Etching
738 creative works found
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Photograph of an etching I did c.1993-94
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Etching.
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The original edition of 10 prints were made from an etched zinc plate that was pressed into handmade paper, and then pressed again into bright white watercolor paper.
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Soft ground etching. With intaglio and relief inking. Printed on rice paper.
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The shapes and textures of wild grasses fascinate me
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This is a metal etching print that used both a hard ground and a soft ground process. It was first worked with a hard ground allowing for many of the compositional areas and figure outline to be created. The soft ground textures where then added. Carpet, lace, my fingertip, and a dreaded lock of (my) hair was used to expose these textures within the copper plate. After this, I did another hard ground layer to create many delicate and more refined details that were needed to finish up the work. Hope you enjoy the print, and the timeless subject of the farmer and his dog “resting in peace” against the hay pile after the harvest.
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Etching Zinc plate – hard ground, aquatint / Dipped in the acid bath 5 times / 24.5 X 19.5cm / Printed on Velin Arches paper. Inked up in sepia – buffed only with tarlatan, no newspaper buffing The subject is Ground Zero being reconstructed. New York.
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Abundant and traditional Christmas tree with real candles… Etching, zinc plate, hard ground, aquatint, dark green ink / Traditional printmaking method / This is a mono print, printed on Velin Arches (100% cotton mould, acid free & buffered printmaking paper) / Created 2005 © Gudrun Eckleben, www.geeart.com
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Etching, zinc plate, hard ground, aquatint, brown ink / Traditional printmaking method / This is an artist proof, printed on white Cartridge / Created 2004 This illustration was originally designed for the inside front cover of the book called “BANG” by Siegfried Eckleben, which explains evolution in a humorous way and has a little narrator, a “Quark” (portrayed with his cousin in the top left corner). • Featured in Colour me a Rainbow (Colour Brown) / • Top 10 in Inspired Art Challenge
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This is a “Copper Plate” Etching… ( 300mm x 300mm )This is now the second edition and now is complete. The plate was aquatinted and this is the final result, no photoshop or enhancing made. The process of etching into copper and aquatinting is a long process. In the first edition the lines are engraved and the plate printed. In the second edition the plate is aqautinted in the acid four or five times depending how many tones you want. This came out better then expected. This composition is in collaboration with Barssel whom takes these wonderful nude photographs and lets me use them in my art…his link is Barssel / Thank you so much for your help with my art this year. I will be sending you this print when it is complete….well thats if you want one. Also I am happy to send you any print if your nude is in the art work. Send me your address and I will mail you an original print. At the moment I am also drawing this image on an A1 paper for drawing class..it will look very different to this one. Thanks so much….BillyLee Ruban Jane !
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My one and only experiment into printmaking…
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This is a drypoint etching print. The print is wiped with sepia and blue ink and printed on cream paper.
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/ “Etched in Stone 2 Is part of the Fall-At your Feet Series... Mixed Media and Watercolour on Paper…see other earlier selections from the collection on page 14 of my pages… Leaves pressed into the stone, broken twigs, moss, detritus of stains, imprinted forever by feet walking over them…small creatures living in the shelter of the leaves….nature’s own art work that changes every year... “A tangerine and russet cascade / Of kaleidoscopic leaves / Creates a tapestry of autumn magic / Upon the emerald carpet of fading summer.”...Judith A. Lindberg. / / / / “The stripped and shapely / Maple grieves / The ghosts of her / Departed leaves. / The ground is hard, / As hard as stone. / The year is old, / The birds are flown.”..John Updike /
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/ “Etched in Stone 3” is part of the Fall at your Feet Series.... “Leaves pressed into the stone, broken twigs, moss, detritus of stains, imprinted forever by feet walking over them…small creatures living in the shelter of the leaves….nature’s own art work that changes every year... Watercolour with Mixed Media on Paper… “How silently they tumble down / And come to rest upon the ground / To lay a carpet, rich and rare, / Beneath the trees without a care, / Content to sleep, their work well done, / Colors gleaming in the sun...Elsie N Brady / / / /
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A beautiful October sunset outlined the clouds in GOLD! Photo taken:Western Kentucky.
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From the original Solarplate etching. & watercolour on printmaking paper. From an ancient Creation myth – Black winged Night was wooed by the North Wind and produced a silver egg from which the earth was created. For details on how to purchase the original, please contact me.
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acrylic and oil / etching (scraffito) on canvas / this was a bit of an experiment, the image was supposed to be larger, but then the paint dried too quick and I had to make it smaller, cut out the canvas and got it framed to save it…et voila!
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Etching, two plates. Both plates are hard ground.
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2009 / 25×100 cm / etching, aquatint & linocut on Stonehenge, BFK Rives & Somerset papers with chine colle / variant edition of 3 This work is inspired by convict artist, William Gould’s Sketchbook of Fishes in Macquarie Harbour (c. 1832). Gould was transported to Van Dieman’s Land in 1827 for stealing. His original works were done in watercolours whilst serving a sentence at Macquarie Harbour on Tasmania’s rugged west coast. I decided to pay homage to Gould whilst reading Richard Flanagan’s fictional account of Gould’s life in his novel Gould’s Book of Fish, during my recent residency at the Frans Masereel Centre in Belgium. I feel there is a sense of conclusion in Gould being transported to the “New World” and creating his works, while I was “transported” back to the “Old World” where I made reproductions of his works. The observant viewer may notice hints of architectural reflections in the water segments of my prints, which are typical of the type of warehouses that line the canals of Holland and Belgium. These convey a sense of feeling like a “fish out of water”, something I experienced whilst undertaking my residency and which I imagine Gould must have felt in his strange new world.
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Zinc etching / Aquatint (I am getting so much better at aquatint, yeh!!) / Viscosity printing – two colours: blue with yellow on top / BFK Rives 280gsm – such a good solid reliable paper Did this one just for practice at aquatint.
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Printmaking (Etching) An imaginative self-portrait that wonders around my internal world.
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Etching, aquatint and linocut embossing on Stonehenge paper / 2008-09 / 18×72 cm
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