Fes 

2 members found

336 creative works found

  • The Flat Earth Society / “The facts are simple,” says Charles K. Johnson, president of the International Flat Earth Research Society. “The earth is flat.” He believes that the main purpose of the space program is to prop up a dying myth—the myth that the earth is a globe. “Nobody knows anything about the true shape of the world,” he contends. The sun and moon, in the Johnson version, are only about 32 miles in diameter. They circle above the earth in the vicinity of the equator, and their apparent rising and setting are tricks of perspective, like railroad tracks that appear to meet in the distance. The moon shines by its own light and is not eclipsed by the earth. Rather, lunar eclipses are caused by an unseen dark body occasionally passing in front of the moon. Johnson’s beliefs are firmly grounded in the Bible.

  • Escape
    by Judith Oppenheimer

    US$8.05–US$183.92

    Park Avenue South, New York. FEATURED / HOME PAGE 2nd PLACE / Steps & Stairs Challenge Featured / Simple by Design Featured / Urban Group Featured / Art in Math Group Copyright

  • Climb Stop Pay 350 Go
    by Judith Oppenheimer

    US$8.05–US$183.92

    Wall in Manhattan Featured / Street Signs group Challenge Finalist / Fire Escapes Copyright

  • Cathedral Reflected
    by Glennis Siverson

    US$4.32–US$98.80

    Image by photographer Glennis Siverson, www.glennisphotos.com. Reflection of St. Catherine’s Cathedral in Santa Fe, New Mexico.

  • Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch

  • ThePsychedelicRock
    by jennyfnf

    US$3.99–US$28.50

    Fractal Explorer. Gen Newton IV formula. I joined the Group this morning and have been amazed at the stunning images here. This formula produces some wonderful swirling patterns, which when used in conjunction with the built in palettes of FE lifts them a step higher. / Thankyou for your time.

  • Rooftop across the street from my house. Featured / / Home Page Featured / Stairs Group Copyright

  • City Building Art
    by Judith Oppenheimer

    US$8.05–US$183.92

    Third Avenue, New York City Copyright

  • City Snowfall III
    by Judith Oppenheimer

    US$8.05–US$183.92

    Fire escapes and fresh falling snow. Copyright

  • Rooted in Sandstone
    by Laurie Puglia

    US$3.99–US$91.20

    This is the second version of “This Little Tree”. /

  • Santa Fe Depot
    by Iris Greenwell

    US$5.32–US$121.60

    This is a train set in the ground of the Train Museum in Pauls Valley,Oklahoma. / Nikon D200 Cable release, tripod and five images Photomatrix Pro /

  • Adhan II
    by Damienne Bingham

    US$3.99–US$91.20

    Sunrise over Fes, Morocco. Adhan (Athaan) is the Islamic call to prayer, recited by the muezzin. The root of the word is ʼḏn “to permit”, and another derivative of this word is uḏun, meaning “ear.” This is the minaret of Kairouyine mosque in Fes. The university which is attached, was founded in 859AD and ‘is considered the oldest continuously operating institution of higher learning in the world by the Guinness Book of World Records.’ (Care of Wikipedia) / Adhan I

  • ELEGANCE
    by sunrender

    US$3.99–US$91.20

    one layer fe, no chages, sharpened and contrasted only..talis var.. done with one of arend nijdams basic files / thanks again arend! thanks have a nice time folks! best greetings / renderix/sunrender

  • And so the series begins, The Doors of Santa Fe / I simply loved New Mexico and the city of Santa Fe is of no exception…..around every curve and corner, there were photo-opps and one thing that really caught my eye was how the Adobe architecture had all these really old doors….crafted 100s of years ago. The doors, while not always straight and often far from it, provided a nice contrast in color, design, and history to the buildings they often adorned. Thoughts most welcomed! / —John

  • Bonanza Creek Movie ranch is a working cattle ranch 8 miles from Santa Fe, New Mexico, that is also used as a movie set. Several scenes in the movie “3:10 to Yuma” with Russell Crowe were filmed here. Canon XTi 28mm (Canon EF 28-300mm f/3.5-5.6 IS USM) Processed in Photomatix Pro / 4 exposures: 1/6 sec, 1/4 sec, 1/8 sec, 1/10 sec @ f/18 ISO 100

  • St. Francis of Assisi in Santa Fe Sitting in the center of the town square in Santa Fe, New Mexico stands the St. Francis of Assisi Church. Built between the years of 1869-1886, it sits on an earlier site of a church built in 1626. This was a REALLY hard shotto pull off as the town center square is filled with people so I had to act quickly. I fired off 3 brackets handheld for the HDR and metered at the bricks on teh church…hoping this was going to work….I think it did. Thoughts most welcomed! / —John http://www.redbubble.com/products/configure/2720872

