Exposure
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1865 creative works found
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This is the sequel to The Approach It was captured at the same station in Shepparton, just facing in opposite directions! / Used a Sony Alpha with a 28 – 70mm in B&W mode. Post prod involved contrasting, a little “neating” and a slight crop to the bottom of the frame. / . / . / Vehicular works / Architecture / B&W Photography / Transitional Industrial Utopian Series / Abstract / Beautiful Humans / Wearable Art / Cards For All Occasions / / . / You can also listen to PLV’s music / . Please take a look at the wonderful work of / Jessica Shipard / / . / / . / other works to view / / . / / . / / . / / / / / / /
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• Camera: Canon EOS 400D Digital / • Lens: Canon EF-S 17-85mm F/4-5.6 IS USM / • Date: 28.08.2007 / • Place: Santa Cruz, Portugal / • Shutter Speed: 30/1 second / • F Number: F/7.1 / • Focal Length: 17 mm / • ISO Speed: 400 __________ All artwork is Copyright © Nuno Pires. All rights reserved. My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My work does not belong to the public domain. / __________
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Train Simulating Life (going past us at the speed of light)...
by Paul Louis VillaniUS$4.31–US$114.99
/ Instead of going for my usual afternoon walk around Princess Park I had that creative urge… So I went walking with my camera and this is one of the finished images from yesterday evening. Approx. 50mts from Moreland Station in Brunswick. / As you can see I’m up to my old tricks with long exposure and post proc!! :D / This image was captured on the same evening as this piece… / / Peace and hugs!! / / Australiana / Calendars / Hearts At War / Vehicular works / Architecture / B&W Photography / Transitional Industrial Utopian Series / Abstract / Beautiful Humans / Wearable Art / Cards For All Occasions / / / / . / You can also listen to PLV’s music / / Check out the wonderful work of ””: / !!: / / / / / / / . / / . /
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Captured digitally using a Sony Alpha 100 at the Southern Cross Station in Melbourne.. This image was the winner of the “best alternative medium” at the ” Artbeat 2006 – Hung Art Competition and Exhibition ” August 2006. Also the winner of “Peoples Choice Award” at The Digital/Hardcopy exhibition at The Gasworks Gallery in Albert Park October 2006. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / . / Vehicular works / Architecture / Transitional Industrial Utopian Series / Abstract / Beautiful Humans / Wearable Art / Cards For All Occasions / . / / . / You can also listen to PLV’s music This particular image is also available printed on a t-shirt / You can also listen to PLV’s music / . / Please take a look at the wonderful work of / InfinityRain /
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Some light grafitti action at a burnt out house in Enoggera, Brisbane. / Approx 2 minute exposure to allow time to draw the ghosts.
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Berkeley, CA Approx 20s exposure / 22mm@f10
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/ Please vote for this piece!! Follow this link to the 2007 International Online Art contest. / Thanks everyone! :D Captured digitally using a Sony Alpha 100 at Shepperton Station in Victoria. Was selected as a finalist for the Julie Millowick Acquisitive Photographic Prize 2007 and was on display at the Old Castlemaine Goal during the Castlemaine State Festival April 2007. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / . / . / Vehicular works / Architecture / Transitional Industrial Utopian Series / Abstract / Beautiful Humans / Wearable Art / Cards For All Occasions* / . / / . / You can also listen to PLV’s music / . / This particular image is also available printed on a t-shirt / / . / Please take a look at the wonderful work of / Jo O’Brien / / . / / . / other works to view / . / / . / / . / / . / / . / / . / / . / / . /
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Was out trying some ‘different’ stuff with the infrared filter today. Went to the train station to catch a train (not literally of course) This was one of the results.. Camera: FujiFilm FinePix S7000 / ISO200 / f/5.0 / Focal Length: 7.8mm / Exposure: 3.0sec / Filter: R72 / Tripod
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Exposure - for beginners/ intermediate photographers.
by Mark GermanI just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….
