I finally got to paint this from my digital manipulation, Don’t Give Up Searching . I’m so pleased with the result. I used a few different textures and oil paint and made the eye brown rather then blue so that the image was unified in pallet to suit a college project so that I could paint this particular piece without abandoning duty. / UPDATE- / In 2008 this painting was STOLEN. / It was being displayed in Bentley Pines Restaurant with a group of other art from fellow students. toward the end of the year the restaurant went though refurbishments and stored the works in a disabled toilets :/ we were asked to collect the work but this painting had already gone before it could be collected. Ive contacted all the people in charge and been forwarded around like a telstra customer on hold and still haven’t gotten it back. :(
Sold as a CD cover to beam-traxx. © Copyrighted Angelique Brunas all rights reserved. / Do not copy or duplicate without my written permission.
I wish eye could find a way to give nature back it’s earth!
/ Anonymous donation to further my work. / Share my work with friends & family. One of My Top Sellers • Corresponding Wall Art This image is available on other products too. You can even customize the products and purchase when you are satisfied with the changes! • Coffee Mugs / • Postage
Meet this ethereal underwater maiden with sweet little fish darting in and out of her platinum blonde hair. The original was created with pencil, pastel and ink on lovely flecked recycled card.
Linaji wrote this great poem for this Art work , Thank you very much Lina you did it again . / please visit Linaji for more of her work. With love, I Forgive / Your love / And your lies / Balled up like wax / Dripping down the side of my fingers / Burning / Pain, / Heat / Tears / Dissolving a fragile string of kindness which has / Muddled and hardened with time Story after story goes thru my mind, / Till I am spent and drained at my own efficient ability / To fill in scenes I only think you might have played / A part in. / Uncovering again and again the deceit and the pain / That one morning you did bring. Long before I swore.. / Never again. / But the rabid dogs of Goodbye / I did unleash / Ready for your remains / To become festered with my own / Pain / My own despair. My eyes steel cold and grey / Pools of ice and determined / Chill. / That morning / When you lead me down the / Corridor of your will. Words diminished to / Graffiti sighs / And lovers’ cries. And now I am faced with / Time that has passed and the / Decorum of modern man / Spiritual leanings / And friends that remind me / I have a place in their hearts too. / Was Love all about you? The ending is near for all this / That was. / For all this that was. And now, / I paint and I create and I feel and I close / My eyes / A figure of light appears, / Dressed in royal colors / Dressed in abstract designs from a place beyond this one. / He takes my heart from my chest / And squeezes it hard / And like the wax of your love and your lies / It drips down the side of his fingers. / His lips are full and his smile is large. / He licks my blood and gives me the same. I only taste what I feel is Eternity and Peace. / And then, / He puts it back tenderly and instantly, / He is gone. / I am left with a thought that I repeat and use as my / Mantra, / My beacon back to Hope and Life. ‘With Love, I forgive’.
Original size 150×125 cm Details /
Hand drawn A2 image on cartridge paper with a G-Tec C4 0.4 pen probably took about a year to do, but I don’t pay attention to the time or the drawing until it is nearly complete. Just been looking to buy some more pens and found out the drawn line is only 0.2mm! Featured in Works on Paper winner of the Patterns challenge in Finks in Ink
a set of 3 paintings / Original size 100×100 cm. / the other paintings Details /
I can not stop staring / a set of 2 Art works. / Original size 120×85 cm. Details /
One of my favorite. / 160×120 cm Canvas. / For details see in a large view. Details /
All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This artwork was featured in Live, Love, Dream Self-portrait. .....Stock Credits….. / Sky / Brushes Used – spiritsighs and Obsidian Dawn Original photo taken August 25, 2008 / Stock copyrights remain the property of their respective owners.
Copyright 2009.
