Skeleton of desert plant. Studio still life. Photo based mixed medium image. Extreme image softness, textures, and grain.
It’s all about the futility of looking for meaning outside yourself.
We all want what we can’t have.
thicket
The Existential Divide / The more observational of you will remember I put this up awhile ago. And it’s back, slightly different, added text and white not black. I worked on a version with some more emphasis on text woven through it after some people I trust gave some advice. However I went back to a slightly more simplified version as I think that it really shouts on it’s own. That the crisp stark iconic impression of a barcode combined with the ever-so-recognisable, and yet never actually seen in this way, map of the world, cause more avenues of thought than one can reasonably handle without a stiff drink. / But now I’m doing that weird ranting thing about my own work which I normally try and avoid, I like it, and really that’s all that fucking matters. Where’s the whiskey?
What’s within is without and what we are we are not. Investigating the thin (or thick) lines that divide concrete and spiritual reality. I often wonder whether it is possible for us to traverse these boundaries, and if they do indeed exist. It’s a source of constant wonder for me. So this work is really meant to symbolize a sort of existentialist dualism. Dig? / Original work was completed in watercolor and gouache on Arches 180lb. cold-pressed cotton rag.
Oil on block canvas, 16” x 16” (406×406mm).
Oil on canvas, 18” x 14” (457×356mm). .
Oil on canvas, 18” x 14” (457×356mm).
Existential Departures, or How The Yoke Was Cracked To Quench The Thirsty…. / translation: the eggs had honey and flavored iced cubes! A mix-media painting, watercolor wash over pen & Ink. / Own the original 84.6cm x 63.5cm Digital Image, ships directly from the artist. Price: $4,800 All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission.
For most people life is a journey through endless polarities. Good cannot exist without evil; happiness without sadness; wrong without right. As long as one remains within such realm of duality one is always surrounded by opposites and has to choose one over the other. Every choice made is a step in one of two directions. Every step taken leads to a new choice to be made…
Very early on a frigid February day in Yellowstone I came upon this Bison who seemed to be suffering from a bout of depression. Canon EOS-1D Mark II, 300mm L IS, 1/8000 f5.6, ISO 1600 / Handheld, Processed in Lightroom
solace
for a single / moment i tried to get my head around / the words my mind / had processed but / i found / difficult / to comprehend
Written 3 August 2009. “The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it’s just a representation, is it not? So if I had written on my picture ‘This is a pipe,’ I’d have been lying!” ~ René Magritte
“Three o’clock is always too late or too early for anything you want to do.” JEAN-PAUL SARTRE, Nausea Featured in the Group: Elderly / Featured in the Group: The Art of Intrigue / Featured in the Group: The Other Side of Italy / Winner: Mood and Ambiance Contest – Windows and Doors
Oil on canvas, 18” x 14” (457×356mm I’ve borrowed the title of a poem by Samuel Beckett for this painting. I can’t quote the whole poem but here’s a section: at the faint sound so brief / it is gone and the whole globe / not yet bare / the eye / opens wide / wide / till in the end / nothing more / shutters it again
Are you there? Is anyone anywhere? Can you see me? Do you know me? Does anyone remember me? Am I even here at all? How, how can I tell if I am here…. or where… if anywhere? Created from all my own images. Please, as usual, click on the ‘view LARGE’... I think it may be worth the look :))) FEATURED IN ‘CORE’! FEATURED IN ‘SELF AS OTHER’!
It just occurred to me to wonder why she is not dead yet – and this is what came out…. No idea what it means. Maybe it doesn’t mean anything at all. All my own images again… O – just thought I’d add this as a piece of possibly totally irrelevant information – but most of the colour tones in this came from a macro photo of the inside of an oyster shell (The oyster got eaten BEFORE the photo got taken)... Feel free to make of it what you will – though check it out LARGE please – I think it makes a big difference… FEATURED IN ‘CORE’!
Skye Image taken with Motorola V9 mobile phone camera and post-processed in Photoshop CS4.
I had noticed the exit sign reflection on the clock and was surreptiously taking shots of it. One of them accidentally included the colleague sitting opposite me and I liked the human element it adds. Thisone reminds me of Sartre’s ‘No Exit’. Sometimes, all-day meetings do that to me. Nikon D700, 24-70mm lens @70mm, ISO1000, f/7.1, 1/6 sec, a pro contrast filter added in Nik Color Efex Pro
BEST VIEWED LARGE Photo composite & digital work. Images taken with Motorola V9 mobile phone camera with work done in Photoshop CS4. A source list of PS brushes I use in my work can be found on my profile page. I particularly want to acknowledge punksafetypin on deviantart for her beautiful brushes which are included in this work.
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