Fes
2 members found
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Maltese Cultur...
Australia
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Fe Jones
565 creative works found
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Wall in Manhattan Featured / Street Signs group Challenge Finalist / Fire Escapes Copyright
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Park Avenue South, New York. FEATURED / HOME PAGE 2nd PLACE / Steps & Stairs Challenge Featured / Simple by Design Featured / Urban Group Featured / Art in Math Group Copyright
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Third Avenue, New York City Copyright
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Portrait of Georgia O’Keeffe. Oil on Canvas / American Artist. Georgia O’Keeffe was raised in Wisconsin, educated in Chicago and Virginia, taught, painted, and lived on the east coast until her early sixties when she moved to Abiquiu, & Santa Fe, New Mexico. Close to one hundred when she died in 1986, living alone and painting in scenery that inspired her famous flowers in closeup with strong sexuality, voluptuous lilies and poppies, stark desert landscapes and animal skeletons. She worked in charcoal, water color, and finally oils, and worked large. I’m not sure her story is known well outside the states. She was photographed, courted, and married (1924) by famed 1920’s photographer Alfred Stieglitz who adored her, left his wife and family for her, and made her more famous than he was. She too, was madly in love with him. His black and white photographs of O’Keeffe filled Stieglitz’s famed “291” gallery in New York and caused a sensation with portraits focused on her beautiful bone structure and striking looks, and spectacular nudity. He took over 300 portraits of her from 1918 to 1937. Stieglitz may have been in love, but smart enough of a businessman to cause O’Keeffe’s work to skyrocket in price, averaging $100,000 a painting, monumental for a living artist and a woman in that time. What he did for her career lasted, interest waned some but revived and her work is priceless now. Every girl painter can use a Stieglitz, few get one. Stieglitz died in 1946 and she moved permanently to New Mexico three years later after cataloguing his work and papers. She was 59, began a new life in a landscape she claimed as her own. “God said I may have that mountain,” she’d written, “if I paint it enough.” So she did. / I painted this from one of Alfred Stieglitz’s famous photographs of Georgia O’Keeffe. / When you do portraits, you start to hear conversations from that time, get a sense of the thinking of the subject, smells and impressions wander through you or assault you inescapably. It’s a fascinating and somewhat dangerous occupation because when you put down the brush and turn away you wonder where the hell you’ve been and question your sanity. I’ve come to accept it as just what happens and there it is. One cannot help but see Stieglitz’s fascination with O’Keeffe’s profound physical symmetry. It bothered me. I thought it annoyed Georgia, too, that he was making more of it than in truth was there. Certainly a thoughtfully bright, introspective & solid woman. But he did not capture the O’Keeffe who stood in the desert in thunderstorms alone in the middle of the night to draw the electricity in the air into her being, which she was notorious for doing. Or the O’Keeffe who lived alone on her Ghost Ranch, and drove in her Model A Ford recklessly to plateaus and mountains of New Mexico to soak in the wilderness. DH Lawrence, Ansel Adams, the Lindberghs were visitors. / It’s not the last portrait I’ll do of her, but I wanted to see more in her than Stieglitz’s precision, no matter how beautiful that is to see. / I think he was incredibly kind and thoughtful about this woman’s life, and helped her reach a financial independence undreamt of for an artist of her time and sex. Stieglitz said of the first drawings of Georgia O’Keeffe that he saw: “Finally, a woman on paper!” He admired her, and he loved her. I can’t blame him for thinking her perfect. I’m just not so sure he saw the savage in Georgia. Other US photographers who did some earlier radical work in b/w, nature, and nudes you might want to visit: Ansel Adams. Brett, Edward, and Cole Weston. Edna St Vincent Millay wrote: “My candle burns at both ends; / It will not last the night; / But ah, my foes, and oh, my friends— / It gives a lovely light!” / Which, published in 1918 became an anthem to end constraints on overwatched Victorian girls. A wild, free life… edged with death. / The Hawks Perch
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Rooftop across the street from my house. Featured / / Home Page Featured / Stairs Group Copyright
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And so the series begins, The Doors of Santa Fe / I simply loved New Mexico and the city of Santa Fe is of no exception…..around every curve and corner, there were photo-opps and one thing that really caught my eye was how the Adobe architecture had all these really old doors….crafted 100s of years ago. The doors, while not always straight and often far from it, provided a nice contrast in color, design, and history to the buildings they often adorned. Thoughts most welcomed! / —John
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Fire escapes and fresh falling snow. Copyright
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Image by photographer Glennis Siverson, www.glennisphotos.com. Reflection of St. Catherine’s Cathedral in Santa Fe, New Mexico.
