Effect
1804 creative works found
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We wanted to send man to the moon. / We did. We wanted to supply man with a / way to communicate through fiber optics. / We did that too. But what happens when the / human counterpart is so reliant on technology, / that it forgets to…be human? Numbers, dates, / appointments all stored in a portable database. / Families neglect to interact with each other because / they all have a human counterpart that they can connect / with. Patience is a thing of the past because anything / they want is at their fingertips. Ideas are unoriginal / because they have all been thought of before; typed, dated, / and logged. Welcome to the Butterfly Effect. / Welcome to our world. / / / Hand painted (mouse painted..heh.) digital oil / (taken from my own eye) / Corel Paint Shop Pro/Corel Painter X/Apophysis / This is my first hand painted digital oil. / Challenge Cafe Entry / / / Special thanks to Helene Kippert Paul Tupman and Stacylee for your influences. ;) / / / Runner up in the Challenge Cafe Contest / Thanks to all who voted on it! / / / / sold:1 mounted print + 1 laminated print / (both to RB members/artists) / /
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This intimate, bright yet dark, static yet flowing, autumn themed image was made in Baxter State Park, Maine, USA in October 2006. I like the contrast of the flowing water beneath the still branches, the pop of color from the remaining birch leaves, and the juxtaposition of the branch atop the stream in tone and color! /
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As Toyota and Jetstar are debating all around town, i thought i’d stir the pot with my little jump a bit more…
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Photographic based digital montage 2007 (1 from series of 6 – redesigned from 2004/5 Japanese Series). Re-worked combining two from the series. I shot the tree, flowers & combined them in P/S with drawn elements & filtered the lot. Approximately 50 Photoshop layers. Generally I tire of my artwork yet still love this series to this day. The lot 60×60cms are printed on canvas gracing the walls of my home.
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Photographic based digital montage 2007 (1 from series of 6 – redesigned from 2004/5 Japanese Series) I shot the tree, flowers, roses, birds, combined them in P/S with drawn elements & filtered the lot. Approximately 50 Photoshop layers. The lot 60×60cms are printed on canvas gracing the walls of my home.
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The Easy Guide to Creating the Orton Effect using Photoshop - UPDATED
by Peter HillThe aim of this Guide is to provide easy-to-follow step-by-step instructions to achieving the Orton Effect without the necessity of bei…
The aim of this Guide is to provide easy-to-follow step-by-step instructions to achieving the Orton Effect without the necessity of being a Photoshop guru. I still call myself “new to Photoshop” and I have found a lot of tutorials on this topic assume a much higher level of knowledge than I have and are not very intuitive. I have revised the Tutorial to show a shortcut to the 2 Blending Option steps, which I only found myself after posting the original tutorial (doh), but I have left the long way as well, as you may wish to play around with the default settings applied by the short way. To achieve the Orton Effect you will be creating Layers, but don’t worry if you haven’t done this before. I hadn’t. The method I am about to describe is the simplest I have found. It’s not my method, but the description is all mine. When I have more time (yeh, right) I will revise this tutorial to include screenshots of the various steps. But for now, you might like to print this Guide and have it next to you while you create your first Orton Effect. I use Photoshop CS2 v9. The method described below originally came from someone using Photoshop Elements, so you can see this is not advanced stuff. The steps described below assume almost zero knowledge of Layering, and ignore other adjustments you might be making to the image, for example Sharpening the image before you start work on it (recommended). Step 1 Choose your image. Any image will do, you are just learning at this stage, but if you have that favourite flower shot or portrait – cool. Step 2 Open Photoshop. Open the image you have selected to be your first amazing Orton Effect image. Feel the excitement. This is your Background Layer. Step 3 Look for the Layer toolbox on the right hand side of the Photoshop work area. There should be a rectangular box with a small eye icon, a tiny thumbnail version of your image, and the word Background in italics. Right-click the word Background and select Duplicate Layer. A small box should immediately appear in the middle of your screen. It is asking you to Name the Duplicate Layer. Name this Layer Focus and click Enter. (Note: It doesn’t really matter what you name it, but Focus will do for our current purpose.) Step 4 There should now be a new rectangular box immediately above the original, and called Focus. (If there isn’t, stop, curse quietly, then try Step 3 again.) Pause now and look at the tiny eye icon. You will see that it is now the Focus layer on your screen, so this is the “copy” you are working on. OK, moving on ….. Right-click the Focus rectangular box and select Duplicate Layer again. This time when the naming box appears just click Enter because we will use the default name for this Layer, being Focus copy. Step 5 OK, now we are going to blend the Focus copy. There are 2 ways to do this – the long way and the short way. I will show you the long way first, just in case you want to go back and play with it