Exposure
4789 creative works found
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This is the sequel to The Approach It was captured at the same station in Shepparton, just facing in opposite directions! / Used a Sony Alpha with a 28 – 70mm in B&W mode. Post prod involved contrasting, a little “neating” and a slight crop to the bottom of the frame. / . / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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My daughter allowed me six photographs before she became embarrassed and stopped the shoot. I attached camera to my bike helmet and pre-set the camera to fire on delay release. A bit hit and miss but managed this lovely picture. No wonder she was embarrassed! / Taken at Les Hoffman reserve in Dianella
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Terrigal NSW Australia Equipment used: / Canon EOS 400D / Lens:10-20 Ultra wide Sigma / Hoya Circ Polariser / Cokin NDX8 / Shutter Speed:10 sec / Fstop:f/22 / ISO:100 / Focal Length:10mm
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Incredibly shaped rocks in Hamersley Gorge, Karijini National Park/Western Australia Equipment: CANON 5D, 17mm This image has won the following RB-Challenges: / National Parks of the World Group – Your Best Feature Framing suggestion: / / / SOLD: / Laminated Print, Large 610×406mm, through RB-site / / Image was featured in Fine Art of Landscape Photography and Style! Class! Elegance! Excellence! / / © aabz-imaging / ALL RIGHTS RESERVED
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The Other End of the Wormhole….? I appreciate you taking time to view my work, and I really enjoy reading your comments. / Thanks for visiting :-) Details / 1700m altitude @ the peak of Mt Buffalo, “The Horn” with Neil / Make sure you like moths and bats if you hike up at night ! :-) Canon 40D / Lens: EF-S 10-22mm / Focal Length: 10mm / Shutter Speed: 30 seconds x 111 shots / Aperture: f4.0 / ISO: 800 / Auto White Balance / Format: RAW / Tripod & remote shutter / Drive mode set to Continual Burst / Layered together / Map link Details about star trails can be found here in my blog tips
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Train Simulating Life (going past us at the speed of light)...
by Paul Louis VillaniUS$4.30–US$98.42
/ Instead of going for my usual afternoon walk around Princess Park I had that creative urge… So I went walking with my camera and this is one of the finished images from yesterday evening. Approx. 50mts from Moreland Station in Brunswick. / As you can see I’m up to my old tricks with long exposure and post proc!! :D / This image was captured on the same evening as this piece… / / Peace and hugs!! / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Berkeley, CA Approx 20s exposure / 22mm@f10
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Some light grafitti action at a burnt out house in Enoggera, Brisbane. / Approx 2 minute exposure to allow time to draw the ghosts.
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Exposure - for beginners/ intermediate photographers.
by Mark GermanI just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….
I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/100 SS, ISO100 (also known as ASA) Working up and down with this you can adjust to suit. For example – a slightly overcast day: / f/11, 1/100, ISO100 (1-stop wider aperture) / or / f/16, 1/50, ISO100 (1-stop slower SS) / or / f/16, 1/100, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. f/1, f/1.4,f/2,f/2.8,f/4,f/5.6,f/8,f/11,f/16,f/22,f32,f/44 Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. A larger aperture number means a tighter aperture – which means less light. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. There are various filters available to help shoot skies and landscapes – or any scene that has defined high dynamic range. Circular polarisers, graduated neutral density filters – ask. Using additional lighting such as flash adds another element to the equation, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.
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Just a random one i did a while back.
