Film red
413 creative works found
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Taken with a Minolta 5xi on Fuji film. Suburban Venice! / No tourists, just signs of lives being lived.
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This guy was pretty cool, sitting there minding his own business, and I just had to get the shot. But as I lifted the camera and looked through the lens he just broke into this mean stare into the lens like he was gonna hurt me. I saw it and quickly pressed the shutter. Later I complimented him on his tattoos and showed him the shot and it was then that his frown turned into a broad grin…phew!
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A Blue Version is posted on my DeviantART accout... Enjoy!
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Wilsons Promontory – ‘The Prom’, 2008 Have managed this summer to get out there and surf a bit. Lately just me, my board and my camera down the coast, tenting it and basically taking time out for myself. After a few hours in the water you get this kind of fuzzy peaceful feeling inside, equal parts exhaustion and elation. I love that headspace of daydreaming, and find it a really inspirational state for visual ideas to come to the surface.
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One Day Film Pigeon Logo http://www.onedayfilm.com
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Holga Square Website T-Shirt! www.holgasquare.com
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for the very lovely and talented artist jemimalovesbigted In the summer of 2000, sudden summer storms washed large amounts of nutrients into Port Phillip Bay. These nutrients caused blooms of microscopic algae called dinoflagellates. The increased nutrients and warm water meant that these planktonic organisms may be present in sufficient numbers to colour the water. This happened late in November and the eastern shores of Port Phillip Bay were stained red by an algal bloom. / Although the dinoflagellates were apparently not toxic, they were able to glow in the dark. During this phenomenon, many locals would arrive on the beach shores at night, pick up a hand full of sand and throw it into the sea to see it glow in the dark. Bioluminescence is simply light produced by a chemical reaction which originates in an organism. / Bioluminescence is a primarily marine phenomenon. It is the predominant source of light in the largest fraction of the habitable volume of the earth, the deep ocean. / Bioluminescent bacteria occur nearly everywhere, and probably most spectacularly as the rare “milky sea” phenomenon, particularly in the Indian Ocean where mariners report steaming for hours through a sea glowing with a soft white light as far as the eye can see.
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I am currently in the process of designing a CD cover for a music compilation of artists who perform at the Famous Blue Raincoat and this was put together from an experiment I performed on some out of date 35mm film in my Holga..Well the film results were rather odd, but I kinda liked how it turned out… Hope you enjoy it =D
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An old lantern next to the entrance to the Virgin Mary Visitation church in Hejnice, Jizera mountains, Czech Republic. I feel that giving light is very symbolic for this place where the pilgrimage roads from several countries cross since the 13th century… February 2002. Canon EOS 500N, Sigma 28-135. Post-processing: retouch, blend-modes, color correction, watercolor.
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We all spend a part of each day, just waiting for something…a phone call…a bus to come…the traffic to move…the kettle to boil…a holiday…a pay rise…love…happiness…success…a file to upload. / Perhaps you’ve been waiting your whole life for something to happen? / Or maybe it’s just about to…any minute now.
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Copyright 2008-2009 © Helen Chierego / This image is protected by copyright law and is not to be used without express written permission from the copyright holder. / Images may not be copied, reproduced, altered or used for any advertising, displays, any other web sites or for any business or promotional purpose or any other way (whole or in part) without prior written approval of the copyright holder. / All Rights Reserved An icon ot the western suburbs of Melbourne. I enjoyed many films during my childhood in this art deco building. Glad to see it enjoying a revival. / CLICK ON T-SHIRT / / SUN PICTURE THEATRE For Yvonne, Michelle and Margot / The world is revolving faster these days / How did it happen that twenty-four hours / Now seem like eighteen…or less? Back then / The Sun sign flickered day and night / Above the picture theatre, when we jumped / Off the Spotswood bus at Yarraville Station, / To ride the railway gates with the men / And boys, while the women stood back / They swung open like welcoming arms / Scooping us into the land of reel to reel Streamers propelled by light. In the Art Deco / Building with a half sun on top, glowing / Like an icon or cross on a church / Rising up over the sugar refinery, docks / And our real lives we never thought about / While we were in Hollywood, America / The good old U S of A in Australia singing God Save the Queen, while we stood head / To shoulder with women and men dressed in suits / And the other kids who knew all the words / To an anthem sung into our colonial heads / At school and on TV without needing a script / Or subtitles on the bottom of the screen / With a bouncing ball swooping over lyrics. At the matinee we sighed when the lights were dimmed / Slipping down into our seats and out of our bodies / Onto the screen where film goddesses always ended up / With impossible heroes we read about on Fantales wrappers / While we crunched through to chocolate inside vermillion / Jaffas