Effect 

3736 creative works found

  • This is a shared art image.. Brett has shown what he can do with natures art.. It is such a pleasure working with such an artist in software and digital works.. Anytime again my friend. / Check out Bretts RB site.. search for PhotoBloke and enjoy some fantastic Images…

  • Langfords Store – Bainham / Historic General Store and Post Office, located in the beautiful Aorere Valley, the Gateway to the Heaphy Track, South Island New Zealand. / From toffee to t-shirts Storekeeping was no new venture for Eleanor, wife of Edward Bates Langford, when Langford’s Store opened in 1928. Prior to their 1900 Boxing Day marriage she had worked in her parent’s ‘Waimea Road tuck shop’ for Nelson College. / When E.B.L. relinquished dairy farming to become Postmaster in 1924 and began selling stationery to go with the stamps, he invested in a printing press, while Eleanor sold her famous homemade toffee. After trying unsuccessfully to persuade the Government to finance a Post Office to replace the locally-owned building, he turned his attention to retailing. / Lorna Langford began working for her grandfather in 1947, in the days of tinned loose biscuits and vinegar in wooden casks. She continued to work in the store until 2008, when Sukhita Langford took on the position of Storekeeper and Postmistress. Today’s shopper is likely to be a Heaphy Track tramper wanting insect repellent or postcards for home. / Enjoy delicious tea and coffee served with sublime sweet treats whilst you write a postcard home and soak up the sunshine and surrounding scenery. / Open: / 10am – 6pm Mon to Fri (during winter months) / 8am – 6pm Mon to Sun (during summer months / This image was taken on film and reworked in PS. / Enjoy /

  • Acrylic on canvas. /

  • Order, chaos, black coffee, red coffee, hot coffee, fractals, infinity, geometry, influence, blue nature, just blue, sensitivity, supernature, USB. / My interpretation to the Butterfly Effect. Digital mixed media (large view recommended – don’t miss it) / Copyright © LiorG 2007 This work was featured in the groups A Fractal Energy Passion and Solo Exhibition. Add Lior Goldenberg to your watchlist

  • Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm contact my Agents at Gallery 112 / .....................................................................................

  • There’s something about her expression… / Hope … / Love … / Dreams … / Visions … Original photograph processed gently to give it subtle painting-like feeling. Illuminated (T-Shirt) available now:

  • I find that when I take one of these in the morning – the day goes a whole lot better…

  • Angers, France

  • just messing around with PS really … this would make a great ‘greeting’ or ‘gift/gratuitous’ or ‘friendship’ or ‘thankyou/your one in a million’ card buy me … hee hee

  • A Panoramic and close veiw of the sun setting at Frankston, followed by a digital effect giving special treatment to the water surface only / /

  • Remix of *j3concepts’s illustration www.archann.net

  • An Original with the Orton Effect applied. Princes Street Gardens in Edinburgh is full of Benches BEST VIEWED LARGE

  • Fall 2007 ~ Spokane River ~ Spokane Valley, Washington USA / Sony a100 28-105 f/3.5-4.5 / 60mm l f/5 l 1/500 sec l ISO 100 l Aperture Priority l 9:12 AM PDT Add Beve to Your Watchlist Sweet Surrender by John Denver / Lost and alone on some forgotten highway / Travelled by many remembered by few / Lookin for something that I can believe in / Lookin for something that Id like to do with my life Theres nothin behind me and nothin that ties me / To somethin that might have been true yesterday / Tomorrow is open and right now it seems to be more / Than enough to just be there today And I dont know what the future is holdin in store / I dont know where Im goin, Im not sure where Ive been / Theres a spirit that guides me, a light that shines for me / My life is worth the livin, I dont need to see the end Sweet, sweet surrender / Live, live without care / Like a fish in the water / Like a bird in the air Sweet, sweet surrender / Live, live without care / Like a fish in the water / Like a bird in the air Lost and alone on some forgotten highway / Travelled by many remembered by few / Lookin for something that I can believe in / Lookin for something that Id like to do with my life Theres nothin behind me and nothin that ties me / To somethin that might have been true yesterday / Tomorrow is open and right now it seems to be more / Than enough to just be there today And I dont know what the future is holdin in store / I dont know where Im goin, Im not sure where Ive been / Theres a spirit that guides me, a light that shines for me / My life is worth the livin, I dont need to see the end Sweet, sweet surrender / Live, live without care / Like a fish in the water / Like a bird in the air Sweet, sweet surrender / Live, live without care / Like a fish in the water / Like a bird in the air Sweet, sweet surrender / Live, live without care / Like a fish in the water / Like a bird in the air Sweet, sweet surrender / Live, live without care / Like a fish in the water / Like a bird in the air

  • Glamour Style Portraiture Tips
    by Jennifer Woodward

    I’ve had a few people ask how I achieved the finish to some of my portraiture works, so as promised, I’ll try and explain as best I can, ...