after you get familiar with the process. Long way – Right-click the Focus copy rectangular box and select Blending Options. This will open a new box with lots of options. Ignore them for now. In the top part of this box you will find a window showing the Blending Mode and the default setting of Normal with a pull-down menu (A downwards arrow). Open the menu (left-click) and select Screen. Click Enter to close the box. OR Short way – look at the window which shows your layers. See the drop down menu at the top left, showing Normal as the default? Scroll down the menu and select Screen. The Focus copy layer should now have a bit of a washed-out look to it as a result of selecting Screen as the Blending Mode. (I have found that if the Screen effect still leaves a fairly good image, the Orton Effect will be enhanced. Too washed out and the Effect is diminished.) Step 6 Right-click the Focus copy rectangular box again, only this time select Merge Down (it’s near the bottom of the menu). This will collapse the Focus copy layer onto the Focus layer. Step 7 Right-click the Focus rectangular box again and select Duplicate Layer again. Name this copy Blur. Click Enter to close the box. Step 8 Now, find and open the Filter menu on the Tool bar running across the top of your screen. Select Blur. Another menu should open. Select Gaussian Blur (don’t ask). A new window should open. You will see a Preview of the image with a default blur Radius setting of 15.9. You can play around with the radius later. For now, just click OK to close the window as we will accept the 15.9 (I have found 15.9 to be right for most images anyway). The blur you are to achieve with this step should be enough to discern the shapes without the detail. Step 9 – The Magic Happens! This is the fun part. We now make one more blending option. Again, here’s the long way and the short way. Long way – Right-click the Blur rectangular box and select Blending Options. As described in Step 5, this will open a new box with lots of options. Again, ignore them for now. In the top part of this box you will find a window showing the Blending Mode and the default setting of Normal with a pull-down menu (A downwards arrow). Open the menu (left-click) again and this time select Multiply. Click Enter to close the box. OR Short way – Click on the same drop down menu you used to create the Screen effect, only this time select Multiply. You should now be able to see the Orton Effect! Step 10 If you want to accept the result, right-click the Blur rectangular box one more time and this time select Flatten Image (it’s the last option on the menu). This basically collapses all the layers into one final image and is the last thing you do in Layering. You can now save the image as normal. Does it look something like this? If it looks too dark though, you can adjust the Opacity level with the sliding bar before flattening the image. Look for the tiny Opacity tool in the top right of the Layering toolbox. But if you find you need to go below 90% the Effect is significantly lost and maybe it wasn’t the right image. Another option is to adjust the Fill and leave the Opacity at 100%. Have fun! I am. Peter
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I originally intended this shot to be a picture of my son holding onto these balloons and taking off, floating into up into the sky … a fantasy, sotybook sort of image. However, my daughter immediately grabbed these balloons from him and started running off. So, as it turned out this eded up having a more realistic look than the one I originally intended, but I thought it turned out pretty cute with the desaturated colors throughout, except for the colorful balloons. Sold 2 laminated prints to RB Members.
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The Porcelain Skin Effect in Photoshop
by Julie LangfordI have been asked by many people via comments, and directly, how I get the clear skin effect on my *Portraits...
I have been asked by many people via comments, and directly, how I get the clear skin effect on my Portraits / . So, as I am now a leader in the Photoshop Help group, along with my good buddy Faizan Qureshi – I thought I would kick off my participation with this brief tutorial on how it is done. / / This was done in Photoshop CS2, but as the effect only uses the standard Photoshop tools, most if not all versions of the program will suffice for this tutorial. / / First things first, you will need a file to work on. The settings in this tutorial are based on the low resolution starting image here, and if you use higher resolution images – the settings will be different. / / You may right click and save the starting image below and use it to work through this tutorial to practise – you may also upload your finished work into your portfolio for feedback and to show others how you did – You MUST not, however, place the image for sale, or use it for any other purpose other than this tutorial, without my permission / / So, follow the steps and have some fun with this. / / 1. Save the image below and open it in Photoshop / / Starting Image / / startmodel / / / 2. On the toolbar on the left hand side, click on the healing tool / / healing brush tool / / Use the following settings for the healing brush / / healing brush tool settings / / / 3. Zoom in on the model so that you can see imperfections on the skin. Hold Alt on your keyboard and click on an area of skin close to an imperfection once – release the mouse and the Alt key / / healing brush step 1 / / / 4. Click the mouse again over the imperfection that you want to hide, once / / healing brush step 2 / / / 5. Repeat the last two steps until you have removed all the imperfections, until the image looks similar to the one below. / / model