More from the Lightscapes Set Poem: The Secret Place From: The Ice Cream Store. Toronto: Harper Collins Publishers, 1991. There’s a place I go, inside myself, / Where nobody else can be, / And none of my friends can tell it’s there— / Nobody knows but me. It’s hard to explain the way it feels, / Or even where I go. / It isn’t a place in time or space, / But once I’m there, I know. It’s tiny, it’s shiny, it can’t be seen, / But it’s big as the sky at night . . . / I try to explain and it hurts my brain, / But once I’m there, it’s right. There’s a place I know inside myself, / And it’s neither big nor small, / And whenever I go, it feels as though / I never left at all.
Peacock displaying
Famous for it’s ballroom dancing, Wurlitzer organ and fine victorian architecture. / Blackpool tower ballroom. / Shot at the seaside resort of Blackpool, Lancashire. / Here’s some info on the ballroom, courtesy of Wikipedia: / The original ballroom, the Tower Pavilion opened in August 1894. It was smaller than the present ballroom and occupied the front of the tower complex. The Tower Ballroom was built between 1897 and 1898 to the designs of Frank Matcham who also designed Blackpool Grand Theatre and it opened in 1899. It was commissioned by the Tower company in response to the opening of the Empress Ballroom in the Winter Gardens. The ballroom floor is 120ft x 120ft and is made up of 30,602 blocks of mahogany, oak and walnut. Above the stage is the inscription, “Bid me discourse, I will enchant thine ear” from the poem Venus and Adonis by William Shakespeare. Each crystal chandelier in the ballroom can be lowered to the floor to be cleaned which takes over a week. / From 1930 until his retirement in 1970 the resident organist was Reginald Dixon, known affectionately as “Mr. Blackpool”. The first Wurlitzer organ was installed in 1929, but it was replaced in 1935 by one designed by Reginald Dixon. The current resident organist is Phil Kelsall who has been playing the organ at the Tower since 1975 when he started in the circus. / The ballroom was damaged by fire in December 1956, and the dance floor was destroyed along with the restaurant underneath the ballroom. Restoration took two years and cost £500,000, with many of the former designers and builders coming out of retirement to assist, the resturant then became the Tower Lounge. / The BBC series Come Dancing was televised from the Tower Ballroom for many years and it has also hosted shows from Strictly Come Dancing including the grand final of the second series on 11 December 2004. / The Blackpool Junior Dance Festival (“Open to the World”) has been held each year in the ballroom since 1964. / Dancing was not originally allowed on Sundays; instead, sacred music was played. The ballroom also originally had very strict rules including: / “Gentlemen may not dance unless with a Lady” and / “Disorderly conduct means immediate expulsion”. / The ballroom has had a number of resident dance bands including Bertini and his band, and Charlie Barlow. Other smaller dance bands have also appeared as residents including the Eric Delaney Band and the Mike James Band. / Under the management of Leisure Parcs,and the direction of bandleader Greg Francis, the Blackpool Tower Big Band was reformed in 2001 after an absence of 25 years. The New Squadronaires, The Memphis Belle Swing Orchestra and The Glenn Miller Tribute Orchestra also performed. Themed nights were also introduced along with the sixteen piece orchestra, with resident singers, including Robert Young, Tony Benedict, Lynn Kennedy, and Mark Porter.[citation needed] In 2005 the Empress Orchestra became resident in the ballroom alongside the specially created and smaller Empress Dance Band. / Shot with a Nikon D70s and 18-70mm lens /
This was the last shot as I was packing up, while I was chatting to a fellow medium-format photographer. It’s got everything: lovely subtle pink & blue sky colours, reflection in still water… well worth getting up early for. Taken on the Hasselblad using Fuji Provia film, at Friar’s Crag on the end of Derwentwater, Keswick, in the Lake District .
me and my dog – spud
Whitby Abbey taken at 4:30 am (yawn). The first light of the day from the rising sun gave this amazing glow to the stones of this ancient building bringing it to life. Whitby is a wonderful seaside town along the North Yorkshire coast of England. This is a fascinating place to visit. HP PhotoSmart C945 bridge camera / f/5.6 / 1/60, / exposure bias -.67 / Used a tripod
An eerie calm is enjoyed as the sun sinks down and at the end of a beautiful day and casts it’s golden hues on the River Teign in South Devon, UK.