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just on the other side of the light
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Captured digitally using a Sony Alpha 100 at the Southern Cross Station in Melbourne.. This image was the winner of the “best alternative medium” at the ” Artbeat 2006 – Hung Art Competition and Exhibition ” August 2006. Also the winner of “Peoples Choice Award” at The Digital/Hardcopy exhibition at The Gasworks Gallery in Albert Park October 2006. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / . / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Location: Beirut, Lebanon
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This little gem can be found just around the corner from Loch Ard Gorge near Port Campbell off Victoria’s Great Ocean Road, Australia. I came here the afternoon before and there were snap happy tourists everywhere but decided to came back the next morning and there wasn’t a soul in sight, just the crashing ocean to keep me company… / Settings Canon 40D, 10-22mm EF-S. FL: 18 mm 30 seconds @ f11, ISO 100 Polarising Filter and ND8 Graduated Filter Adobe Lightroom 2 & Adobe Photoshop CS4 / Features Featured in the SEA Group on the 13th of May 2009 #Winner of Nature’s Beauty Challenge in the You’re Accepted Group on 3rd of June 2009 Click here for my other seascapes Click here for my other shots taken off the Great Ocean Road
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Long exposure shot with my Contax G2 at a station in Birmingham UK. I hope to expand this image into a series maybe a similar shot on ever station on this line. Ambitious but I would be very happy if I had a collection of similar quality images. f16 / about 30 second exposure. / Kodak Gold 200 / Tripod mounted
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long exposure taken at silverstone race circuit of a car
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Captured digitally using a Sony Alpha 100 at Shepperton Station in Victoria. Was selected as a finalist for the Julie Millowick Acquisitive Photographic Prize 2007 and was on display at the Old Castlemaine Goal during the Castlemaine State Festival April 2007. / —-—-—-—-—-—-—-—- / This image will be on display and for sale at the Strathcona Art show 7th – 9th September 2007 at Tay Creggan in Hawthorn. / The image will be presented framed, matted & signed. All my signed work comes limited in Edition. / —-—-—-—-—-—-—-—- / This and another three images are to be featured in an exhibiton themed “4 World Photographers” where four photographers have been chosen to exhibit four of their best works. The exhibition is being held at the GaleriaZero in Barcelona Spain from 21st September to 18th October 2007. The four images I have chosen to exhibit are 1 2 3 4 / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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I had to go back and take another shot of this little waterfall while the yellow Aspen leaves were still reflecting off the water. I usually don’t like taking photos of waterfalls unless it’s an overcast day but this time a sunny day worked in my favor. This little waterfall is in a hard to get to area of Cheyenne Canyon, which is near the famous Seven Falls, and Helen Hunt Falls in Colorado Springs. Canon XTi f/22 18mm(18-55mm) 13 secs. * /
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An untouched close up(with exposure)of a submerged brige when a few beaver’s dams just collaps a couple of nights ago.I couldn’t drink or even used the water in my house for 2 days.We were not able to go out of our area for a day.It happenned at night and we could hear the raging fload so loud,it was amazing.The firemen were at the bridge watching when I took that close-up.This image is the result of the destroyed bridge,half of it just went along with the water,a very impressive scene to see and to hear because of the dead trees and rocs rolling over the road.The little touches of colors you see are the reflection comming from the lights of the firemen’s truck.I didn’t know if I would have enough light,in fact I didn’t have any idea about the result.I thought about using exposure for the creamy texture….I just remember that my boyfriend kept asking me,how much time you still need,5 or 10 min. and I answered 15 …. :)) He wanted to go to sleep,it was 1 o’clock in the morning. / / /
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/ Where am I? / How can I differentiate between the real world / And the dream world? / Which world am I in / Or am I in the unknown, somewhere in between? / Where does reality end / And the dream start? / Is this dream real / Or is this reality a dream? / Do I need to decide which path to take / To the right world? / Or in the end, does it really matter / As long as I follow my heart? / —-—-—-—-—-—-—-——- / Long Exposure taken at Werribee South. / Canon 40D w/ EF-S 10-22mm / Aperture: f/20 / Shutter: 40 sec / ISO: 100
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Infrared Photography captured using a Nikon D80 Hoya IR filter. The long exposure created a nice movement style to the clouds. 10 sec – f5 / 18mm
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Midway upon the journey of our life / I found myself within a forest dark, / For the straightforward pathway had been lost. Dante, Hell.
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Just downstream from where the Franklin River joins the Gordon RIver in Tasmania’s South-West World Heritage Area. Despite its remote, pristine appearance, this spot recieves thousands of visitors per year from nearby Strahan. After rafting the Franklin River, it’s a bit of a shock to arrive here amidst a throng of tourists, a float plane, and a large tourist ferry… Limited to cards on RedBubble, this image is available as a limited edition print from my website © Doug Thost 2005 Tech details: Canon EOS1n with 20-35mm lens, 30sec exposure on Fuji Provia 100
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Was out trying some ‘different’ stuff with the infrared filter today. Went to the train station to catch a train (not literally of course) This was one of the results.. Camera: FujiFilm FinePix S7000 / ISO200 / f/5.0 / Focal Length: 7.8mm / Exposure: 3.0sec / Filter: R72 / Tripod
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