España
171 creative works found
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Partial view of Plaza de España, Seville, Spain
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The Magic Fountain in Barcelona
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Esta camiseta pretende inmortalizar la frase del rey de España “¿Por qué no te callas?”, tan famosa estos días, con este diseño que hace un juego de palabras con la inigualable Maria Callas.
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A sweet temple in Madrid
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Spain’s 1982 world cup mascot Naranjito, which means ‘little orange’ (ironic, given the make-up of Scotland’s squad at the competition).
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Location: Barcelona, Spain 2005
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A stream in the hills of Galicia, in northern Spain. This waterway has been carefully lined with large blocks of stone – probably a very long time ago.
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Nestled in Tramuntana mountain range of Mallorca largest island of the Balearics and incredibly popular holiday destination spot lies the town of Valdemossa. The main part of the town is above this section which is from where I took the picture. Its streets are filled with oranges and it was here that Frederik Chopin and his lover George Sands spent part of their Winter in Majorca of which Sands wrote the book of the same name. / Mallorca has been trying to change its image of sun, sea, sand & sex unsuccesfully for some time but there are a multitude of cultural and sporting events on the island that run through the winter time so you can spend your own winter in Mallorca.
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HDR from 3exp Girona, Catalonia, Spain
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Gijón
by Simon LairdGijón (Asturian: Xixón), is a coastal industrial city and its municipality in the autonomous community of Asturias in Spain. (Wikipedia)
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Plaza de España / Seville, Spain
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Plaza de España Castling is cheap. / Thank you.
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Plaza de España The reform.
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Illusion created with a silk scarf-like wine
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A Rapa das Bestas es una tradición de las más antiguas de Galicia (NW de España). Consiste en reunir a caballos salvajes en un recinto circular (el curro) donde los mozos del pueblo tratarán de reducir a las bestias para cortarles las crines
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a series of 4 blue sunsets taken from inside a window-tinted car. It was a spontaneous shot. :-) Camera: Supersampler / Film: Expired Fuji Sensia 200 / Processing: Cross-processed with C-41
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This was taken at the Almudena Cathedral in Madrid, Spain and now stands in what was originally occupied by Madrid’s first mosque. The cathedral itself is magnificent but this organ caught my eye. It just so happen (luckily I might add!) that there was a choir group singing at the time I photographed this. Camera: Canon EOS Digital Rebel XTi / Exposure Program: Manual / Exposure Time: 1/30 sec / F-Stop: f/5.60 / ISO Speed: 1600 / No flash
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10 photo combination of HDR and panoramic.
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Un bosque mágico
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Others related images: 1.987 – 1.992 ENGLISH Client: Junta de Andalucía / Architect: Santiago Calatrava / Type: Bowstring / Span: 656 ft / Use: Mixed Local Authorities ordered from Sevilla Santiago Calatrava bridge to provide access to Cartuja island where the Universal Exhibition held in Seville in 1992. In its original form two bridges planned Calatrava symmetrical and opposed to each side of the Cartuja island to provide access to the important exhibition. Subsequently, due to excessive cuts in the budget, the client chose to perform a single bridge over a viaduct of 500 meters in total length. The Alamillo Bridge finally stood on the east side of Round Ring, meander through the San Jeronimo, a tributary of the Guadalquivir river. Highlights of this work is undoubtedly the spectacular cable-stayed pylon height of 142 meters final with the help of 13 pairs of wires that are anchored to the bottom of the deck and through its own weight, get long sustain board 200 meters in total length. This enormous basin, which contains within itself a staircase than one viewpoint at the summit which is called “the eye of the horse’s head” and from which you can see a panoramic view of the entire city of Seville has an inclination of 58 degrees resembles one of the pyramids of Egypt, Cheops. It would give the board a mixed use which was distributed in three lanes for each direction of traffic on both sides and a walkway for pedestrians and bicycles higher in the center. Inspiration Calatrava imagined prior to the completion of this majestic bridge was triggered by a previous sculpture designed by the architect himself called “Torso in motion.” ESPAÑOL Cliente: Junta de Andalucía / Arquitecto: Santiago Calatrava / Tipo: Atirantado / Vano: 200 metros / Uso: Mixto Las Autoridades Locales de Sevilla encargaban a Santiago Calatrava un puente para dar acceso a la isla de la Cartuja donde se celebraría la Exposición Universal de Sevilla en el año 1.992. En su primer diseño Calatrava había previsto dos puentes simétricos y opuestos a cada lado de la isla de la Cartuja para dar acceso a la importante Exposición. Posteriormente, debido a recortes excesivos en el presupuesto, el cliente prefirió realizar un solo puente más un viaducto de 500 metros de longitud total. El Puente del Alamillo se situó finalmente en el lado este de la Ronda de Circunvalación, atravesando el meandro de San Jerónimo, un afluente del río Guadalquivir. Lo más destacado de esta obra es sin lugar a dudas el espectacular pilón atirantado de 142 metros de altura final que con la ayuda de 13 pares de cables que se anclan a la parte inferior de la cubierta y mediante su propio peso, consiguen sustentar el largo tablero de 200 metros de longitud total. Este enorme pilón, que contiene en su interior una escalera de acceso superior a un mirador situado en la cúspide al que se le conoce como “El ojo de la cabeza de caballo” y desde el que se divisa una vista panorámica de toda la ciudad de Sevilla, dispone de una inclinación de 58 grados similar a una de las pirámides de Egipto, Keops. Se le daría un uso mixto al tablero que se distribuyó en tres carriles para cada sentido de tráfico rodado a ambos lados y una pasarela para peatones y bicicletas más elevada en el centro. La inspiración previa que imaginó Calatrava para la realización de este majestuoso puente vino motivada por una escultura previa diseñada por el propio arquitecto llamada “Torso en movimiento”. © José Miguel Hernández Hernández
