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30 members found (show all)
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The wizard of ed
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Ed Stone
United Kingdom
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ED RIGAUD
United States
285 creative works found
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More from the Lightscapes Set Gorgeous morning at a car boot. I got distracted by this and walked off a bit to take this at 5.30am on a cold winters morning.
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More from the Lightscapes Set This is another photo taken a few minutes after sun rise
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Technical Upgrade
by RedBubbleWe have just had a small technical overhaul at RedBubble with the installation of some new systems. These systems have zero downtime and …
We have just had a small technical overhaul at RedBubble with the installation of some new systems. These systems have zero downtime and are immune from viruses or any known technical glitch. They also run entirely on biomass (human) energy. The only wonder is that they had not been thought of before. Ed is the first person to have his system fully installed. This is a picture of him using it. As part of this release we have added a new “featurette” to the site. The first person to discover it and bubblemail me (pilgrim) about it wins a $20 gift voucher. VOUCHER HAS BEEN WON – SEE BELOW
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The Glencoe Lochan is always a beautiful tranquil spot. This image was taken during Easter when the daffodils were open, which add a splash of colour in the foreground before your eyes are drawn down the length of the Lochan.
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More from the Lightscapes Set More from the Black and White Set Two young cows playing around in the afternoon with magical back lighting. This is one of the first photos taken on my first d-slr!
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More from the Black and White Set I took this photo of the crowd as Enter Shikari came onto the stage during thier tour. This is part of a BBC review . / 31 March 2007 Bath Pavilion. Matt: Bright White
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His name is Edward, but you can call him ed. / ed always wanted to be a cool dude.
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BUBBLE LAB eD 1
by kathleen/ Sporadic Edition 1 – 15 August 2007 WELCOME TO… ...
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More from In the Garden Set Logs stacked up in the garden, destined for the fire.
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mouse cheese love XD
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My friend Ben is a master of the guitar.
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More from the Abstracts Set Abstract slow shutter blur of lights.
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MBF Fractal. All equations are original and saved in png format. © jwarburton 06 Calendar, I Feel Pretty Featured in: A Fractal Energy Passion, Psychedelic Art And Design
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Unlike this image drawn in the sand, love, true love lasts. / This heart was drawn by my wife in the sand just before the sea came and claimed it back.
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After a great day of diving, when you are tired and heading back to the boat, you have to always be aware of your place in the food chain!
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I love the snow, especially the first footing of freshly fallen snow. The snow in this image has been first footed, second footed, third… well you get the idea. Many people, especially children have walked and played in this snow and I imagine that each footprint has its own story to tell. What I also like about this image is the stark skeletal image of the trees drawing the eyes right into the centre of the picture.
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Original Oil Painting. If you would like to purchase a giclée (Limited Edition hand embellished print on canvas and signed by the artist on front and back) please visit www.afremov.com This painting is sold and located in a private collection. The original painting was created with a painting-knife. I have been developing this technique for many years, and the results can be seen now. Currently my art is being collected all over the world. There are many pleased collectors in USA, Israel, Italy, France, England, Spain, Norway, Canada, Australia, New Zealand and other countries. Still wondering what giclée is? Please check out this www.afremov.comfor an explanation.
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of Pearl Jam! / / 15 minute sculpture with no reference… I reckon captured his spirit! ha
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Something I scratched up back in the Fall of ‘06.
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BubbleLAB - eD 3
by kathleen~Collaborations On Redbubble Forum...
