English Wall Art
2699 creative works found
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This was used for a (hypothetical) Vivienne Westwood print ad for the perfume Anglomania. Photography, Art Direction and Post-production work by me. Hair and makeup by me, Model is … me :P I was going for 18th Century English Aristocracy with a modern twist and a bit of sass, which I believe the Vivianne Westwood brand encompasses.
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Seal
by Kasia NowakGrey seal in ballet pose, Donna Nook, Lincolnshire, UK
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Had fun shooting this one! Got a bit wet, but was happy with the result! (This was shot in real rain. None of the raindrops were harmed during shooting) Other Categories / Animals / Apes / Architecture / Baby Animals / Bears / Birds / Big Cats / Elephants / Fish / Insects / Macro / Nature / Reptiles
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This is La Courtine, one of the most beautiful cliff I’ve ever seen. La Courtine is part of the amazing rocky coast around Etretat in Upper Normandy, France, altogether known as Les Failases d’Etretat. I took this picture last August, on a very windy – as usual over there – late afternoon. / I wanted to have the sea looking as much smooth as possible, but I was in full daylight, as it was around 19:30 hours. Even with the overcasted sky, and even full stopping down the lens, the exposure time was only 1/2 seconds, a too fast time to move the sea surface. Using a polarizer and a 8x ND filter I gained 5 more stops, obtaining therefore, with a slight over-exposure, 20 secs of exposure time. Finally, I used a graduated filter to darken the sky, while keeping a correct exposure on the cliffs and the sea. / This allowed me to give the sea surface a watercolour paint look, and I also obtained a slight movement in the clouds, thanks to the strong wind. I hope you enjoy it, thanks for dropping by. / Paolo
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March 2008 I’d pulled in to capture a picture of the Cooling Towers at the Ratcliffe-On-Soar Power Station in Nottinghamshire but on the walk from the car I just couldn’t believe the sky I saw on the way past this field. Taken with a Nikon D40 and Nikon 18-55mm lens at 18mm
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Location: / Kingsgate Beach, Thanet, Kent, England Map: / Google Maps Date and Time: / 4 August 2007, 5.30 a.m. Camera details: / ISO 200 : f/22 : 1/2 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / Minutes after the sun had risen up over the sea, the low light was just lighting up the wall nicely and there was a nice selection of colours still in the sky. I’d only noticed the cave when the bright red caught the corner of my eye as I was walking along the beach
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Another in the Gizmo series… The look..the stare..the puppy breath… If only people realized what this adorable dog is gonna look like in a year or so….....
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The painting is based on a photo I took on Dartmoor a few years ago. The light was fantastic and I’ve expanded on that to create this vibrant landscape.
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Northumberland, England.
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Northumberland, England. One of my favourite places to walk :)
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The Aos Sidhe (pronounced “ess shee”), are a powerful, supernatural race comparable to the fairies or elves of other traditions. / They live in an invisible world that coexists with the world of humans. / The Gaelic Otherworld is seen as being closer at the times of dusk and dawn, therefore this is seen as a time special to the Aos Sidhe, as are some of the festivals such as Samhain and Midsummer. The Aos Sidhe are generally described as stunningly beautiful, though they can also be terrible and hideous. I cursed myself for walking too deep into the forest and missing seeing the sunset from the view point high on the hillside like i intended, but the evening rays brought colour to the forest like I wouldnt have imagined. / The forest is very much still in green, but the backlighting from the sunset has given such warmth to the leaves. As it was so late in the day, this is a 1 second exposure. other photos from the forests around my home / / Loki’s Forest
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Taken a few miles east of Leicester, near Allexton. Its that time in the UK, just before the wheat gets harvested – heavy heads beginning to nod gently under the weight of the grain, and the weather unable to decide whether it is summer or not, threatening to flatten the crop, just it is ready. Leicestershire is full of distant horizons like this, and the Barley is all but in now, much of the ground already having been put under the plough in readiness for the next crop.
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St. Margaret’s Bay, Kent, England August 2008: Sunrise up over the English Channel on one of the most spectacular mornings i’ve witnessed at this location. The sky turned pink for just a minute before the sun rose up over the horizon.
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Illustration on paper, mixed materials (pastelwax, aquarel, gouache, pen&ink) 20×30cm
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Location: / Kingsdown, Deal, Kent, England Map: / Google Maps Date and Time: / 10 May 2008, 5.53 a.m. Camera details: / ISO 200 : f/22 : 13 seconds : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / The ferry sitting waiting for entrance into Dover Harbour meant that a long exposure would contain a sharp and non moving ferry.
