Fabric
3 members found
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Fabrice Rivart
Australia
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fabrice chaix
France
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Fabrice
1285 creative works found
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taken during the Art in All of Us visit in a rural school close to Segou, Mali If you want to see the children works of Mali please visit http://www.artinallofus.org/artimages/cat45.htm All proceeds from sales of pictures will go to the art education project of Art in All of Us (WWW.ARTINALLOFUS.ORG)
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Someone once told Incognita that silence was the speech of angels. She immediately resolved to take up bagpipes, drums and violin. BTW More than half the world’s 6,000 languages will be gone by the end of the century . >
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White tulips on an American flag.
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A red satin pump sitting on a chair in a NYC thrift shop window. Cindy must be trying on the other one. Click once on image to enlarge. / / /
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Model: Lulu Wagstaffe / MUA: Dylan Senthilan / Styling/Direction/Photography: Myself / Assistant: my housemate Brendan:D (i exploit ppl) I made the dress out of Pleasure State bra + Cotton On free Belt + 3 meters of fabric! Laggings are American Apparel!! / The shot is taken in my bathroom, with two still lights held fr5om top and side, with a Canon Eos 350D Digital Rebel Tx + 35mm 2.8f Lens
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My Website SP / 08.03.09 Copyright
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My Website Copyright / The Truth shall Set Me Free I will fight this fight / These footsteps pressing downward / And I will break these chains / That bind me from myself / So now I can say / / I will walk this path / Right down your false direction / I will find myself / Tear open these eyes / And now I can say / The truth shall set me free When the sun is gone / And the rain starts to fall / I will be the one / I will rise through it all I will take this chance / To break from your traditions / And I will burn your worth / I’ll burn all that you said / And I’ll finally face this day / With my eyes open wide / And I will erase your lies / Tear off this disguise / And now I can say / The truth shall set me free When the sun is gone / And the rain starts to fall / I will be the one / I will rise through it all / When the sun is gone / And the rain starts to fall / I will be the one / I will rise… / Rise up through it all Rise through it all / Rise through it all / Your lies And I will be the one to rise up through…all / The truth shall set me free / The truth shall set me free I will / I will…rise / Through this I will….rise / Through this I will rise / The truth shall set me free When the sun is gone / And the rain starts to fall / I will be the one / I will rise through it all / When the sun is gone / And the rain starts to fall / I will be the one / I will rise… / Rise up through it all Rise through it all / Rise through it all by Story of the Year
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available in art version too
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My Website Featured in THE SISTERHOOD June 09 Special thanks to Marg for the props! lol xox ;) Reach for the Light Deep in the night / The winds blow cold / And in a heartbeat / The fear takes hold Deep in the storm / There’s a place that’s soft and still / Where the road waits to be taken / If you only will The voices inside you / Can lead your soul astray / Believe in what you dream / Don’t turn away / Don’t you turn away Reach for the light / You might touch the sky / Stand on the mountaintop / And see yourself flying / Reach for the light / To capture a star / Come out of the darkness / And find out who you are Somewhere in time / The truth shines through / And the spirit knows / What it has to do Somewhere in you / There’s a power with no name / It can rise to meet the moment / And burn like a flame And you can be stronger / Than anything you know / Hold on to what you see / Don’t let it go / Don’t you let it go Now, there’s no turning back / When your destiny is calling / Listen to the thunder roll / And let your heart break free Reach for the light Steve Winwood
