Fauvist
190 creative works found
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Acrylic Painting, 9” x 7” on sketch paper. After visiting a fauvism exhibition at the NSW Art Gallery, I was inspired as I love colour and brightness. I then turned an ordinary sketch of my cat, into a colourful painting. I still have the painting, but unfortunately, not Misty.
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Acrylic painting on Canvas 16 X 24
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Black room with blue chair and yellow door
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fauvist style painting with blue walls with green motif, lavender door and painting
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Homage to Andre Derain and his portrayal of fellow fauvist Henri Matisse. Acrylic Paint on A2 Paper
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just me painting myself without using a mirror. Getting loosened up and playing with the shapes & color. Striving for a more energetic painted image as my realism has been to quiet to suit me.
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© Copyright 2009 Ivana Redwine, All Rights Reserved I used a photo I took as a starting point and digitally manipulated it, creating a hybrid of photography and art. The image became more abstract as I worked on it. Fauvist art fascinates and inspires me, so it is not surprising that my use of color here is emotive and subjective.
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© Copyright 2009 Ivana Redwine, All Rights Reserved I used a photo took as a starting point and digitally manipulated it, creating a hybrid of photography and art. Fauvist art fascinates and inspires me, so it is not surprising that my use of color here is emotive and subjective.
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© Copyright 2009 Ivana Redwine, All Rights Reserved I used a photo I took as a starting point and digitally manipulated it, creating a hybrid of photography and art. Fauvist art fascinates and inspires me, so it is not surprising that my use of color here is emotive and subjective.
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© Copyright 2009 Ivana Redwine, All Rights Reserved I used a photo I took as a starting point and digitally manipulated it, creating a hybrid of photography and art. The image became more abstract as I worked on it. Fauvist art fascinates and inspires me, so it is not surprising that my use of color here is emotive and subjective.
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I used a photo I took as a starting point and digitally manipulated it, creating a hybrid of photography and art. The image became more abstract as I worked on it. Fauvist art fascinates and inspires me, so it is not surprising that my use of color here is emotive and subjective.
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© Copyright 2009 Ivana Redwine, All Rights Reserved I started with a photo I took of a tree. When I took the photo, I wanted to capture the tree’s sculptural qualities. Later, I digitally manipulated the photo to create a more emotive, subjective work. I imagined what that particular tree might look like if it were depicted as an image that was halfway between a photograph and a painting. A hybrid of photography and art, this work blends what was captured in a photograph with digital artistic manipulation, creating a picture of what previously existed only in my imagination.
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© Copyright 2009 Ivana Redwine, All Rights Reserved I used a photo I took as a starting point and digitally manipulated it, creating a hybrid of photography and art. The image became more abstract as I worked on it. Fauvist art fascinates and inspires me, so it is not surprising that my use of color here is emotive and subjective.
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© Copyright 2009 Ivana Redwine, All Rights Reserved This is an abstract color study and is part of a series of abstract faces. I used one of my paintings of an abstract face as the original source of departure for the series. As I digitally manipulated the image of the painting, I was inspired by the colors of joyous dreams and fauvist paintings.
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© Copyright 2009 Ivana Redwine, All Rights Reserved This is an abstract color study and is part of a series of abstract faces. I used one of my paintings of an abstract face as the original source of departure for the series. As I digitally manipulated the image of the painting, I was inspired by the colors of joyous dreams and fauvist paintings.
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© Copyright 2009 Ivana Redwine, All Rights Reserved This is an abstract color study and is part of a series of abstract faces. I used one of my paintings of an abstract face as the original source of departure for the series. As I digitally manipulated the image of the painting, I was inspired by the colors of joyous dreams and fauvist paintings.
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© Copyright 2009 Ivana Redwine, All Rights Reserved Abstract Trees, Moss and Branches in Blues With Accents of Other Colors is influenced by Fauvism and uses color subjectively for its emotional impact. I used Trees, Moss, Branches and Glimpses of Sky as a point of departure. As I digitally manipulated the photo, it became increasingly abstract. The finished image still has representational elements, although they are reduced to ghosts of what was in the original photograph. The work now reads mainly as an expressive abstraction.
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© Copyright 2009 Ivana Redwine, All Rights Reserved Abstracted Blue Trees, Moss, Branches and Sky uses the color blue for its emotional impact. I used Trees, Moss, Branches and Glimpses of Sky and Abstracted Tree With Tangled Branches as points of departure. As I continued to digitally manipulate this image, it became increasingly abstract and expressive. But its representational origins are still clearly there.
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Tribute to Charles Simic’s poem “Lone Tree” / ........... / and then again the quiet. / The birds too terror-stricken To make their own comment. / Every leaf to every other leaf An apparition, / A separate woe. / Bare twig: A finger of suspicion. Featured in “Trees” group. / Featured in “Out of the Past” group. / Featured in “Digital art compilations” group.
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“Stabbing defiantly / toward the sky, / Perhaps some glimmer of life, / Some memory of green, / Sill pulses…..... / As it watches yet one more / sunrise…........” / Tribute to the poem “Dead Tree Standing” written by Charlene L Amsden / Pic consists of photo of dead Manuka tree, a texture layer and a photo of part of the typed poem. Featured in “The Woman Photographer” group. / Featured in “Out of the Past” group. / Featured in “Inspired by Art” group.
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This pic is inspired by one of the lovely images by fellow bubbler Sharon K Shubert – check her out, she’s great! / In her latest images, she’s paying tribute to autumn/fall, but we are approaching spring here in New Zealand, hence the title. / Deciduous tree has been inverted and layered with a brown autumn leaf. Thanks Sharon for the inspiration. :)
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Excerpt from the poem “Volcanic Fury” by Connie Estes. / ........... / “Crowned by a halo of clouds / Her ambiguous physique / Casts an illusion that fades her frame / Into the vaporous mist above her / She murmurs a deep rumble / Then with a mighty gesture / She quakes the earth below”............ Featured in “Insomniacs and Other Night Crawlers” group.
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Excerpt from: / The Upas Tree / by Aleksandr Pushkin. Deep in the desert’s misery / Far in the fury of the sand, / there stands the awesome Upas Tree / lone watchman of a lifeless land. The wilderness a world of thirst, / in wrath engendered it and filled / its every root, every accursed / grey leafstalk with a sap that killed. Dissolving in the midday sun / the poison oozes through its bark, / and freezing when the day is done / gleams thick and gem-like in the dark….. This is actually nowhere near the desert, it is a pic of a leafless tree in Glen Innes Auckland New Zealand, with a few woody layers and a rotated inverted layer of forest in the background. Oh – imagination is such a wonderful thing. :) Featured in “JPG Castoffs” group. / Featured in “Digital Artists United” group.
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The last in my series of Ballerinas. Pure watercolour on paper 160lbs.
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