Environment photography
389 creative works found
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Skeleton of desert plant. Studio still life. Photo based mixed medium image. Extreme image softness, textures, and grain.
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this gang of Adelie penguins gave me a great opportunity for quite a series of entertaining photographs as they zoomed busily about their icy playground. This photo has become a symbol of connection and friendship among my own personal group of nearest and dearest friends.
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Park Avenue South, New York. FEATURED / HOME PAGE 2nd PLACE / Steps & Stairs Challenge Featured / Simple by Design Featured / Urban Group Featured / Art in Math Group Copyright
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It’s a bit interesting to see a winged and a flightless bird having a barny. The little Adele penguin was outraged by the attack of the Arctic Tern who was defending possible intrusion on their nesting area on a nearby cliff..
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm contact my Agents at Gallery 112 / .....................................................................................
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Another image from my project on urbanisation of our coastlines and the impact upon the next generation.
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On a beach, a plastic bottle in hand, an aluminium factory behind and the next generation – just made me think a bit, plus the sheer attitude of my daughter :)
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The title is taken from the poem ‘My Country’ by Dorothea MacKellar, which was written in 1906. 100 years on, with the terrible drought conditions in Australia and the disgraceful state of our precious Murray River, the Coorong and Lower Lakes and other vital waterways, and our government’s lack of a meaningful response to global warming, the words ‘a sunburnt country’ start to take on a new meaning for Australians today. I for one do not love a sunburnt country and ‘the wide brown land’ is not for me. The image of the ‘Black Boy’ grass tree is a xanthorrhoea quadrangulata that was photographed on Mount Barker Summit.
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Grass in a shadow, nikon D60 TOP TEN IN THE CHALLENGE From the Ground UP
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Nikon D60 + OE / Lens: VR 18-200mm / Aperture: F/5.6 / Shutter Speed: 1/100s / Exposure Mode: Shutter Priority / ISO: 100 / /
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Conceptual photography of hands and the world map. / Thank you for letting me borrow your hands E.
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Nikon D60 + OE There are about 100–110 species of Fuchsia. The great majority are native to South America, but with a few occurring north through Central America to Mexico, and also several from New Zealand, and Tahiti. One species, Fuchsia magellanica, extends as far as the southern tip of South America, occurring on Tierra del Fuego in the cool temperate zone, but the majority are tropical or subtropical. Most fuchsias are shrubs from 0.2–4 m (8 in-13 ft) tall, but one New Zealand species, Kotukutuku (Fuchsia excorticata), is unusual in the genus in being a tree, growing up to 12–15 m (39-49 ft) tall. / Fuchsia leaves are opposite or in whorls of 3–5, simple lanceolate and usually have serrated margins (entire in some species), 1–25 cm long, and can be either deciduous or evergreen, depending on the species. The flowers are very decorative, pendulous “eardrop” shape, borne in profusion throughout the summer and autumn, and all year in tropical species. They have four long, slender sepals and four shorter, broader petals; in many species the sepals are bright red and the petals purple (colours that attract the hummingbirds that pollinate them), but the colours can vary from white to dark red, purple-blue, and orange. A few have yellowish tones, and recent hybrids have added the colour white in various combinations. The ovary is inferior and the fruit is a small (5–25 mm) dark reddish green, deep red, or deep purple, edible epigynous berry, containing numerous very small seeds. Many people describe the fruit as having a subtle grape flavor spiced with black pepper.
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Sutton Bank is a high vantage point at the very edge of the Hambleton Hills and the North York Moors with extensive views over the Vale of York and the Vale of Mowbray. Because of its location and high elevation, Sutton Bank is popular with gliding and flying enthusiasts. Predominant landmarks include Whitestone Cliff and Roulston Scar, the former overlooking the mysterious (and reputedly bottomless !) Lake Gormire. Close nearby are the villages of Sutton-under-Whitestonecliff, and Kilburn (famous for the White Horse of Kilburn, and Robert Thompson – the “Mouseman” of Kilburn). / Sutton Bank is one of the most spectacular inland cliffs anywhere in Britain, and carries one of the most hair-raising main roads in the country. The near vertical drop from top to bottom is around 140 metres, and crosses at least two major geological boundaries. / The Sutton Bank National Park Centre is on the western edge of the fabulous North York Moors National Park – home to the largest expanse of heather moorland in England. It provides the perfect introduction to the National Park, its people, history and wildlife. Nikon D60 / HDR in Photomatix & pp in PS CS3 / Lens: Nikkor 18-200mm / 1/160 f/9.0 ISO200
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Yellow Hypericum / Nikon D300 / Nikon 18-55mm / 1/100, f/5.0, ISO100
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Nikon D300 / 18-200mm / 1/400 f/13.0 ISO1600 / HDR (1 shot) in Photomatix Pro3.2 / and PP in PS CS3
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Autumn Yellow Tree in October Nikon D300 / Tamron 10-24mm / 1/10 (+0.67) f/3.5 ISO160 No Effects, as is
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Moods of Mallabula Series Port Stephens-Great Lakes Marine Park / NSW, Australia No processing / Canon 450D, kit lens (50mm) /
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A Beautiful Orange colour October tree / and a beautiful little poem from MarieAngel / Tree stand tall …been through all….seasons and reasons to stand. / Crisp autumn leaves fall in the breeze, ready for snow to cover its land. / Then comes the spring the buds it will bring …amidst flowers of sweet perfume / Tree stands tall admired by all whatever the season it blooms…. / Angel Hamilton Copyright October 2009 Nikon D300 / Tamron 10-24mm / One shot HDR in Ptotomatix Pro3.2 / PP in PS CS3
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A beautiful view of the pond in Filey, North Yorkshire, UK / Nikon D300 / Tamron 10-24mm / HDR based on RAW one shot, handheld / Photomatix Pro3.2 / PP in PS CS3
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Nikon D60 / Nikon 18-55mm / 1/60 f/8.0 ISO180, as is
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Wales, UK / Nikon D300 / Nikkor 18-200mm / HDR in Photomatix Pro / 1 shot, handheld / PP in PS CS3 including Orton Effect
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