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ENGLISH With a width of 26 meters and rectangular except the stately main entrance interrupts the Ysios Wineries have almost 200 meters in length and rises in a truly splendid privileged at the foot of the mountains of the Sierra de Cantabria. Located precisely in the area of Laguardia, Rioja Alavesa, the unique building stands out from afar for its beautiful cover by way of sea waves. As is usual with him, largely Calatrava mark the main entrance which is accessed by each of their works. Natural wood contrasts sharply with the aluminum coating that covers the entire deck base rectangular section beams bent, van drawing concave and convex forms, and where nothing is straight. The surprising structure consists basically of two load-bearing walls in the longitudinal direction of the ship, which being also curved like the cover, Calatrava’s clothed inside with a treated wood slats. Already on the outside, we were surprised by the architect using the aluminum silver colored natural and beautiful colors. Stresses largely unique main entrance building that rises above the rest of the majestic whole. Santiago Calatrava finally surrounded the main facade of the wineries with a sheet of water, essential complement to the greatest architect of his works. ESPAÑOL Con un ancho de 26 metros y de planta rectangular salvo la majestuosa entrada principal que la interrumpe, las Bodegas Ysios disponen de casi 200 metros de longitud total y se alza espléndida en un lugar auténticamente privilegiado al pie de las montañas de la Sierra de Cantabria. Localizado concretamente en la zona de Laguardia, Rioja Alavesa, el singular edificio destaca desde lo lejos por su preciosa cubierta a modo de ondas marinas. Como es habitual en él, Calatrava marca en gran medida el acceso principal por el que se accede a cada una de sus obras. La madera natural contrasta en gran medida con el / revestimiento del aluminio que cubre la totalidad de la cubierta a base de vigas con sección rectangular que inclinadas, van dibujando formas cóncavas y convexas y donde nada es recto. La sorprendente estructura se compone básicamente de dos muros de carga en el sentido longitudinal de la nave, que siendo también curvos al igual que la cubierta, Calatrava los revistió en su interior con unas lamas de madera tratada. Ya en el exterior, el arquitecto nos sorprendió aplicando el aluminio natural de color plata y de preciosas coloraciones. Destaca en gran medida la entrada principal del singular edificio que se eleva por encima del resto del majestuoso conjunto. Finalmente Santiago Calatrava rodeó la fachada principal de las Bodegas con una lámina de agua, complemento esencial del arquitecto en la mayor parte de sus obras. © José Miguel Hernández Hernández
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1.994 – 1.997 ENGLISH The promoter Campo Volantín S.L. was the catalyst that brought to contest the construction of a bridge over the river Nervión not far from the site where it is located today the prestigious Guggenheim Museum in Bilbao, the work of another renowned architect, Frank O. Gehry. The main feature of the project was also agreement that the bridge would be high enough to let ships pass under his bottom. Santiago Calatrava, who won the project, designed a breathtaking runway thanks to the great parabolic arch of steel bent and split across the bridge from side to side. The steel arch with a circular section of 50 cm. thickness reaches a final height of 15 meters. The gateway, with a total length of 75 meters rises to 8.5 meters high with respect to its high water to make way for vessels flying their underpass. Two ramps in two tranches of 2 meters wide each with a slope of 7%, saving the high slope that provides the bridge to cross from one side to another. Tensioned wires of 30 mm. in diameter, are anchored to the arch of an immaculate white for the support of the striking gateway. The architect gave to this footbridge and innovative modern design by using a material with beautiful colors, translucent glass, and together with the artificial lighting by means of staying under the dashboard lights, produce every night a unique visual spectacle and truly spectacular . ESPAÑOL La promotora Campo Volantín S.L. fue la promotora que sacó a concurso la construcción de un puente que salvase el río Nervión no lejos del emplazamiento donde se encuentra ubicado hoy día el prestigioso Museo Guggenheim, en Bilbao, obra de otro reconocido arquitecto, Frank O. Gehry. La característica principal de dicho proyecto consistía también en que el puente tendría que ser lo suficientemente alto como para dejar pasar a los barcos bajo su paso inferior. Santiago Calatrava, que ganó el proyecto, diseñó una pasarela sobrecogedora gracias al gran arco parabólico de acero que inclinado y desdoblado cruza la pasarela de un lado a otro. El arco de acero, con una sección circular de 50 cm. de espesor, alcanza una altura final de 15 metros. La pasarela, con una longitud total de 75 metros se eleva a 8.5 metros de altura con respecto a su pleamar para dejar paso a los barcos bajo su paso inferior. Dos rampas de acceso en dos tramos de 2 metros de ancho cada una y con una pendiente del 7%, salvan el alto desnivel que ofrece la pasarela para cruzarla de un lado al otro. Unos cables tensados de 30 mm. de diámetro se anclan al arco de un color blanco inmaculado para el sustento de la sorprendente pasarela. El arquitecto dotó a esta pasarela peatonal de diseño moderno e innovador mediante el empleo un material de preciosas coloraciones, el vidrio translúcido, y que junto con la iluminación artificial mediante unos focos alojados bajo el tablero, producen cada noche un espectáculo visual único y auténticamente espectacular. Copyright © José Miguel Hernández Hernández
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Digital Art / Surrealism www.flickr.com/marcarambr
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