    I’ve had a few people ask how I achieved the finish to some of my portraiture works, so as promised, I’ll try and explain as best I can, how I acheived the image below. This is by no means a step by step guide, as I generally just mess about with an image until I’m happy with it. There are however, certain effects in photoshop I tend to favour for certain subject matters, so I can at least give you an insight into those! To start of with, if you are going to heavily edit a photo, it’s generally important you are working on perfectly focussed image in the first place, so if you are going for quality, use a tripod. The reason this is important, is because when you edit your work, you are directly affecting the pixels of your digital image, and somtimes, editing can cause pixel loss, therefore reducing the quality and sharpness of the image. Lighting is another important factor – it doesn’t have to be perfect, but make sure you don’t have any areas that are very under or over-exposed. One thing I always do when I start editing, is to duplicate the background layer twice to create three layers. I then hide the background layer, leaving two layers visable. I then tend to work on the top layer when adding effects, and once I’m happy with each effect, I merge with the second layer before duplicating the merged layer ready for the next effect. This way, you always have your untouched background layer so if you do go terribly wrong, you haven’t lost your original image. You can also use your background layer to compare your edited layer with. I find this very useful to measure how far you’ve come with your editing. If you’ve gone to far, and over edited, you can always reduce the opacity of the edited version to get some of the detail back, before merging with a duplicated copy of your background layer. To create a glamour style portrait, I generally start by tidying up the image. If it’s too grainy, I use despeckle or reduce noise, but this can cause loss of detail to important areas like the eyes or lips. Detail can be recovered by carefully using the eraser tool on these areas. This will reveal the layer beneath. These layers can then be merged and duplicated. I focus very much on the eyes and mouth of my portraiture work, and I frequently select these areas using the marquee tool or pen tool, (set to a feather strength of 100 or so) and sharpen them using the unsharp mask. Any areas that look over sharpened can always be erased with the eraser tool. I also use this method to increase contrast. The next step I might take is to set the colour palette to a very pale flesh colour and select diffuse glow. It’s always best to add each effect in a subtle way. I often repeat effects over and over adding just a hint each time. It might be more time consuming, but the final result will be much more pleasing to the eye. After you’re happy with the glow of the skin, have a play about with the layer effects in the layer palette. My favourites are “overlay” “screen” and “multiply”. To create the effect of smooth skin, I add a suitable layer effect, and then choose gaussian blur. You will have to play about with the slider here to see what strength looks best. I often reduce the opacity after each effect before merging with my second layer. I find the effects work much better adding a little each time. Remember that if you lose any detail in the eye/mouth area, you can recover it by using the eraser tool. The next step might be to add accented edges – I find this can add extra sparkle, especially to the highlights of the lips and eyes. A common setting for the highlight strength is 28 or 29, but again, have a mess about with it and see what effect it has on your image. I use a variety of methods to get the colour and tone of an image right, and I tend to begin by using the selective colour option. I’ve actually only just discovered this way of altering colour, and I find this option gives you much more control than any other method. The best advise I can give on getting the colour balance right, is to trust your instincs. If it feels right, it is. Same goes for any other editing you do. Try not to think too much about how it should look, and more on how you feel about an effect or colour you just added. Art is about expression in the most honest way. If you like it, it’s right! Other options to alter the colour and tone of an image are photo filters, colour balance and variations. I tend to use all of them at some point during my portraiture works. Another effect I frequently use is craquelure. This can work great on eyes and lips to bring out texture and highlight. Again, I will select the area I want to enhance, then after the effect, I usually either reduce the opacity of the layer, or fade the effect via the edit menu so it doesn’t look to harsh. Well, that’s pretty much the basics! I will usually run through each of these effects alternately adding a bit at a time. I often return to the eye/lip area to sharpen or add contrast. The skin can be further smoothed by reducing noise and or, despeckling repeatedly. Any detail like hair, eyes and lips, can again be recovered using the eraser tool. I hope this journal gave you a useful insight into how I go about my portraiture works. It might not be a step by step guide but I hope it will encourage you to acheive the effects you desire from photoshop. Let me know if there are any areas you are unsure about, or if there are any other questions, either leave a comment or bubblemail me. Happy editing!! Jen :-)

