Field photography
1051 creative works found
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Sorry about the Albert King title but it fits. I love naming my images after some of my favourite songs. Anyway, this was taken on the Ridge road Kallista in the Dandenong Ranges.
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Enjoy!
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Out chasing these clouds looking for a suitable foreground subject. This is what I came up with. This one took quite a bit of touch up work due to the blur of the sheep from the multiple exposure.
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© Claire McAdams / ALL RIGHTS RESERVED I have been fighting with many people that I love lately and I feel like I am just being tossed around by my emotions. I am at home and remembered I had this awesome dress and wanted to do some shots in it so I tried to capture a jump shot in which I looked like I was just flying aimlessly, because that’s kind of how I feel. I thought texture added something cool here but I kept a copy without it because I really like how it looks both with and without texture.
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Almost Dusk… / Almost dusk, view of beautiful landscape / Taken on the way home from a day out – at a tiny villiage in Cambridgeshire UK late afternoon. Nov 2007 /
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“I’ve dreamt in my life dreams that have stayed with me ever after, and changed my ideas; they’ve gone through and through me, like wine through water, and altered the color of my mind.” ~ Emily Bronte
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Exposure - for beginners/ intermediate photographers.
by Mark GermanI just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….
I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/100 SS, ISO100 (also known as ASA) Working up and down with this you can adjust to suit. For example – a slightly overcast day: / f/11, 1/100, ISO100 (1-stop wider aperture) / or / f/16, 1/50, ISO100 (1-stop slower SS) / or / f/16, 1/100, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. f/1, f/1.4,f/2,f/2.8,f/4,f/5.6,f/8,f/11,f/16,f/22,f32,f/44 Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. A larger aperture number means a tighter aperture – which means less light. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. There are various filters available to help shoot skies and landscapes – or any scene that has defined high dynamic range. Circular polarisers, graduated neutral density filters – ask. Using additional lighting such as flash adds another element to the equation, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.
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“Against the Wind” Photography & Artwork / by Holly Kempe © A surreal depiction of birds flying into a gale force wind under a full moon partly covered by cloud. “When everything seems to be going against you, / remember that the airplane takes off against the / wind, not with it.” / ~ Henry Ford Against the Wind has been featured in the: Redbubble Homepage – September 08 Tree Group – July 08 Cards: Best of Your Best Group Shoot the Moon Group – February 09 Redbubble Homepage – June 09
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Snowy Field – In Panoramic
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Model: Justine / Canon EOS 20D dslr / Editing in CS3 / Rural Around The Globe / Fantasy Fine Art Composites / Childhood Challenge win and featured member in Rural Around The Globe www.daviezimages.com
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Canola Fields near Clare, South Australia Canon 400D / Sigma 10-20mm Lens /
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An image from the Astor Theatre Melbourne Meet Up modeled by the stunning Lisa Defazio of Landell Fashions / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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my son and Kodak Duaflex II
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Hatching Poppy #2
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This is a Mini Horse Stallion, he is a Palomino (very light) with pinto markings and appaloosa markings, the way the morning sun was laying on him you can barely see the appaloosa markings on the hip. This stallion is part of a large herd located in rural Southern Oregon. Many thanks to the hosts of All Oregon USA and Pets Are Us for featuring this image! / / Taken with a Nikon D100 with f.28 80-200 zoom / F-stop 3.5 / focal length 160.0 mm / ISO 200 / exposure time 1/1600 of a sec / Miniature Horse definition: / A small, sound, well-balanced horse, possessing the correct conformation characteristics required of most breeds, Refinement and femininity in the mare. Boldness and masculinity in the stallion – the general impression should be one of symmetry, strength, agility and alertness. Since the breed objective is the smallest possible perfect horse, preference in judging shall be given the smaller horse, other characteristics being approximately equal. Size: Must measure not more than 34 inches at the withers, at the last hairs of the mane
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Lavender Field at the Young Living Farm in Mona, Utah.
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Roseate Spoonbills are among my favorite birds. This male was posing on a branch in Iberia Parish in southern Louisiana.
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more of my lil one
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This is the Isle of Skye at it’s best, when there is a lot of colour in the landcsape, with the low sun we get this far North at this time of year, accentuating every detail. / This is the crofting community of Tarskavaig, with the glorious backdrop of the Cuillin Hills. / “Crofting” is small time farming, or “smallholding” where a few crops might be grown, and a small number of cattle or sheep kept. A single RAW file, shot on my Canon EOS 50D , polariser filter, f25, 1/2 sec, underexposed by 2/3 stop, iso 100, auto wb, processed in Adobe CR, then in CS3. SPOTLIGHT OF THE WEEK IN / http://www.redbubble.com/groups/islands-of-the-world FEATURED ON FRONT PAGE 30th NOVEMBER 2009 !!! FEATURED IN / http://www.redbubble.com/groups/going-coastal / AND / http://www.redbubble.com/groups/cottage-style / AND / http://www.redbubble.com/groups/country-bumpkin MORE OF MY ISLE OF SKYE WORK…...
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