Figure oil painting
834 creative works found
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oil on canvass
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a new smaller piece, oils on canvas 12”x10” / this painting is currently untitled – please help me think of a name! add your ideas to the comments below or bubblemail me!
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Drawn with silver, black and white gel pens on a sheet of watercolour paper that i primmed with black oil paint, diluted with gum turps for a little transparency. / Model / Keep meaning to do a picture of her. her stock shots are beautiful, check her out! Same sort of thing as my ‘behold’ series’ works such as… /
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A real mirror (not the frame, just the glass) is used in this painting so that when you, the viewer, look at the painting, your reflection shows up in the mirror. You then become part of the painting and she is looking at you. . . Oil on Stretched Canvas – No Airbrushing / & Real Mirror 48 X 36 inches / 122 X 92 cm Original : / Sold / contact my Agents at Gallery 112 / .................................................................................
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mixed media (pastel, oil, silk, on 3 panel screen) From “Who’s That Girl, Twelve Incarnations of Ruby” series. Dreaming of weightlessness, Ruby becomes free of her demons.
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mixed media (charcoal, oil, resin, beeswax) / From “Who’s That Girl, Twelve Incarnations of Ruby” series. Odd jobs, office space, sales, what are we are supposed to do and say? Ruby tries to make her way, navigating through occupational hazards.
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oil on canvas / 70×100 cm The original is for sale. Other works You can see on website www.shevchukart.com Critiques are welcome. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Yuriy Shevchuk. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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oil on canvas / 70×100 cm Other works You can see on website www.shevchukart.com Critiques are welcome. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Yuriy Shevchuk. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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Oil on cardboard / 15” x 21.5” / 2008 I see this painting as representing a very powerful force that is choosing to reveal itself in a non-threatening and approachable way, embodying two paradoxical energies at once. The symbol shown is Algiz from the ancient runic alphabet.
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‘Surrender’ from the Choir Series #8 / 24” x 36” / oils / Original artwork is now SOLD / Self-interest is but the survival of the animal in us. / Humanity only begins for man with self-surrender. / Henri Frederic Amiel (1821 – 1881) * / Everything is on its way to becoming something else, and therefore, nothing / can be held onto. If you see this clearly, if you consider and examine this / deeply and fully, then letting go is the only thing left to do. How can you hold / on? What is there to hold onto? So the art of spiritual surrender is really the / art of not knowing. Then it doesn’t’t make any difference at all whether you / are walking down the street or eating lunch or responding to your email or / making love or sitting alone on your couch. This is the first and last time you / will ever be doing this. If you truly understand that, it changes everything. / Scott Morrison ** / Heather
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Oil on Canvas 2008 100 cm x 40 cm Painting of Chinese Ceramic Figure
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Original oil on canvas. / 26” x 15” inches. / 2008 / Price: $ 1,200 USD.
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Somehow this model reminded me of a Degas girl…. he has been a huge inspiration to me. Oil on Board / Size 215×180mm
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oil on canvas
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In the novel, while on their way to the Emerald City, Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion walk through a field of poppies, and both Dorothy and the Lion mysteriously fall asleep, as if from the opium of poppies. The Scarecrow and the Tin Man, not being made of flesh and blood, are unaffected. They carry Dorothy to safety and place her on the ground beyond the poppy field. While they are considering how to help the Lion, a field mouse runs in front of them, fleeing a cougar. The Tin Man beheads the cougar with his axe, and the field mouse pledges her eternal gratitude. Being the Queen of the Field Mice, she gathers all her subjects together. The Tin Man cuts down several trees, and builds a wagon. The Lion is pushed onto it, and the mice pull the wagon safely out of the poppy field. / Digital painting is an emerging art form in which traditional painting techniques such as watercolor, oils, etc. are applied using digital tools by means of a computer, a digitizing tablet and stylus, and software. Digital painting differs from other forms of digital art, particularly computer-generated art, in that it does not involve the computer rendering from a model. The artist uses painting techniques to create the digital painting directly on the computer. / I create the painting, directly on my PC, by using a Wacom tablet, a stylus pen and ArtRage painting software. The Wacom tablet can be compared to a canvas or watercolor paper surface. The stylus pen is my paintbrush.
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OIL ON CANVAS / 36X24 I ENJOY CREATING AND PAINTING WHAT MY INTERPRETATION OF BEAUTY AND SEXINESS, MEANS TO ME. ALONG WITH FASHION,HAIRSTYLES, AND MAKE-UP. MIXING THE OLD ERAS AND STYLES WITH TODAY’S ELEMENTS. WHATEVER MY IMAGINATIONS TAKE ME. I AM SO GLAD TO SHARE IT WITH WORLD. THANK YOU. DALUNE FEATURED IN OIL PAINTING GROUP FEATURED IN THE DIVINE FEMININE GROUP FEATURED IN THE FACES AND FLORAL GROUP
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“The Other Room” / oil on canvas / original is sold Featured on -Oil Paintings group I really like the color & movement in this one: / To connect the movement & color of a Monet style water painting with the woman that would lead you to the “other room”.
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oil on canvas 400×400mm Featured in Inside Solo magazine, vol 19
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oil on canvas 140×70 cm
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Oil & acrylic on Panel. 36”x48” / I really enjoyed working on this painting because of the underlying texture. It’s painted on top of an older acrylic painting that I didn’t have any real attachment to. / Me standing with painting before it was done to show scale
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Influence of nature. Graceful curves. The wispy lines resambles branches and leaf motif on this piece. Enjoy it!
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Oil on Canvas / 50cm x 70cm
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