180 X 180 cm Canvas. / one of my new series of ANGELS OF LIGHT
pencil embellished limited-edition print of pencil drawing “Heliotroped” / (The original drawing was done on standard white layout paper – in a spiral bound tablet – I had to draw it twice because as I went I smeared it and had to redefine the lines the second time out.) See if you can find the poem that was tucked into this print and then sent to me anonymously. Update: Aug. 2, 2009 / I finally located the entire poem today. It was on the back of a Klimt postcard given to me at the same time the print was. / Here it is: .......................................................................................................... “When I met her / she lived, / isolated, / on a narrow lane. She had a wrought-iron fence / with a black rose growing through the gate, / locking it. The rose was groomed beautifully. / The gate it seemed had been locked for years. She would say little about the gate. / But she seemed very proud of the rose. / Eventually, she accepted a gift from me. / The gift was a white seed. A white rose now grows, wild and resisting any grooming. Still, she regards the rose with fear and awe.” ..................................................................................................... Plus there are a few T’s in my Clothing section featuring this image (or parts of it…): / Turned tree T Galactically bent T-shirt Turned solar T-shirt
pencil embellished limited-edition print of my pencil drawing Heliotroped This was also done for a benefit exhibition where it took Best of Show. I cut out a portion of a print of my drawing “Heliotroped” and wrapped it around the 12×12” block of plywood. Then I embellished heavily with more pencil work. Very fun. Here is what it looked like completed: / >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> For RedBubble products, this cropped version: >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> AND, at Zazzle, this mug /
This is a night light that I made using a very old drawing of mine “Little Wing Lost”. I cut it into pieces and attached it to a large base I made for it. I then added some branches and a smaller lower box for her chest. I cut out some of my own prints and magazine images and secured them to that. Behind, inside the base, I stuffed it with white lights. Then I wrote over her entire face and neck. My husband was making cookies while I was doing this – watching me – and he said, “Stop writing down everything I’m saying.”, which of course, I was doing and didn’t stop. It took top honors at a regional show a few years ago but now resides in my studio. Here’s a shot of it at the gallery with me next to it for scale. It’s about 5.5 feet high by 2 feet wide. / At night when it’s lit, there is a simple silhouette that shows through the face. (below) / (On the floor – lit – but not dark in the room yet – just showing you her full size) / And in my Clothing section, this T for thee… /
9×12 pastel on Sennelier la carte paper FEATURED IN PAINTED LADIES, PETS AND PEOPLE, FIRST THINGS, FEMININE INTENT, AND THE DIVINE FEMININE I had so much fun drawing Barbara, but it is a lot of work trying to do portraits. I needed to do something completely from my imagination. And of course I can’t call it Blackbird without linking to the song!
Watercolor, gouache and pencil on board, / 11×14 / 2009 Model: Kambriel One of my latest passions is the symbolism of the peacock, and how it has been associated to immortality and renewal. His feathers were used as talismans and protection against evil spirits. In the Eastern traditions it has been seen as symbols of wisdom, benevolence, compassion and kind-heartedness. The “eye” in the peacock feather is associated to the pineal gland, making of it a sacred symbol. Through the development of the pineal gland one can awake the Kundalini and achieve understanding of the spiritual world.
my homepage: myspace.com/artistmind / Come join the artist! xo title: Model Janina, oil on wood, / permission from: http://janina.deviantart.com/ photographer Petter Wallebo AKA~ RETTEP / http://rettep.deviantart.com/ Quote from an inspiring friend on redbubble, Kirrill D’Kainn: “First in all essence – NO real artist has learned or has been intelligibly enriched by these critics. It is a fundamental shame that these so called critics are the excrement in the afterbirth of ART.”
Autumn 2009 – pencil on paper This was created using 2,4 and 5B’s (that acted like H’s) on a non-marked cotton rag paper that acted like a cranky toddler. 8.6” high x 11.75” wide This is the very naughty paper I bemoaned a while back. / I really wish I knew the name of it so to avoid it at all costs the rest of my life. But anyway, enough of my moaning, it’s done. This was a hard one to title. I really couldn’t figure out WHY I was drawing it in the first place. I started out a few months ago making it very large – 30” across, but that’s when I had a fit and tore the paper in half. The catholic in me had to find redemption so I took a little bit of it and decided to try it again. The image wouldn’t leave me alone. It was strange though – it didn’t want to title itself. It typically shows up close to the finish, but even just a few days ago, it was not here. Humpf. A few tried to flirt with me. Didn’t work. I thought I’ll just let it rest. Until yesterday, when life and it collided. A friend sent me that quintessential Anais Nin poem for other reasons and I knew that I must take the first portion of it for my title.. And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. Anais Nin / US (French-born) author & diarist (1903 – 1977) ......................................................................................................... And suddenly, it all made perfect sense. So bloom my dears, bloom… / (smile) (I’m very happy to report that a slightly cropped version of this was included (and sold) in the Australian Mirrors Art Exhibition) The Anderson Arts Center where the framed original made its debut… / This drawing will be at the booth of Marion Harris at the upcoming Outsider Art Fair this coming February in New York.
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