Fashioned photography Wall Art
1262 creative works found
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Photographic based digital montage, 2007 (no 2 from series of 3 re-worked). Shot two seperate models & combined them. Draw in & enhanced part of the headpeice, body, dress, added fringe to face, made the features more angular, blew up lips, created cheekbones, reworked branches, filtered wallpaper effects, extended chandelier, added lacework/flower elements, desaturated & added a sepia tone. Approximately 50 Photoshop layers.
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P/S Retouched by Ange in collaboration with Ingrid Sjodahl. Digital photograph shot by Greg Parsons in collaboration with Ingrid Sjodahl, 2007. Models: Liz, Greg Parsons. Retouched face, hair & recreated arched eyebrows for further definition – left eye was opened up to match right eye. Ingrid added b/w desaturated tone, painted lips, corset bodice lace & sheet in red tone. Original shot below.
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Fashion photography on a freight train
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My entry into the fashion photo competition / Thanks to my darling friend Caitlin for being my model
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Thanks to my darling friend Caitlin for being my model
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model: alice / hair & makeup: monica gingold
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model: lauren / hair & makeup: monica gingold
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/ Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—--
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Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. Inspired by the poem of Michael Gale / Blue Pierced Eyes Of Bluest Hue’d / / Striptease to my left… / Cock tease to my South. / Bring up thy lips, to meet my mouth… / Amass lo’ those emblazioned eyes of / Ocean’s bluest hue’d. / Pierce deeply of deepest inside of mine. Michael Gale / In case you miss it..my recents work..thanks in advance! / /
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During a product shoot for a hip hop band, I caught Alex in between outfits. As she was facing away from me the light on her back was incredible. I asked her to freeze. She turned slightly and I took this picture. Model: Alexandra Rodionova / http://www.alexandrarodionova.net / Photo by Jef Harris / http://www.jefharris.net
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Art of a magician is to deceive.
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Portrait / Architectural / people/culture / Macro / Landscape / Still live / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love / All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / —-—-—-—-—-—-—-—-—-—-—-—-—-- Inspired by the poem of Gillian E. Shaw / X – Vis-à-Vis (Face to face) / / Suddenly, through a veil of tears I saw the knave. / Wearing guilt across a blighted face: / Like the ambitious wife hiding wrong and blood; / vile stubborn stain, longing to vanish. / Vainglorious conquests! Viewed from here; assonine / exploits with multiple illusions. / A magician with a box of tricks opening / up on the darkest day; winding down / to deeper proceedings. Charmed, stinking essence; / transparent, I saw the knave; hidden. France / November 2004 Gillian.E. Shaw / In case you miss it..my recents work..thanks in advance! / /
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Nikon D200~AF-S Zoom Nikkor ED 18-200mm f/3.5-4.5G IF-DX / Portrait / Architectural / people/culture / Macro / Landscape / Still Life / Animal / Nude/FineArt / SunsetCollection / Flowers / Model Maria Anne / Model Saskia Ying / Model Blondie / Model Tammy / Kids / The Book Of Love —-—-—-—-—-—-—-—-—-- All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without My Permission. My Images Do Not Belong To The Public Domain. / © Antoine Dagobert: using this image for any purpose and in any way, without prior permission, may lead to legal action. / —-—-—-—-—-—-—-—-—-—-—-—-—-- / Old Portrait Re-Worked! The Evening Squall Her thoughts drift with the clouds / Such beauty sitting there / The mind is running free / As in the distance stares / A moment to reflect / The night about to fall / Emotions running high / A silly Summer squall / And when the morning comes / Refreshed from nature’s sleep / A smile will spread so wide / No more the need to weep / Phil Sanders / 5/12/07
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From a little series called “Love Hurts”.
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View All Art » 1 2 3 4 5 6 / / My Red Melancholy is a self-portrait taken from photographic artist Jaeda DeWalt’s, The Red Realm series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, Mounted Prints, Posters, Canvas Prints and Framed Prints / / Image featured in Models with a difference group 7-19-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s The Red Realm calendar / / visit the rest of this series . . . / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / My Red Melancholy Under the bright lights / And pristine haze / I look away As sick secrets sinuously sleep / Underneath a surface that is / Poised and pretty and sweet My raven hair scented / With traumatic experiences / Buried alive . . . refusing to die My crimson lips / Whisper / Of a quiet desperation My eyes refusing to shed / The tears of . . . / My Red Melancholy © Jaeda DeWalt listen to Jaeda recite My Red Melancholy / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / View All Art » 1 2 3 4 5 6 browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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Echinacea purpurea (purple coneflower) with a dark twist. This was the first of my Dark Dreams flower series, most of which I have pulled from redbubble. It was also one of my first images here. Obviously it was photoshoped. I get a lot of questions about why there are scratches on it, it was to give it an old aged look. The texture would make it a great canidate for a canvas print… hint hint ;) This is the original: / I believe this is the largest image in my portfolio, and that is because it was taken with my old 35 mm SLR, then scanned in (I have a really good scanner that scans really big) If you are seeing this image in a group for the first time, that is because I just realized it wasn’t in any groups! I must have cleared it out to make room for newer stuff. This peice was my very first one chosen on the Featured Art page and was featured in Ebony and Ivory group. Thank you! —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / This piece can be found in my Flora Calendar. / For more products featuring this image, visit Karri’s Zazzle Store
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Model – Halohid Sunken bathtubs are awesome. Copyright 2008 Harmony Nicholas
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An Alf Caruana inspired image / Thankyou Alf for your ongoing inspiration and support of my work. xxx Another wonderful day shooting with my photography partner Mary Broome.
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Studio Lighting / Canon 400D / Canon 100mm Macro lens
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Model is Missy / Makeup and Hair by Loran Bean / Assistant – Adam / Photography and Post by myself Comments are very appreciated. please leave one! I thought I might say a little bit about how we got these Ophelia shots. Missy is a VERY talented photographer friend of mine (to view her work, go http://missyjanek.deviantart.com/) and she has also modeled for me in the past. I thought she’d be great for this concept, so we started about 3pm yesterday. All was going well until she got in the pool and said “I don’t know how to swim!” So we struggled and propped her up with pool noodles and floaties and Adam even held her legs while she tried to stay afloat. I felt like she really was going to drown a couple of times! (We kept her in the shallow end, of course! and my dog was keeping watch as life guard.) For someone who had not really been in water before, I think she did a great job. :)
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An image from the Astor Theatre Melbourne Meet Up modeled by the stunning Lisa Defazio of Landell Fashions / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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MKM (self-portrait) / . / . Your eyes are blue and soft as skies / Your voices are my heartbeats / Sweeter than my dreams / Each time you kissed me I trembled like a child / ~Ming Myaskovsky / . / 1563 Views / . 69 favorites / . Featured in Melbourne & Victoria / . / . / .
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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