Collaborations On Redbubble Forum / A practical working space for working together Collaboral Damage / A group for showcasing the best collaborations seen this side of the RedBubble THE COGS HAVE BEEN OILED AND ARE TURNING FAST BubbleLab 3 is here with only a slice of the collaborations pie, or one of those tiny little bubbles that form on the edge of the bubbleverse. In any case, you can see a foray of art floozies, flaunting and flitting around the forum. In this issue you can read about the Feature Collaboration between Heather King and Googa ... the Feature Article – Collaborations, Cultural Copyright and Cash... as well as other bits and bots… The Hub is pumping so make sure you add your collaboration to the forum, that way everyone can see it and be inspired! FEATURE ARTICLE Collaborations, Cultural Copyright and CASH $$$ pinkstinks (member since February 2007) is an urban Indigenous artist from Brisbane in Queensland (Australia). She is well know in her community and is a strong and tireless worker for Aboriginal Australians. She is passionate about promoting the rights of Indigenous artists and educating people about the artistic and legal differences that surround cultural copyright in Australia and abroad. I am privileged to know her and to call her my best mate (yes she seems ok for me say that in public too), and to have a cross-cultural collaboration under my belt. Not something that many can say they have participated in. Before I met Bianca (pinkstinks) I had worked as a corporate Graphic Artist for the Queensland Government in a department known as DATSIP (Department of Aboriginal and Torres Strait Islander Policy), the unit I worked for was Marketing and Communications. I can’t describe to you the incredibly nerve-wracking and difficult task it was for this ‘white chick’ to get her head around the cultural design issues I would come across. Needing to represent mainland Aboriginal people alongside Torres Strait Islander people while maintaining corporate branding and only utilising the colours of the defined Queensland Government palette. All that plus understanding that there were only certain marks I was allowed to use as representations of the culture as a whole. Previous to this job, I had had a brief stint in another department known at the time as ‘Native Title Services’, a department that negotiates land rites and title with the government, business and traditional owners. A sad and extremely heavy legal area to work in. During this time I was sent off to do ‘Cultural Awareness Training’, something that every white born Australian should undergo in primary school but training that only a few ‘invaders’ have a chance to understand. These two jobs taught me a very important artistic lesson… CULTURAL COPYRIGHT IS A COPYRIGHT LAW UNTO ITSELF!!! Unless you have collaborative agreement with an Indigenous artist (be it in Australia or abroad), you as the ‘non-Indigenous’ artist contingent, need to understand and respect the dreaming, religion, people, traditions, symbolism and ownership of these peoples. That in short means that you cannot, without the express and written permission of the people you choose to represent (generally you need to actually approach the tribe or elders of the community), sell (or claim as your own) images, including photos, of indigenous artwork or symbols, dancers, performances, artifacts and people. You cannot, for example in Australia, represent the image of a deceased Aboriginal person, it is considered offensive. Major media organisations get a reprieve from the traditional owners of the image by creating a very clear message of content and intent at the beginning of any program that may depict a person who has passed on. This is very important as time passes also, as you may create a piece of work or media with a person who is alive at the time, but down the track that person passes on, do you know how to culturally deal with that type of scenario? This is a sensitive topic and needs to be treated with sensitively, not be stomped on by the well meaning but uninformed. Please don’t live in cursed ignorance, do something positive and pro-active before you execute that well-intended creative urge… do some research… Here are some links: Australian Copyright Council – Indigenous culture & copyright / Arts Law of Australia Online – Indigenous Cultural & Intellectual Property / Aboriginal Art Online I am very proud to present this cross-cultural collaboration piece as a RedBubble born success. Bianca asked me to collaborate with her after seeing a piece I did with Kookylane, I was honoured to re-interpret her pen sketch into a vector phenomenon. This piece was submitted to Queensland Health and accepted (with personal modifications for the client only) to represent Bowell Screen Queensland (ironically), they are giving us $2500. Thanks for the magic Indigenous Bianca… You should see the portfolio of pinkstinks, she’s a kooky chic… Not really representative of her soiree of paintings in my opinion, but you may also like to check out her artists’ collective group proppaNOW. COLLABORATION FEATURE / Googa and Heather King Heather King / I am in love with any and all art forms. / I paint on canvas, digitally, and live for photography. / I am 33 yrs old and have been capturing what I feel on paper and canvas since I was little. / I live somewhere in canada where the art scene and passion for anything seems to be lost. / There is so much beauty out there, people just refuse to open up their eyes and hearts (in this city anyways). / Music as well is EVERYTHING. / attrition, legendary pink dots, black heart procession, lycia, blonde redhead, the cure, the swans, bel canto, etc. Googa / Hello, I’m Googa, I am a father of 4 girls and 2 boys, I have a passion for Music, art and cooking. / I have been inspired by the amazing works of art, photography and poetry on red bubble and have reignite the flame of creativity juices and expression. / Through high school I was inspired by Salvor dor dali as I love surrealism and music by Ozzy Osbourne, Satriani, Vai, Hendrix, / Van Halen and Steve ray Vaughan. / I am very opened minded and straight to the point and love chocolate and phase three GTHO’S / Thank you people of red bubble for your inspiration. / Kind Regards / Googa COLLABORATION CLASSIFIEDS [initiative] / Transitions Book Project / James Piece I’m a better photographer than I am writer, so I want to open up the project to collaboration to writers. If the places in my photos move you, and you can write, be it a poem, a few inspiring sentences or a longer piece about, around or introducing the places or themes in the book please get in touch, either write something and email me or leave it as a comment on the work etc. I’ll start adding things I like as journal entries or into the descriptions of the photos with acknowledgment of course. Anything that ends up online or in the book will be acknowledged and of course you get a copy or two of the book and an invite to the launch. Any takers ? The vibe from collaborating with other artists is so positive. It’s a great way to see yourself from another perspective too. Chill out in the Collaboration Space, it’s getting better all the time… Shout out to Mellissa Vowell for the creation of the Collaboral Damage Group... and her moderator dabble of course. Melissa took collaborations in the Forum to the next level, somehow made it a live active space for people to get excited and test their skills and ideas. Happy days everyone!!! / kathleen APOLOGIES TO THOSE WHO RECEIVE THIS MORE THAN ONCE!
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