Egypt Wall Art
662 creative works found
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A tongue-in-cheek depiction of the Egyptian sky god, Horus, in full fury. / Original was completed 2007, in watercolor and gouache media, on Arches cold-press 180lb. paper.
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Shadows on a street in Aswan, Egypt.
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I met Mohamed inside the Temple of Kom Ombo right on the banks of the Nile, and his eyes were just captivating. He was one of the many locals that offered their services as a guide inside the temples in the return for baksheesh, photos cost extra but after chatting with him I felt he needed the money more then I did and I had to record his extraordinary eyes. Throughout my visit I didn’t see another blue eyed Egyptian so I felt lucky to have met Mohamed by chance, and shared some time with him. The Temple of Kom Ombo is actually two temples consisting of a Temple to Sobek and a Temple of Haroeris, so everything in mirrored for each of the Gods.
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My first collab with Craig Goldsmith with dear thanks for the use of his photos from Egypt / check out his portfolio :)
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Late evening street scene in Aswan, Egypt
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We woke that morning at the onward call / Our camels bridled up, our howdahs full / The sun was rising in the eastern sky / Just as we set out to the desert’s cry – Loreena McKennitt Stock Credits: / Face in sky: http://www.sxc.hu/photo/494578 / Frame of Numbers: http://www.sxc.hu/photo/494576 / Clouds: http://www.sxc.hu/photo/744000 / Wall box: http://Stockinthebox.deviantart.com http://www.deviantart.com/deviation/22542114/ / Caravan: http://www.sxc.hu/photo/507340 / Texture & pyramids/palm trees/additional camel and desert dweller: personal stock of texture and vintage postcards ©2007-2008 Aimee Stewart, Foxfires / All of my artwork and photographs are © All Rights Reserved Worldwide. / My artwork and photos do not belong to the public domain.
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Thea Queen of the Nile Cleopatra, the last Pharaoh of Ancient Egypt. / Available as an framed art print, print and poster. Image copyright © 2008, Shanina Conway. / Reproduction, displaying or redistribution of this image without permission from the artist is strictly prohibited
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I HAVE ADOPTED A FAMILY… TERILEE AND HER CLAN OF MIRACLES…. HERE IS WHAT SHE WROTE ME…..SEE TERILEE Lina….Tyler and I were looking through your images…and he wrote a poem that goes perfect with this image….so we wanted to share with you…. Tyler’s (age 9) Goodnight…. The day is going, / Its time for night. / The trees are gently rustling, / And the bushes resting. / The sun set has come, / So, time for bed. / ZZZZzzzz…
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The main streets of Cairo become a hive of activity in anticipation for the celebrations at the end of Ramadan.
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This photo was taken in 2007 at Karnak temple (Egypt. Africa). The Karnak temple complex, universally known only as Karnak, describes a vast conglomeration of ruined temples, chapels, pylons and other buildings. It is located near Luxor in Egypt. This was ancient Egyptian Ipet-isut (“The Most Selected of Places”), the main place of worship of the Theban Triad with Amun as its head, in the monumental city of Thebes. The complex retrieves its current name from the nearby and partly surrounding modern village of el-Karnak, some 2.5km north of Luxor. / The complex is a vast open-air museum and the largest ancient religious site in the world. It is probably the second most visited historical site in Egypt, second only to the Giza Pyramids near Cairo. It consists of four main parts (precincts) of which only one is accessible for tourists and the general public. This is the Precinct of Amun-Re, and this it is also the main part of the complex and by far the largest part. The term Karnak is often understood as being the Precinct of Amun-Re only, as this is the only part most visitors normally see. The three other parts, the Precinct of Montu, the Precinct of Mut and the Temple of Amenhotep IV (dismantled), are closed to the public. There also are a few smaller temples and sanctuaries located outside the enclosing walls of the four main parts, as well as several avenues of human and ram-headed sphinxes connecting the Precinct of Mut, the Precinct of Amon-Re, and Luxor Temple. / The key difference between Karnak and most of the other temples and sites in Egypt is the length of time over which it was developed and used. Construction work began in the 16th century BC. Approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the individual features of Karnak are unique, but the size and number of features are overwhelming. Browse Palinchak Mikhail art by categories Art Nudes · Fractal Art · Egypt · Landscapes · Conceptual / / / /
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Egypt – Memphys
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This image depicts Egyptian Hathor, a goddess whose father Ra once dispatched in the form of a disembodied eye to spy upon humanity and report bakc what she found. The ankh, among other things, represents her as this All – Seeing Eye, thus everything she gazes upon turns to abundance and multiplies. Hung indoors, ankhs created good fortune and prevented its leaking away from the dwelling. The temple pillars display cow – eared Hathor, sistrums, and prayers of praising and invoking favor upon all who gazing into her portrait and the text. Priestesses sing and play her sacred instrument, the sistrum. Like most mother goddesses Hathor has a shadow side, the Destroyer, but was commonly associated with: the Nile, joy, love, fertility, midwifery, motherhood, dancing, music, poetry. Cows, turquoise and malachite were sacred to her and the falcon, sycamore trees, color red, cobra, sun disc, cow horns and color red are also connected to her. I painted this as a sort of icon, and its intended as a visual prayer, to focus fortune inside a dwelling, and instill joy. Many ancient traditions hold that displaying a divine image invokes the blessings and energy of the deity or holy person represented. For some, meditating upon them opens an inner doorway to Truth. Others employ spiritual, mythic and religious imagery as inspirational and motivational tools. In each instance the divine imagery communicates a message without the interference of language and its connotations. This painting portrays Hathor prior to 2700 BCE. The ankh symbolizes her Eye, and thus all it looks upon turns to good fortune. The pillars are inscribed with hieroglyphics praising the goddess and invoking her favor upon all who look at the image and text., a common practice. I researched every aspect of this painting to make certain it is historically accurate and in harmony with what has been found in what remains of her temples.