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Location: / St. Margaret’s Bay, Kent, England Map: / Multimap Date and Time: / 16 August 2008, 6.14 a.m. Camera details: / ISO 200 : f/22 : 1/4 second : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / Known as White Cliffs Country and one of England’s most famous natural landmarks according to the Natural Trust, the cliffs extend a few miles to the north to St Margaret’s Bay. Captured in the early morning light the glow of these magnificent cliffs is amazing. Unfortunately due to erosion, parts of these cliffs are falling into the sea and the section of beach I usually visit at St Margaret’s Bay differs each time I go with new rocks that were once cliff now at the water’s edge.
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Original Artwork Information / Oil on Canvas / 244×122 cm / 2008 About The Artist / Lisa V Robinson is a professional UK contemporary artist, who specialises in abstract, figurative paintings that explore the physicality of paint and the possibilities of what can be achieved with space and colour. / To view more of her unique artwork please visit / her website: www.lisavrobinson.co.uk Print Example / Greeting Card /
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Photographs from our one-day-winter in Bournemouth on Monday, 2 Feb 09 captured in the evening using flash to freeze the snow flakes. The second and third image has been inverted. / Best viewed LARGE / Frame textures kindly supplied by Telzey on Flickr. / Largest print size 105 cm(41.34”) x 34 cm (13.45”). Images are also available individually on request. Featured in the Everything Winter group on 22 Mar 2009. Featured in the Sets of Two group on 08 Feb 2009. counter piece: / / Image Collections: Featured work Layered with Texture Monochrome Camera Paintings Floral Triptychs This & That
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...an escape from their stalls and paddock! With their eye-catching flaxen manes and tails flowing the two full brothers, Dewey and Lewey, gallop through the snow on a brisk winter afternoon. Dewey and Lewey are Haflinger ponies a breed that originated in Austria. Kind tempered, sturdy and workmanlike they have been described as ” a prince in front, a peasant behind” .
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This is my tribute to one of the most innovative films I´ve ever seen in years. / The Pillow Book is a 1996 film by UK director Peter Greenaway; main character is Nagiko, a Japanese model. / “The film is a rich and artistic melding of dark modern drama with idealized Chinese and Japanese cultural themes and settings, and centers around body painting.” / “As a young girl in Japan, Nagiko’s father paints characters on her face, and her aunt reads to her from “The Pillow Book”, the diary of a 10th-century lady-in-waiting. Nagiko grows up, obsessed with books, papers, and writing on bodies, and her sexual odyssey (and the creation of her own Pillow Book) is a “parfait mélange” of classical Japanese, modern Chinese, and Western film images.” Well, for those who haven´t seen this film, I highly recommend it. A brief of this film can be found here). Main female figure with clothes and accesories and props conform a cinema4D render; the rest was done in postwork by blending photo-layers and a bit of digital painting.
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/ This work was inspired by the wonderful poem UMBRELLA of the very talented artist ANAISNAIS / Thank you Anna-Marie for let to share this beautiful poem here. ’’ UMBRELLA / / by Anaisnais There she stands / Centre stage for all to see / Tall and slender / Precariously she balances. I reach out for her / Draw her to me / My hand skims her body / Slowly reaches her skirt. Playful fingers find hidden areas / Delighted her legs spring forth / Displaying the very beauty / Of her delicately placed, adorned skirt. Gaily she dances around / Dizzily twisting and turning / In the brightness of day shading / She gently tends to my needs. Personal ballerina takes to toes leaping / Merrily bobbing up and down / As emotional to her performance / Clouds cry a thousand tears for her. Reaching our destination / Slightly shaken, she leans / Watches me, / Quietly drips, against the wall. Reminiscent of the day’s fulfillment / We acknowledge one another, silently / Restful knowing we shall be / One, once more. ’’ I truly appreciate all your kind comments and support. / All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.
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Poppies in the Kent Countryside. The title is for Graeme who insists I ought to try and keep away from the water! Photographs from Chartham, Kent
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North Yorkshire / Panasonic DMC-FX500 : http://www.redbubble.com/products/configure/12249257
english – information provided by wikipedia:
English art is the body of visual arts originating from the nation of England, in the form of a continuous tradition. Following historical surveys such as Creative Art In England by William Johnstone (1936 and 1950), Nikolaus Pevsner attempted a definition in his 1956 book The Englishness of English Art, as did Sir Roy Strong in his 2000 book The Spirit of Britain: A narrative history of the arts, and Peter Ackroyd in his 2002 book The Origins of the English Imagination. Although medieval English painting, mostly religious, had a strong national tradition and was at times influential on the rest of Europe, this was in decline from the 15th century and the Protestant Reformation not only brought the tradition to an abrupt stop but resulted in the destruction of almost all wall-paintings. Only illuminated manuscripts now survive in good numbers.RedBubble is a great place to find art, design, photos and writing from over 80,000 talented people.
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