I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/125 SS, ISO100 (also known as ASA) Working up and down with this (and your histogram displays 8 stops of light) you can adjust to suit. For example – a slightly overcast day: / f/11, 1/125, ISO100 (1-stop wider aperture) / or / f/16, 1/60, ISO100 (1-stop slower SS) / or / f/16, 1/125, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. Using additional lighting such as flash is a different matter, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.
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I was spoiled for seascapes last week….as I am sure you will discover….tee hee! And yes Stuart…this is where I phoned you from. This was taken on the Plage De Pleuren in Brittany, France. Shot in RAW…some noise reduction and a tweak of the levels and thats it….....I have a number of shots from this area. I could have stayed in that part of Brittany for 6 months and photographed a different rocky cove every night…spoiled for choice!
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My top 5 for your top 5
by Cathleen TarawhitiEasy / You look through my work and pick your favourite top 5 and I will / look through your portfolio and tell you my favourite 5. / I’ll …
Easy / You look through my work and pick your favourite top 5 and I will / look through your portfolio and tell you my favourite 5. / I’ll show you mine if you show me yours – without the nakedness. Unless you feel the need to show me in which I’ll post you here in all your glory for the viewers pleasure.
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Long exposure by a local pier. Jevnaker, Norway. October 2007.
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Just downstream from where the Franklin River joins the Gordon RIver in Tasmania’s South-West World Heritage Area. Despite its remote, pristine appearance, this spot recieves thousands of visitors per year from nearby Strahan. After rafting the Franklin River, it’s a bit of a shock to arrive here amidst a throng of tourists, a float plane, and a large tourist ferry… Limited to cards on RedBubble, this image is available as a limited edition print from my website © Doug Thost 2005 Tech details: Canon EOS1n with 20-35mm lens, 30sec exposure on Fuji Provia 100
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Thought I would see if I could capture the feel of the tide approaching . Taken at dusk perched on rocks with the aid of a Benbo tripod with legs you can lock at any angle . The exposure was around 30 seconds at f16 using a Canon10D with a 17-34 Tamrom at 17 mm . I believe I achieved what I set out to do and find peace whenever I look at this picture . Its my screensaver at work and usually pops up just when needed and is without manipulation , as the camera recorded .
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taken early this morning at Cement Creek / in the Yarra Ranges, Victoria
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Water was calm unlike the clouds
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I truly have no idea why these are here!, or in fact WHAT they are :) / Taken at Lang Lang Beach at Jam Jerrup (On the way to Phillip Island) Victoria
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To me this is an exciting industrial landscape where all the elements and colour work in harmony with each other. I find these places full of artisitc quality and have a real fascination in capturing these moments and re-presenting them in an aesthetic way.
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Trying something a little different with this shot. Taken at night but modified by increasing the exposure values by a lot. Creates an interesting effect. I also took a Panoramic of the Millennium Bridge and the Quayside. See what you think. Birds Of Prey Christmas Cards Night Scenes Landscape / Scenic
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I know this totally doesn’t look real.. but beilieve me.. it was freezing!! This was a 10 sec exposure, ISO 100 at f20 with an ND filter and circular polarizer..
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The light this evening was magical, i just hope this photo does it justice. / Shot with canon 400D, 10mm, f22, 3×30sec exposure
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Hello dear watchers….it’s midnight here, and I’m just waiting up for another hour before I head off….back to the beach again…..I should be committed…. Canon 5D with 16-35mm at 25mm. f/20, 1 second, ISO 400. Seascapes / New Zealand / Frogs / Lensbaby / Infrared / Industrial / Spam / Panorama / Landscapes / Real Estate Series / People / Plastic People
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A ferris wheel in motion on a cloudy afternoon.
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A five second exposure of saltburn pier from beneath the boardwalk. The tide lapping at my feet and the “under the pier lighting” causing the surf to be rendered as an eerie sort of mist
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