  • Hot Sauce
    by Patricia L. Ballard

    US$3.99–US$91.20

    Chunky Watermelon Salsa Bon Appétit July 1996. This cool salsa is the ideal accompaniment for grilled shrimp. Makes about 3 1/2 cups. 1 lime / 2 cups 1/2-inch pieces seeded watermelon / 1 cup 1/2-inch pieces seeded peeled cucumber / 1/4 cup thinly sliced green onions / 2 tablespoons minced fresh cilantro / 2 teaspoons minced seeded jalapeño chili / 1 teaspoon sugar Using small sharp knife, cut peel and white pith from lime. Cut lime into 1/4-inch pieces. Place in medium bowl. Add all remaining ingredients to same bowl. Season with salt and pepper. Toss to blend. Cover and refrigerate at least 30 minutes. (Can be prepared 2 hours ahead. Keep refrigerated.) Serve chilled. Per 1/2-cup serving: calories, 24; total fat, 0.5g; saturated fat, 0; cholesterol, 0 Epicurious.com © CondéNet, Inc. All rights reserved.

  • Stairs on Ice
    by Judith Oppenheimer

    US$8.05–US$183.92

    The roof across the street from me, shot from my deck. Avatar / Everything Winter group Copyright

  • Image by photographer Glennis Siverson, www.glennisphotos.com. Captured in Santa Fe, New Mexico, this is the historic landmark St. Catherine’s Cathedral reflected in 2nd floor patio doors of the LaFonda Hotel. I also have a similar image posted in black and white.

  • Extinction 08#2 (Auto da fe)
    by kafka

    US$3.99–US$28.50

    acrylic/oil on canvas This work is up for critique here please join in and let me know what I’ve painted.

  • Clouds Pass By
    by Glennis Siverson

    US$4.32–US$98.80

    Image by photographer Glennis Siverson, www.glennisphotos.com. Captured in Santa Fe, New Mexico.

  • One of the statues in front of the St. Francis Cathedral in Santa Fe, NM that caught my eye. If interested…here’s the information on this Native American tribute statue: Bronze Statue of Indian Woman in Front of Santa Fe’s St. Francis Cathedral – Who is She? / —by Elizabeth Mitchell at About.com Who is the Indian woman depicted in a beautiful bronze in front of Santa Fe’s St. Francis of Assissi Cathedral? I was drawn to this statue of a magical and beautiful woman, adorned with turquoise jewelry, holding eagle feathers. She is named Kateri Tekakwitha. She is also known as Lily of the Mohawks and joined the well-known statue of Archbishop Jean Baptiste Lamy in front of Santa Fe’s St. Francis Cathedral in 2002. Santa Fe’s Archbishop commissioned a statue of Kateri Tekakwitha to honor the Native American spirit. A painting of Tekakwitha also joins a number of other saints on the church’s altar screen. Tekakwitha’s father was a Mohawk chief and her mother was a Catholic Algonquin. Tekakwitha, born in 1656, was brought up in the Mohawk community of Ossernenon, now Auriesville, N.Y. A part of the turtle clan, she was orphaned at age 4 when both parents and a brother died in a small pox epidemic. The disease affected her eyesight and her health. Her name, Tekakwitha, means “putting things in order.” A Saintly Life and a Miracle Observed According to a website devoted to stories and the history of Tekakwitha, she was baptized in 1676, when she was 20 and died four years later. It was her Christian Algonquin mother who instilled in her daughter her Christianity, her Catholicism. Tradition has it that Father Pierre Cholenec, a witness at her deathbed, states that at the time of her death Kateri’s face ”... so disfigured and so swarthy in life, suddenly changed about fifteen minutes after her death, and in an instant became so beautiful and so fair that just as soon as I saw it (I was praying by her side) I let out a yell, I was so astonished, and I sent for the priest who was working at the repository for the Holy Thursday service. At the news of this prodigy, he came running along with some people who were with him.” After her death, Tekakwitha became known as the Lily of the Mohawks.

  • Shoots and Ladders
    by Judith Oppenheimer

    US$8.05–US$183.92

    25th St. and 3rd Avenue in Manhattan. Copyright

  • Shadow Dance
    by Judith Oppenheimer

    US$8.05–US$183.92

    Rooftop across the street from my house. SOLD Copyright

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