after healing brush applied / / / 6. Down on the right hand corner of the Photoshop workspace – you will find the layer pallette – Have a look – you will notice that there is one layer called background, or Layer 1 in the pallette at the moment. / / The Photoshop layer palette / / / 7. Go to the menu bar running across the top of the workspace – click on the word – Layer, then click on Duplicate Layer. A box will appear, just click OK. Notice that a new layer, called layer 1, or background copy now appears in the layer pallette above the background layer. Make sure that this top layer is highlighted/selected / / 8. Just above the highlighted layer, there is a drop down menu [which probably has the word Normal in it at the moment]. Click that drop down menu and click on multiply. / Multiplying the layer / / / your image will go very dark like the one blow. Model after multiply / / / Still working on this same layer / / 9. On the menu bar running across the top – click on the word Filter, then on Blur, then on Gaussian Blur – a box will appear. Change the settings to that below and click OK to apply the effect. / / Blur settings / Your image will now look like the one below / / model after blur applied / 10. Go to the top menu again, and click on the word Layer, then on New Adjustment Layer, then on Levels – a box will appear. Adjust the settings to that in the image below. / / Levels adjustment settings / / / Your image should now look like the one below / / Model after the levels adjustment / / / Note here that you now have 3 layers in the layer pallette. You will need to be working on the MIDDLE layer [see below] for the next step, so make sure it is selected. / / Selection of the middle layer for the next step / / / 11. On the toolbar on the left, click on the History Brush to select it history brush tool / / / On the top toolbar menu, set your brush to a small soft brush [so that you can fit it into the corner of the eyes], and set the opacity to 25 / / All in one stroke [thats important with low opacity] paint over one eye totally to bring the detail and brightness back out. Repeat for the other eye, and then for the lips. / / The effect is quite subtle here, but it will make a big difference at the end of the tutorial and will give life to your model. / / Your image should now look similar to the one below / / model after history brush / / / 12. Now go to the menu up the top and click on the word Layer, then click on Flatten image – this will result in you having one layer in your layer pallette again. / / Ok – so your model has great skin now, but she is a bit on the bright side. We are going to darken her up a bit, but if we just do it now, she will likely turn orange with the current saturation level. so we need to adjust it a little. / / 13. Go to the menu up the top and click on the word Image, then Adjustment, then Hue/Saturation – a box will appear. change the settings to that below. / / hue/saturation settings / / / The image should now look a better colour model after hue/saturation settings applied / / / Now lets darken her up / / 14. Up to the top menu again – click on the word Image, then Adjustment, then Levels – the levels box will appear. Change the settings to that in the image below. / / Levels adjustment settings / / / Your image should now look much darker / / model after levels adjustment applied / / / Finally – we need to bring out highlights and for this we use the dodge tool. / / 15. Over on the toolbar on the left, click on the dodge tool to select it / / dodge tool / / / Use a soft large brush [about the size of her whole cheek], set the opacity to 18 and work on highlights in the drop down menu [up the top]. Click and drag once across the eye area, then once down the models right cheek to brighten these areas up. / / Your image is now complete and should look something like this / / finished model / / / I hope you enjoyed this tutorial. The settings will be slightly different with other images of different resolutions but the methods will be the same. When adjusting levels blur etc on other images, use the sliders to get similar looking effects to what you used here and the effects will work nicely for you. / / Good luck everyone, Please come back here and let me know how you got on.
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Meet Angelica, my grandaughter and I’m passionnate about my Angel.This pic was taken three years ago when we used to do gardenning together,so many days we spend together then.She’s sseven now and we don’t have time together like we used to .I have great expectations for that little girl.She told me a few weeks ago that when she grow up I’ll just have to write books and she will put the images in them.She is very good with drawing and i’m thinking about showing the first steps in photography .She had a camera for Christmas ,i can’t wait to go photo shooting with her.I think about her everyday ,wondering if everything is ok for her ,when I’m with her the time stops and I become a better person ,that’s real love …I took that pic when she was watering the flowers,she was so concentrated,I spend days with her in my garden ,moments I will never forget. / I did the Orton effects on that pic,I wanted this timeless feeling of an old photography.
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This image was captured at Marsaxlokk, a quaint little fishing village in Malta. The water was a little murky and kind of greasy, no doubt caused by the diesel from the boats. This has probably caused the paint-like effect that seems prelevant in this image. I tweaked the brightness and colour saturation in photoshop but otherwise this picture is pretty much as is! It was a sunny day and that helped the colours to come out nicely..
