Fall orang
3062 creative works found
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I know, I said I wouldn’t upload anything for a long period. But before throwing myself in studying, I had to help my family with the grape harvest (“vendemmia” in Italian) and as everytime in this period, I was enchanted by the beauty of the nature hidden in the grapesvine shoots. I couldn’t help myself taking several shots and I ended up putting online this miniserie. / I hope the Light in these shots will please your eyes, warm your soul and comfort who is in a time of darkness (Mother Nature helped me to love Life and keep my hopes even in the worst moments). / Links to my other works: / NATURE / PORTRAITS / TRAVELLING / VARIOUS
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That’s the actual name of this red Maple tree. Fitting, I think.
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/ / / / vivid maple leaves
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/ / / / vivid chestnut leaves
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Have a walk down a path
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I spent all day Saturday ‘harvesting’ the garden. The pile of tomatoes, miniature pumpkins, and indian corn were gathered on the lawn in front of my marigolds. There was such a menagerie of color and pleasing shapes and designs that I spent almost twice as much time photographing the fruits of my labor than I actually did harvesting them! / Here is a sampling of autumn’s bounty for your enjoyment! / I think this would make a lovely Thanksgiving greeting card! / /
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. / . / Featured in Live, Love, Dream on October 22, 2008. straight out of the camera … Nikon D40x, 18-135mm lens with the polarizing filter. Taken on top of Blue Knob in Claysburg, Pennsylvania, October 10, 2008.
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Cranford, NJ – Oct 2008 – Shot as an HDR
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Lake Marmo – The Morton Arboretum / Lisle – Illinois – USA Canon EOS 40D / Photomatix Software
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Fire and water don’t usually mix, but in this case they seem to flow wonderfully together. Caney Fork River at the Rock Island State Park, Tennessee. (P.S. This is not a sunset photo. The color in the reflection is from the autumn leaves. It’s a little blurry because the water was moving).
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I balanced the exposure of this shot for the highlights. The light and colour was just amazing looking up through the trees into the sun. Nikon D300 / 80-200mm f/2.8 ED IF
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Taken with a Kodak Z650 EasyShare Digital in California Park, Routt National Forest, Routt County, Colorado. There is no comparison anywhere to the Aspen Trees in Colorado. / Framing done in Picnik. / / / /
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Done in Apophysis 3D Hack and Photoshop background
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Kelowna, BC Canada…..October 2009
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Taken today at the Japanese Gardens….Penticton BC Canada.
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My long two-pointed ladder’s sticking through a tree / Toward heaven still, / And there’s a barrel that I didn’t fill / Beside it, and there may be two or three / Apples I didn’t pick upon some bough. / But I am done with apple-picking now. / Essence of winter sleep is on the night, / The scent of apples: I am drowsing off. / I cannot rub the strangeness from my sight / I got from looking through a pane of glass / I skimmed this morning from the drinking trough / And held against the world of hoary grass. / It melted, and I let it fall and break. / But I was well / Upon my way to sleep before it fell, / And I could tell / What form my dreaming was about to take. / Magnified apples appear and disappear, / Stem end and blossom end, / And every fleck of russet showing clear. / My instep arch not only keeps the ache, / It keeps the pressure of a ladder-round. / I feel the ladder sway as the boughs bend. / And I keep hearing from the cellar bin / The rumbling sound / Of load on load of apples coming in. / For I have had too much / Of apple-picking: I am overtired / Of the great harvest I myself desired. / There were ten thousand thousand fruit to touch, / Cherish in hand, lift down, and not let fall. / For all / That struck the earth, / No matter if not bruised or spiked with stubble, / Went surely to the cider-apple heap / As of no worth. / One can see what will trouble / This sleep of mine, whatever sleep it is. / Were he not gone, / The woodchuck could say whether it’s like his / Long sleep, as I describe its coming on, / Or just some human sleep...After Apple Picking Robert Frost Watercolour, Acrylics, Mixed Media on Arches Not Paper 18×20 FEATURED IN BITS AND PIECES