and licked wafered vanilla icecreams. Chilled when the lights went out once upon a time / And the curtains opened to Alfred Hitchcock’s Psycho / Mother told me to cover my eyes while / She held my ears and screamed so loudly / A rush of shivers snap froze the audience / To their seats. Black and white or / Technicolor…she liked a good murder. While her daughters plagiarised musicals / To re-enact on the front verandah for kids / Who lived on the Avenue. Costumes, makeup, / Some lousy script of song and dance everyone / Sat through and wanted more of every Saturday / After Mum had said: ‘Let’s go to the flicks’ / And we came home from that dreaming place Where the Sun is now derelict and only lights / Up for vandals, who make fires in the dress / Circle, front and back stalls, turning the floors / And ceiling into charcoal as delicate as Violet Crumble. Copyright Helen Chierego. (Note: I wrote this poem long before the revival of the theatre when the interior was still a burnt out ruin.) / / /
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Painted Poppies film scanned and photoshopped
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/ __________________ Traditional painting, / Acrylics & gouache on cardboard. / Creation Date: 18.11.2008 A gift for my dear ZOMBIE and the GRINDHOUSE group. The other part of Grindhouse, “Planet Terror”, a film by Robert Rodriguez. Rose McGowan poses as Cherry, the crippled supergirl with a machine gun for a leg who fights against the infected. Cult! — / / — © All images copyright ROUBLE RUST / Spyridoula Bleta / All the images in this gallery are copyrighted, are NOT part of public domain & may not be reproduced, copied, edited, transmitted, uploaded, downloaded, or published in any way without my permission. Any violation of this copyright law will result in a lawsuit.
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Model/MUA: Meluxine I know I’ve been horribly slack with updating this gallery, but I’m back. / Aaaaand I’m selling prints, but not through RB – you can’t sign them or anything. / Mail me privately if you’re interested in purchasing my work. Copyright 2009 Harmony Nicholas
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Acrylic On Canvas Was inspired to do this piece after watching the movie, “In The Mood For Love”. Set in the Hongkong 60s, it’s a tale of forbidden love, full of regrets and secrets. This painting is my personal interpretation of the following lines from the movie. “In the old days, if someone had a secret they don’t want to share what do they do? They went up a mountain, find a tree,carved a hole in it and whispered the secret into the hole. Then they covered it with mud. And leave the secret there forever.” You can view and buy my other “Can You Keep A Secret” creations from my Zazzle Gallery:
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I shot the window and Matt shot the leaf and grass. Love this! [Double Exposure Project #3 – Oregon and San Diego Exposed] This is one of the images produced through double exposing a roll of film with my amazingly talented, generous, and dear friend Matt Adamik. This is our third attempt at working with this process and I am in love with every image yet again. Matt lives in Oregon and I live in San Diego. He shot the roll first, mailed it to me, and I shot over top his photos. Neither of us knew what the other was shooting. The results are astounding and breathtaking. And fun! We will be collaborating on many more double exposure projects in the very near future. A wonderful way to bring Oregon and San Diego together, as well as the styles and friendships of two photographers. I am absolutely in love with this type of photography! I highly recommend it for everyone. Thank you Matt for everything! Goggles Down!
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Glasgow, Scotland, 2005. A bit of a rework of an image that was originally created as part of a quadtych series – “Vanishing Point (#’s1-4)” – entered into the Nikon Summer Salon back in 2004 – (now called the Kodak Salon). Was beside myself – read; totally friggin stoked! when the series was awarded – “Best Digital Photomedia Work” The Kodak Salon is now Australia’s largest open entry photomedia exhibition held at The Centre for Contemporary Photography, Fitzroy, Melbourne.
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I recently got an intuos tablet. / This is the first “real” thing I’ve created while using it. / Other then this I’ve just been scribbling and trying to get used to using it. / I’m pretty excited about it!
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This is my tribute to one of the most innovative films I´ve ever seen in years. / The Pillow Book is a 1996 film by UK director Peter Greenaway; main character is Nagiko, a Japanese model. / “The film is a rich and artistic melding of dark modern drama with idealized Chinese and Japanese cultural themes and settings, and centers around body painting.” / “As a young girl in Japan, Nagiko’s father paints characters on her face, and her aunt reads to her from “The Pillow Book”, the diary of a 10th-century lady-in-waiting. Nagiko grows up, obsessed with books, papers, and writing on bodies, and her sexual odyssey (and the creation of her own Pillow Book) is a “parfait mélange” of classical Japanese, modern Chinese, and Western film images.” Well, for those who haven´t seen this film, I highly recommend it. A brief of this film can be found here). Main female figure with clothes and accesories and props conform a cinema4D render; the rest was done in postwork by blending photo-layers and a bit of digital painting.
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(c) Nicole Gesmondi 2009 /
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Love film or it will be a thing of the past! / One for the ‘original’ photographers. :-) Detail: /
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