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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My Website Tears Never would say / I never needed anyone / Not now I have knowing / Of the real love / And I need to have you / I could never give it up / Cause the hurt would be too much And the feeling I’m feeling / Is a feeling I like / It’s only when I’m with you / That I feel all right / I’m amazed that it’s come to this I love you to tears / I love you to tears Falling into you / I’ve fallen on my feet / My world was only turning / So that we could meet / And I want you always / I could never run away / Working destiny today And the giving I’m giving / Is a giving I like / It’s easy when I’m with you / To give into life / I’m amazed that it’s come to this I love you to tears / I love you to tears Happier than high, this is happening / So cool to have this salt water on my skin / It’s not a pool of sorrow that I’m harbouring / These are tears of joy that I’m swimming in Happier than high, this is happening / So cool to have this salt water on my skin / It’s not a pool of sorrow that I’m harbouring / These are tears of joy that I’m swimming in Happier than high / I’m happier than high / I’m happier than high / I’m happier than high I love you to tears / I love you to tears Kylie Minogue
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My Website Surrender Is this real enough for you / You were so confused / Now that you’ve decided to stay / We’ll remain together You can’t abandon me / You belong to me Breathe in and take my life in you / No longer myself only you / There’s no escaping me, my love / Surrender Darling, there’s no sense in running / You know I will find you / Everything is perfect now / We can live forever You can’t abandon me / You belong to me Breathe in and take my life in you / No longer myself only you / There’s no escaping me, my love / Surrender Hands up slowly / Give into… Breathe in and take my life in you / No longer myself only you / There’s no escaping me, my love / Surrender / Surrender / Surrender / Surrender You will surrender to me / There’s no escaping from me / I know you want her to be / You must surrender to me Evanescence
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My New Website Dandelion image by the lovely Enivea !! Dreaming My Dreams Of You All the things you said to me today, / Change my perspective in every way. / These things count to mean so much to me, / Into my faith, you and your baby. It’s out there. It’s out there. / It’s out there. If you want me I’ll be here. I’ll be dreaming my dreams with you. / I’ll be dreaming my dreams with you. / And there’s no other place, / That I’d lay down my face. / I’ll be dreaming my dreams with you. It’s out there. It’s out there. / It’s out there. If you want me I’ll be here… I’ll be dreaming my dreams with you. / I’ll be dreaming my dreams with you. / And there’s no other place, / That I’d lay down my face. / I’ll be dreaming my dreams with you. Dreaming my dreams with you. / I’ll be dreaming my dreams with you. / And there’s no other place, / That I’d lay down my face. / I’ll be dreaming my dreams with you. The Cranberries
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Now that she’s back in the atmosphere / With drops of Jupiter in her hair / Yeah, yeah, yeah / She acts like summer and walks like rain / Reminds me that there’s time to change / Yeah, yeah, yeah / Since the return of her stay on the moon / She listen’s like spring and she talks like June / Yeah, yeah, yeah But tell me, / Did you sail across the sun / Did you make it to the Milky Way / To see the lights are faded / And that heaven is overrated Tell me / Did you fall for a shooting star / One without a permanent scar / And did you miss me while you were looking for yourself out there Now that she’s back from that soul vacation / Tracing her way throught the constellation / Yeah, yeah, yeah / She checks out Mozart while she does Tae-Bo / Reminds me that there’s room to grow / Yeah, yeah, yeah / Now that she’s back in the atmosphere / I’m afraid that she might think of me as / Plain ‘ol Jane / Told a story ‘bout a man who was to afraid to fly so he never did land But tell me / Did the wind sweep you off your feet? / Did you finally get the chance to / Dance along the light of day / And head back to the Milky Way Tell me / Did Venus blow your mind / Was it everything you wanted to find? / And did you miss me while you were looking for yourself out there? Can you imagine no / Love, pride, deep-fried chicken / Your best friend always sticking up for you / Even when I know you’re wrong / Can you imagine no / First dance, freeze-dried romance / Five hour phone conversation / The best soy latte that you ever had and me But tell me / Did the wind sweep you off your feet / Did you finally get the chance to / Dance along the light of day / And head back to the Milky Way Tell me / Did you sail across the sun / Did you make it to the Milky Way / To see the lights are faded / And that heaven is overrated Tell me / Did you fall for a shooting star / One without a permanent scar / And did you miss me while you were looking for yourself Na, na, na, na / (And did you finally get the chance to dance along the light of day?) / Na, na, na, na / (And did you fall from a shooting star, fall from a shooting star) / Na, na, na, na / (An now you’re lonely looking for yourself out there) (Train) Created with Apophysis&Incendia /
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