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Allaire State Park / Howell, New Jersey / Oct 2009 / Nikon D80 w/24-120mm VR Featured in Live, Love, Dream: Featuring tribute to our host Tammy – October 29, 2009
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Night falls….the marshy pond is lit by the setting sun….the reeds and bull rushes glow in silhouette…soon the pond will freeze over trapping life till next spring….The Fourth Sorrow.. Watercolour on Arches Paper…two other paintings in the series are shown below…they are unpublished at the moment… The first sorrow of autumn / Is the slow goodbye / Of the garden who stands so long in the evening- / A brown poppy head, / The stalk of a lily, / And still cannot go. The second sorrow / Is the empty feet / Of a pheasant who hangs from a hook with his brothers. / The woodland of gold / Is folded in feathers / With its head in a bag. And the third sorrow / Is the slow goodbye / Of the sun who has gathered the birds and who gathers / The minutes of evening, / The golden and holy / Ground of the picture. The fourth sorrow / Is the pond gone black / Ruined and sunken the city of water- / The beetle’s palace, / The catacombs / Of the dragonfly. And the fifth sorrow / Is the slow goodbye / Of the woodland that quietly breaks up its camp. / One day it’s gone. / It has only left litter- / Firewood, tentpoles. And the sixth sorrow / Is the fox’s sorrow / The joy of the huntsman, the joy of the hounds, / The hooves that pound / Till earth closes her ear / To the fox’s prayer. And the seventh sorrow / Is the slow goodbye / Of the face with its wrinkles that looks through the window / As the year packs up / Like a tatty fairground / That came for the children....Ted Hughes / Whippoorwill / Cricket Call
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“Painted in a semi-abstract style, “The Fifth Sorrow” evokes the woodland in Hughes poem.. / I decided to paint it to look like old woven tapestry, and to that end used only sea sponges and a rigger for details…light is pouring down through the centre of the wood, casting the roots into deeper shadow, illuminating the leaves and the tree trunks…the chiaroscuro effect gives the viewer the feeling of being bathed in the same light... Watercolour on Drawmaster Not Paper View the entire Landscape Collection HERE The first sorrow of autumn / Is the slow goodbye / Of the garden who stands so long in the evening- / A brown poppy head, / The stalk of a lily, / And still cannot go. The second sorrow / Is the empty feet / Of a pheasant who hangs from a hook with his brothers. / The woodland of gold / Is folded in feathers / With its head in a bag. And the third sorrow / Is the slow goodbye / Of the sun who has gathered the birds and who gathers / The minutes of evening, / The golden and holy / Ground of the picture. The fourth sorrow / Is the pond gone black / Ruined and sunken the city of water- / The beetle’s palace, / The catacombs / Of the dragonfly. And the fifth sorrow / Is the slow goodbye / Of the woodland that quietly breaks up its camp. / One day it’s gone. / It has only left litter- / Firewood, tentpoles. And the sixth sorrow / Is the fox’s sorrow / The joy of the huntsman, the joy of the hounds, / The hooves that pound / Till earth closes her ear / To the fox’s prayer. And the seventh sorrow / Is the slow goodbye / Of the face with its wrinkles that looks through the window / As the year packs up / Like a tatty fairground / That came for the children....Ted Hughes / The First Sorrow / The Third Sorrow / The Fourth Sorrow
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/ We stopped by Minter Gardens on our way home from our roadtrip to Harrison BC in October…..I took a couple of photographs before I realized that the garden was actually closed to the public and we were not supposed to be there (oops). The original photograph was taken using the pop art filter in camera, which made the colour looks quite psychedelic . I have added several texture layers and have desaturated the colours a bit (believe it or not). I realize this won’t appeal to everyone, but as a lover of strong and bold colour I am kind of partial to it :))
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Made with UF5 / /
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Made with UF5 / /
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