the inner city. I was fascinated with the destruction of all the old buildings and how the hidden backs of structures of were revealed by the rolling waves of demolition. This urban landscape of ruined reality and brand new dreams set in the piles of rubble took on a profoundly mysterious atmosphere and became a landscape setting suitable for colonization by the imagination…...hence the title of the series…..Landscape for Orson Wells….. this one is the first and its the very corner of a building that no longer exists…. except in this photo…..... so it can now be a building anywere you fancy it to be and it can signify any thing that you the viewer would like it to mean…....
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This image was shot using a / mamiya 220 camera (6X6 medium format) and iLford black and white roll film.
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