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October 2009 / Featured in Style! Class! Elegance! Excellence! October 2009 / Featured in Live and Let Live October 2009 / Featured in Windmills, Watermills and Ferris Wheels October 2009 / Featured in Digital Photography October 2009 / This is a great promenade and is the posh end of the Fylde coast in Lancashire England, where most of the posh poeple live, very victorian and very well kept. / Shot this about a year or so ago when there was a big storm coming in, the sun was still shining but didn’t last long, saw this lovely bench and the windmill in the background, hope you like this shot, Some may remember this one. / Here’s a little historical info about lytham windmill in the background: Built on what is now Lytham Green in 1805, the Windmill is the landmark that everyone sees when they come to Lytham. One of several mills on the Fylde, Lytham Mill was worked until 1919 when a fire destroyed most of the machinery. Rebuilt and renovated several times since, the Mill now houses a permanent exhibition of the history of the Mill and of Bread-making; tableaux of Lytham life during the last 100 years, various memorabilia and models. Open to visitors, free admission. / Shot with a Nikon D70sand 18-70mm lens / Edited with Photomatix and Photoshop CS2
Carnaby Street, London, UK. / Featured on the homepage on 01 Dec 2009 Browse Dorit’s gallery by print format: / ~ Landscape Format / ~ Square Format / ~ Portrait Format / ~ Panorama Format / Image Collections: Featured work Layered with Texture Monochrome Camera Paintings Floral Triptychs This & That / /
Location: / Kingsdown, Deal, Kent, England Map: / Google Maps Date and Time: / 10 May 2008, 5.55 a.m. Camera details: / ISO 200 : f/22 : 25 seconds : 18mm : Nikon D40 : Nikon 18-55mm lens Shot narrative: / A frantic dash to the beach and I just made it in time before the sun came up that morning.
The Uffington White Horse / a 3000 year old bronze age hill figure located on the front of the XTC album English Settlement and the back of the Nirvana album In Utero.
For affordable canvas prints please click here The river and banks approaching the lake at Blagdon in Somerset, England. / FEATURED in: / ‘Canon DSLR’ group, November ‘08 / ‘First Things’ group, April ‘09 / ‘The Beauty of The European Waters’, June ‘09 / ‘Your Magic Place’, June ‘09 / ‘Weekly Theme Challenges’ Oct ‘09 / with many thanks. Canon EOS 400D 18-55mm lens / 3 bracketed exposures at plus and minus 2 / Shutter speed 1/25 / AV range 10, 20 & 5 / Merged in HDR programme and then edited in photoshop (highlights, curves, filters and orton effects)
This artwork is being used as a CD cover by the choral group Brown Brothers USA A misty morning in Rivington, / Beams of Light Break through the trees. Rivington Lancashire England
Number One pick in the Music Inspired Arts Greatest Hits at EMI on November 10, 2009. / Featured in Album Art The Way It Couldv’e been / Featured in MIA / Featured in Dimensions on 8/11/09 / Pavement Cracks by Annie Lennox The city streets are wet again with rain / But I’m walkin’ just the same / Skies turn to the usual grey / When you turn to face the day / And love don’t show up in the pavement cracks / All my water colours fade to black / I’m goin’ nowhere and I’m ten steps back / All my dreams have fallen flat (Love don’t show in the pavement cracks / There will be no turning back) Time and space will pass us by and by / When we don’t see eye to eye / I would have done anything / For happiness to bring … / But it don’t show up in the pavement cracks / I can’t even cover up my tracks / I’m goin’ nowhere and I’m light years back / Ooh I wish you well How come / Every day / I’m still waiting for the change? / How come / I still say / Give me strength to live? Where is my comfort zone? / A simple place to call my own / ‘Cause everything I wanna be / Comes crashing down on me / And it don’t show up in the pavement cracks / I can’t even recognise my tracks / You and I can’t turn the whole thing back / Ooh I wish you well