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The Flat Earth Society / “The facts are simple,” says Charles K. Johnson, president of the International Flat Earth Research Society. “The earth is flat.” He believes that the main purpose of the space program is to prop up a dying myth—the myth that the earth is a globe. “Nobody knows anything about the true shape of the world,” he contends. The sun and moon, in the Johnson version, are only about 32 miles in diameter. They circle above the earth in the vicinity of the equator, and their apparent rising and setting are tricks of perspective, like railroad tracks that appear to meet in the distance. The moon shines by its own light and is not eclipsed by the earth. Rather, lunar eclipses are caused by an unseen dark body occasionally passing in front of the moon. Johnson’s beliefs are firmly grounded in the Bible.
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Sunrise over Fes, Morocco. Adhan (Athaan) is the Islamic call to prayer, recited by the muezzin. The root of the word is ʼḏn “to permit”, and another derivative of this word is uḏun, meaning “ear.” This is the minaret of Kairouyine mosque in Fes. The university which is attached, was founded in 859AD and ‘is considered the oldest continuously operating institution of higher learning in the world by the Guinness Book of World Records.’ (Care of Wikipedia) / Adhan I
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This is the second version of “This Little Tree”. /
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Fractal Explorer. Gen Newton IV formula. I joined the Group this morning and have been amazed at the stunning images here. This formula produces some wonderful swirling patterns, which when used in conjunction with the built in palettes of FE lifts them a step higher. / Thankyou for your time.
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one layer fe, no chages, sharpened and contrasted only..talis var.. done with one of arend nijdams basic files / thanks again arend! thanks have a nice time folks! best greetings / renderix/sunrender featured in ! 100% ! / feature in the Spectacular Spirals Group
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Acrylic on gallery wrapped stretched canvas. 14” x 11” Red Bubble featured. / Owl Artwork featured.
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Acrylic on gallery wrapped stretched canvas. 30” x 24”. Home Page featured. October 2009
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Acrylic on back stapled stretched canvas. 20” x 16”
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Acrylic on back stapled stretched canvas. 14” x 11” . Kokopelli was one of the earliest spirit figures depicted in ancient petroglyphs in the American Southwest.
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This painting was inspired by ancient images of buffalo and cattle that can be found in caves and canyons across the North American Southwest and in Europe. The painting is acrylic on gallery wrapped stretched canvas and is 24”w x 18”h.
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Acrylic on gallery wrapped stretched canvas. 20”w x 16”h.
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Acrylic on gallery wrapped stretched canvas. 24”w x18”h. Red Bubble featured. / Fine Art featured. / Painted Nature featured.
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/ / CHALLENGE WIN in the “Windows & Doors” Group!!!!!! / FEATURED in the “Cottage Style ” Group / I took this photo in Santa Fe, New Mexico USA, after a lovely rain. / 154 views
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Made in Apophysis 3D using the Linear 3D Script by cabintom. The gradient is my own. /
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Acrylic on gallery wrapped stretched canvas. 16”w x 20”h.
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This painting is acrylic on gallery wrapped stretched canvas. It is 11” w x 14” h. Kokopelli was one of the earliest spirit figures represented in the petroglyphs and cave art of the very early Native Americans—the very first Americans. He was believed to bring success with crops and also to bring good luck with the ladies. He was usually depicted playing a flute and was considered to be the patron of music. He is usually depicted with a hump on his back.
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