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Travel for me is about stepping outside of my normal comfort zone. I have never thought about balloons. I’m not intensely afraid of heights or anything, but I don’t like the idea of having so much air between my feet and the ground. I would never have thought to try to arrange something like this at home, but when our guide suggested that this might be something the group would enjoy, most of us took advantage. The first morning in Luxor started out as dawn broke high above the city of Luxor and the Valley of the Kings….
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Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Gallery 5 / Gallery 6 ========================== / For a details see it in large view Not long ago i came across the painting Tessellation: 1 by the Creative / Tania Donald* i loved her painting as i am a big fan of Mosaic art, I asked Tania if i could do a collaboration work with her painting , to create something in my style,she was very happy and excited to see what I was going to do , I must say i but my heart and soul into this one and it took for ever to finish ,this one will be hanging in my home. / to see more of Tania’s work please visit her site , Thank you Tania for the inspiration. Tessellation: 1
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For a special friend / Who has walked many lifetimes with me, / And beyond… / One who knew the silent footfall of the cat goddess, / Whose lips have sung to the dark grace of Bast, / Who has danced with Gods and evoked the spirit of Anubis… / And carried their magic through the ages / To a world that has forgotten. / Beneath the crown of divine Mother, / Her beauty is ageless, her wisdom a gift. / Time flows past so slowly, / Yet whether for a day, or a lifetime, / Her memory brings warmth, / And no matter the distance, she always sees - / Beyond this world, beneath your facades - / She knows what is real, and sees who you are. / There is no hiding when her light shines upon you. / Precious sister, you walk in another land, / and so many suns have set, since I felt your smile. / But you are remembered. and today I honour you. / (Happy Birthday Kylee)
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No trace has yet been found of the tomb of Shoshenq I – which makes me very happy. You will free yourself when you learn to be neutral and follow the instructions of your heart without letting things perturb you. This is the way of Maat. Painting in mixed media / 100×42 cm Music -
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This is my entry to the photoshop creative competition. The use of photoshop is not huge as I pretty much only composed nine original images together. But I don’t think it needs more “effects” to tell its story. This is a deconstruction and chaotic recomposition of an urban lanscape in Alexandria, Egypt. Because I see the future dynamic, urban, fast and anarchic.
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King Tutankhamun – pastel. / / ! / /
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/ Greeting Card / Framed Print / Mounted Print / Canvas Print / Matted Print White / Matted Print Black ‘Heart Series’ card by Karin Taylor Cross Your Heart is a mixed media painting, ink, charcoal, acrylic and pastel on a canvas textured paper (oh and there’s red glitter on her heart as well) This is a card and print which you can send to encourage someone, or to simply let them know you send your love and are thinking of them :) She represents the child in us all, the child within who wants to be loved, nurtured and accepted despite faults and misdeeds, she stands for the hope that we will show one another respect, goodness and kindness…..that we will all know what it is to be showered in lovingkindness…. it is my picture prayer for hope, love, peace representing all races, cultures, faces….because all hearts, regardless colour, race, creed or status, need the same thing to grow and thrive – love
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NOT FOR SALE / It will be show at Galleries in Israel and Seville as a Limit and numered Series of only 15 copies. / Price:1500 Euros / If you are interested please send me a mail. FROM LIMITED SERIES / TOKIO WOMAN / LOOKING FOR THE SEPIA / EL EQUILIBRIO DE LA MUJER FLOR / / / TEMPO / / / NIRVANA / XXI CENTURY / / / AFRICA /
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... to save the beautifiul red sea coral from damage! Dusk in the Gulf of Aqaba looking from Egypt across to Saudi Arabia
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I have a Napoleon fixation. Wouldn’t call it a complex, exactly. I think has something to do with the fact that I’m five feet tall. Maybe it is a complex. C’est la vie.
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