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Double layer of a self- portrait and a sunset in New-Brunswick Canada .My head is always full of those moments by the sea .My heart is still over there walking along the coast and deep inside I will always be a micmac from Grand-Anse N.B ,Canada / I wrote «Grand-Anse N.B» on a rainy with a lot of emotion ,I miss walking along the shore with the wind on my face… Je suis toujours là / Dans les remous de la vie / St-Graäl ,pourquoi pas / Indomptable mais ravie. Photos,bonheurs,souvenirs / Intarrissables amours / Les années me font flétrir / Mais mon coeur reste autour, Des rochers façonnés / De papy Fréderique,mon ange / Du sable dans mes souliers / De mes racines,doux mélange Je m’ennuie de vous tous / En ce jour pluie chagrine / J’entends encore l’angélus / Tout comme Evangéline. J’ai fais la paix en dedans / Avec ma mère ,avec la mer / Je suis prête maintenant / Je suis moins amère. L’Acadie m’appelle / Comme un grand hurlement / Comme un loup rebelle / Sous la lune,pleurant. À bientôt,je vous aime / Après naissances,années / Qui passent et nous ramènent / Là où on se sent aimés / che nous Gisèle…alias …Micmac I will do my best to translate my poem,it won’t sound the same but you will have the main idea . I’m always there / In the swirl of life / St-GraäL,why not / Uncontrolable but delighted Pictures,hapiness,souvenirs / Inexaustible loves / The years are fading me / But my heart stays around The sea shaped rocs / Papy Frédérique,my angel / The sand in my shoes / my roots,gentle blend. I missing you all / In this day,sorrowful rain. / I still hear the Angelus«ave-bell» / Just like Évangéline«heroin from New-Brunwick» Acadia is calling me / like a big howl / like a rebellious wolf / under the moon ,crying. I made peace inside / With my mother ,with the sea / I’m ready now / I ‘m bitterness See you soon,I love you / after births and years / that passing through and bring us back / where we are loved ,home….. Thank you for taking the time…Gigi long the shore alone and serene, you know those days when I have the blues.
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A Portrait
by AngeDigital Photograph/Photoshop Composite 2007 Took the shot myself & it’s P/S retouched, airbrushed, colour oversaturated with a layer set of 10 different eye effects. Original shot below.
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Stormy Church 02 In sepia.. With a few adjustments, adjusted light, colour, contrast,.adaptive lighting & cropped slightly
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One of the more unusual sights in Kingston is several disused red telephone boxes that have been tipped up to lean against one another in an arrangement resembling dominoes. This sculpture by David Mach was commissioned in 1988 as part of the landscaping for the new Relief Road, and is called Out of Order.
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/ model kirstie mccracken
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Taken in the bush near Alice Springs. Waiting for the sun to come up and saw this dead tree and just had to take a shot with all the colours behind it.
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Angers, France
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm Original : / $2500 AU – excluding p&p from Melbourne, Australia / contact my Agents at Gallery 112 / .....................................................................................
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If you look closely you will see this is a savage indictment of our consumeristic society, drawing a more prominent link between cause and effect, a message to consume with caution and diligence. / If you don’t look closely you will see a picture of a man pushing a shopping trolley that has been badly coloured in by a 4 year old with a black marker pen.
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Mixed media
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This one is slightly different but it is very special to me. I caught this shot of my brother, Ken, who was 2 years older than I am, as the sun was going down; I think he may have been watching a Buzzard over the cliffs of Portreath in Cornwall. I don’t have many photos of him but this one, which I have made part painting which is rubbish I know, who paints a sun like that? Well I found it hard to paint with the computer mouse. I forced the grain in the shot to look a bit like a canvas painting. But anyway, this one I like as it sums him up as a person. He loved nature, bird & animal watching, painting, craft making, photography, flowers, plants, gardening, and the outdoor life. He was in his element when he managed to get a job on a huge estate in Cornwall to help look after the grounds. This is where he died 5 years ago almost to the day lying on the ground in a place he loved so much with the sun on his face and the animals and birds around him. I’m sorry, I didn’t mean to go on. So, this is for Ken, my dear big brother with love from me, I miss you my friend. The shot was taken on my Canon AE1 35mm camera about 20 odd years ago and scanned into the computer. All the Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted or Uploaded In Anyway Without My Permission. My Images Do Not Belong To The Public Domain Sector. Please just ask Me for my Permission. © Anthony Hedger 2008. Using this image for any purpose and in anyway, without prior permission, will lead to legal action or worse.
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made for the jam collective. coming soon.
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Use the categories below to view my work Featured on RB home page and Groups Macro and close up Abstract Black and white, monochrome, selective colouring Blue Flowers Landscape, nature, seaside, ..... in colour Trees & forests (view larger recommended for these images) Alternative greeting cards Paris Collaboration: writings and images People Images available to download Mugs, apron, gifts …. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Anne Staub. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from myself is prohibited. All rights reserved.
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Dissection is cruel and unnecessary. With the alternative methods available today, schools can save thousands of dollars AND thousands of lives. Some things to consider are psychological impact, education, animal welfare, environment, cost, and chemical exposure. / / ALL proceeds will be donated to the Physicians Committee For Responsible Medicine. / / “To go against the dominant thinking of your friends, of most of the people you see every day, is perhaps the most difficult act of heroism you can have.” / ~ Theodore H. White, American political writer (1915-1986)
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