  • I was experimenting with slow shutterspeed effects, and saw a friend do some work using fire. so it became something i wanted to try and just play around with and see what i could do with it. / so one cold night, im bored, i decided to try this time lapse stuff out / at the time i was still using my kodak easyshare 6490 camera back in feb of 2007. / so i set it up on my tripod in the darkest part of my house, the hallway / it took a few times of trial and error, to be lined just right with the framing, and to get the flames just right. i was going for a heart shape for valentines / i used two bic lighters to achieve this effect / just as i set the timer on the camera, as it was starting to release the shutter is when i started forming the heart shape with the flame / this was a very fun challenge, something great to try on those cold or rainy days and you feel like there isnt anything to do. this was shot in SS priority, SS was set at 5.6, time lapse was set at 6 sec, aperture was F 2.8, and focal length was at 6mm, and exposure comp at -2, no programed effects were done to this shot, this is as is right out of camera / unfortunately due to the 4mp of the camera all that is available is the card

  • (clouds with the flood effect) /

  • ...And the CP (Canadian Pacific) takes it by a nose with the CN (Canadian National) chugging alongside. I live in a little mountain town where the trains stop for a few minutes and crews do a changeover then stay in the bunkhouses on either side of the river for a few hours to rest up for their next trips. / These freight trains are heading west towards Vancouver. /

  • I worked on this for ages a while back & just couldn’t get it right. So I put it away for a couple of months & re-visited it today…... & everything just fell into place….. / sometimes you just need to clear your head, & make a fresh start. Featured – Nostalgic Art & Photography – August 2009 Featured – Artistic Libation ~ Spirits In Art – October 2009 /

  • Sutton Bank is a high vantage point at the very edge of the Hambleton Hills and the North York Moors with extensive views over the Vale of York and the Vale of Mowbray. Because of its location and high elevation, Sutton Bank is popular with gliding and flying enthusiasts. Predominant landmarks include Whitestone Cliff and Roulston Scar, the former overlooking the mysterious (and reputedly bottomless !) Lake Gormire. Close nearby are the villages of Sutton-under-Whitestonecliff, and Kilburn (famous for the White Horse of Kilburn, and Robert Thompson – the “Mouseman” of Kilburn). / Sutton Bank is one of the most spectacular inland cliffs anywhere in Britain, and carries one of the most hair-raising main roads in the country. The near vertical drop from top to bottom is around 140 metres, and crosses at least two major geological boundaries. / The Sutton Bank National Park Centre is on the western edge of the fabulous North York Moors National Park – home to the largest expanse of heather moorland in England. It provides the perfect introduction to the National Park, its people, history and wildlife. Nikon D60 / HDR in Photomatix & pp in PS CS3 / Lens: Nikkor 18-200mm / 1/160 f/9.0 ISO200

  • This includes several of my photos, of filters and one hand painted purple hairstreak butterfly (female). I have also used the textures by - Khaosdog: Blood Splatter textures / - Bombay101: Splatters 01 The picture is based on the Chaos Effect theory that the flutter of a butterfly’s wing tip can cause a typhoon at the other end of the world. However, to me this also means that one tiny thing can change your world. The drawing of the Purple Hairstreak butterfly by itself can be see on my blog

  • Helenium Autumnale / Nikon D40, Nikkor 55-200mm lens / August 2009 / The Orton Effect, first attempt La Masion Chenier, historical gardens and home built in 1756, at the confluence of the rivers: riviere-du-Chene and riviere-des-Mille Isles, located in St-Eustache, Quebec CANADA Heleniums are hardy perinneal flowering plants native to North America that grow in late summer and autumn. Common names include sneezeweed, helen’s flower, and dogtooth daisy. .

  • I finally decided to take the “Tour Eiffel” in picture (was in Paris this weekend) and I couldn’t resist to photoshop it :) Hope you’ll appreciate…

  • Pic of old mill taken in the mountains on West Virginia. Altitude makes the leaves change earlier then most locations in a 100 mile radius.

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