Fashion surrealism
311 creative works found
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Photographic based digital montage, 2007 (no 2 from series of 3 re-worked). Shot two seperate models & combined them. Draw in & enhanced part of the headpeice, body, dress, added fringe to face, made the features more angular, blew up lips, created cheekbones, reworked branches, filtered wallpaper effects, extended chandelier, added lacework/flower elements, desaturated & added a sepia tone. Approximately 50 Photoshop layers.
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Here’s another one of my inspired-dreams photos. Hope u like it.
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Girl with flowers
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©2007 BeeTour Photography
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I wanted 1942 to serve as an experiment, questioning what stereotype if any surrounded the ‘skinhead.’ Within days I received comments of ‘racist’ and ‘Nazi’ signifying prejudice against a shaven head, when in modern day society diversity is usually praised and encouraged. The origin of the term ‘skinhead’ is not rooted in racism, the term being corrupted in the 1970’s by the neo-nazi movement. The term actually stems from the Jamaican skinheads such as Bunny Wailer, who populated Reggae in the1960’s, some decade previous. By 1968/69, the ‘skinhead’ wasn’t just a hairstyle but a way of life. To these working class people, cleanliness, stylish clothes and good music were dominant. The increasing popularity of Ska music, a branch of reggae bred the skinhead in their straight jeans, large boots, white shirts, braces and nylon or leather jackets and were regularly seen at Judge Dread gigs. Doc Marten, Ben Sherman, and Vespa scooters were typical designers of the ‘skinhead’ movement, which dwindled in the mid 70’s. This is around the time the neo-nazi movement became prominent, as the ‘mod generation’ became divided and those racist, political hating, violent youths were the new face, the new stereotype. They popularised themselves throughout the 80’s and 90’s with bands such as ‘Skrewdriver’ and were akin to increased violence on Adolf Hitler’s birthday. The number of ‘skinheads’ in Britain today is in decline, as in essence the skinhead is a youth organisation for the youth. Thus upon reaching full maturity, starting a family and encompassing different values the need to be in such a group no longer exists and without the experience and knowledge of older members their ‘skinhead’ values are degenerate. This is why I felt my experiment was necessary. Would the youth of day, born after the domination of the neo-nazi still be aware of their values and the attributes, which contribute to their stereotype? The answer lies within you the spectator. Consider what you first felt upon viewing 1942. Did it bring back fond memories of dancing to reggae, Bob Marley and the ‘Chelsea haircut’ or did it make you envisage violent racists? Movements begin, grow and they pass. The real reason the ‘Mods’ shaved their head was to avoid lice, for hygiene. Surely the time close cut hair symbolising a racist has passed. This was a series i took a while back for a project i was doing on fashion and surrealism I must have took around 30 or so photographs to get the best images at different stages. / to take these shots i used a canon 20d propped up on a tripod with a self timer.
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Art of a magician is to deceive.
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Like an autumn breeze.
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From a little series called “Love Hurts”.
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View All Art » / Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 / / My Red Melancholy is a self-portrait taken from photographic artist Jaeda DeWalt’s, The Red Realm series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Matted Prints, Mounted Prints, Posters, Canvas Prints and Framed Prints / / Image featured in Models with a difference group 7-19-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / This image is featured in Jaeda’s The Red Realm calendar / / / / visit the rest of this series . . . View All Art » / Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / My Red Melancholy Under the bright lights / And pristine haze / I look away As sick secrets sinuously sleep / Underneath a surface that is / Poised and pretty and sweet My raven hair scented / With traumatic experiences / Buried alive . . . refusing to die My crimson lips / Whisper / Of a quiet desperation My eyes refusing to shed / The tears of . . . / My Red Melancholy © Jaeda DeWalt listen to Jaeda recite My Red Melancholy / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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View All Art » / / Simply Red is a self-portrait taken from photographic artist Jaeda DeWalt’s Infusion of Color series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling, wardrobe and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / View All Art » / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / You might also like . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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Model – Deb Canon 40D, 30 butchered barbies and very little photoshop ;) Copyright 2008 Harmony Nicholas
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An interpretation of the grace, poise and emphasis on accepting femininity as represented by tribal bellydance instructor/star Natalie Brown of Alternacirque. We started shooting last minute simple headshots and then towards the end I envisioned a concept which I then ‘supernaturalized’ with photoshop. Hope you like. Frejya is an interesting Norse goddess….a cloak of feathers among her accoutrements.
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Struggling to find my way in the differences
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View All Art » / / The Sadness is a self-portrait taken from photographic artist, Jaeda DeWalt’s, Striped Emotions series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling, wardrobe and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / View All Art » Image featured in Unconventional Artisty group on 5-2009 / Image featured in Your Accepted group on 5-2009 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / ABOUT THIS IMAGE / This is the very first image in my Striped Emotions series. I am still working on the other images in this series. I like challenging myself in new ways, with my self-portraits. And i thought it would be interesting to see if i could make it look like i was interacting with myself . . . in some way. I shot this series against a green screen. The background was taken from a photo-shoot i did at an industrial site in Seattle, Washington. The watchman was kind of enough to let me onto the grounds and gave me a tour and all access pass with my camera. I wanted to convey the extreme sadness i feel with manic depression. Over the years i have discovered that sadness is often anger, spread really thin, masquerading as melancholy. Anger is an emotion i have a very difficult time allowing myself to feel and express, i often repress it. As a child i was not allowed to express my feelings or my anger. There is a detachment that comes with sadness, a disconnect from the self, from the world . . . BUT i am in a good place at the present moment and i am getting better at managing the emotional tidal waves that manic depression brings. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / You might also like . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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View All Art » / Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 / / The Red Stripe is a self-portrait taken from photographic artist, Jaeda DeWalt’s, The Red Zone series and is a part of the DeWalt Gallery collection. Self-portrait shot using a digital camera and remote control. Hair, styling, wardrobe and make-up also done by Jaeda DeWalt / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / View All Art » / Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / You might also like . . . / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / Browse Jaeda’s imagery by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /
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Meow Meow – The Cat that got the Cream. Model: Meow Meow / MUA: Kate Watts aka Diamond Fox / Lighting Co-ordinator & Assistant: Jeff Paine / Personal Assistant: Miserys Malice / Dress by Howard Showers / Boots are model’s own Shot on location in my hotel room Melbourne, Australia – September ‘08. / Yes, I am finally putting it up. - I had the tremendous pleasure and amazing experience of shooting Meow Meow, the cabaret superstar last September when I ventured over to Melbourne. I personally love this image, and can’t believe I am the one that shot it. / What made it even better was when she informed me 3 months later that this image was featured promoting her Christmas season show in the New York Times. / What more could a girl ask for from Santa ;) Meow Meow’s Official site: www.meowmeowrevolution.com / New York Times feature: New York Times Copyright 2009 Harmony Nicholas & Meow Meow Sydney peeps, look out for this in October at the ART Sydney Fair… ;)
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ink drawing with a bit of colored pencil around her eyeballs
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all stock purchased and my own blending textures
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dennischunga.deviantart.com / mizzd-stock.deviantart.com :) For Autumn
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