The central quadrangle of the British Museum in London was redeveloped during the late 1990s to a design by Foster and Partners to become the Queen Elizabeth II Great Court, commonly referred to simply as the Great Court. It was opened by Queen Elizabeth II in 2000. The court has a tessellated glass roof designed by Buro Happold covering the entire court and surrounds the original circular British Museum Reading Room in the centre, now a museum. It is the largest covered square in Europe, bigger than a football field. The glass and steel roof is made up of 4878 unique steel members connected at 1566 unique nodes and 1,656 pairs of glass windowpanes making up 6100m2 of glazing each of a unique shape because of the undulating nature of the roof. (Wikipedia) / Handheld HDR stitch comprised of 39 images. / London, England. Dec. 2008. /
Deadpool + Ryan Reynolds = Epic
Abstract Macro Photography – Landscapes This is a very close up photorgraph of an old, rusting, decaying, steel, metal fence. / Water Lane / Leeds City Centre i can see so many different scenes here i start tripping out…
this is a combination manip/painting / I’ve been working on this for a couple of weeks – a little each night. I tried to add a lot more depth and light from the wet street. More shadows too….I wanted it to be modern – yet at the same time, have a long ago feeling. Does that make sense? / I didn’t want it completely straight either – meaning I wanted a tad of the impressionistic style. I got tired at the end – and my brush strokes got a bit sloppy at the top…but I went back and tried to make it better. I made this for a fried of mine who loves England…. / (a birthday present). Claudia This image has been digitally watermarked – if stolen or used without my consent, can be tracked online.
Bluebells in the woods near Challock, Kent. Painter.
Sunrise over Folkestone, was taken back in August 2009 at 5am in the morning. It was stunning! This image is HDR and has been PP in Adobe Photoshop.
Boscombe Pier… Bournemouth, England HDR 3 shots merged with Photomatix…using a tripod Nikon D90 – Nikkor 18-105mm
“They found a naked child upon the sands Of dark Tintagel by the Cornish sea; And that was approven King:” / Tennyson (Idyll of the Kings) / There are many myths and legends associated with Tintagel and the surrounding area. Geoffrey of Monmouth, the King Arthur populist who lived in the 12th century was the first to connect Arthur with Tintagel in his 1136 work Historia Regum Britanniae, or History of the Kings of Britain. Monmouth cited Tintagel as the spot where 5th century King Arthur was conceived circa A.D., 480-500. Another popular myth which surrounds Tintagel is that of Merlin’s Cave which can be found below the castle and visited via the beach at low tide. It is said that Merlin lived in a cave below fortress of Tintagel while King Arthur grew up, to be his teacher Tintagel Castle is one of the most mysterious and beautiful historic sites in Britain. Situated on the west coast of Cornwall, Tintagel is built on the remains of a coastal headland which is gradually being eroded by the sea. Historians believe that it dates back to the 13th century and it has been long associated with the legend of King Arthur. From Squidoo…....... Canon 450D EF-S 18/55 mm lens Please note l have removed handrails from this shot to take out the modern element
The last day of a wonderful trip around Spain, this was the view back to the holiday let we’d booked, every evening we travel back to the villa and in between the trees there was this view. I hoped at one point during our trip that I’d take a shot when the light or timing light was right the unfortunately it never seemed to be right. On the last night, on our way back to the airport we got a puncture and had to stop in a lay by for hours, as there was no spare tyre and the nearest breakdown truck 4 hours away! Had we not had to wait I wouldn’t have have got this shot. I hope you like it. Greeting Cards / Framed Print / Canon 10D, 70-200mm at 200mm, f/22, 1/250 sec, ISO 100. Handheld shot from a car door. This shot is also available from a photobook collection called Rural Mementos by redtree.me © Copyright 2009 David Reid – redtree.me – All rights reserved.
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