Dystopian
1 member found
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dystopian
United States
17 creative works found
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The images used on this shirt are in the Public Domain. / Original illustration from LAST ENEMY illustrated by Miller. / Images pieced together and converted to vector drawing in Illustrator. Make sure you zoom in on this one. / / ..................................... / Click here to add me to your watch list. / .....................................
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Chicago: 301 Taylor Street, as seen on the overpass from Roosevelt looking North with the Sears Tower in the background, dead center. One of my favorite buildings in Chicago, caught during a Windy City storm. This building is about to be swallowed up in a pile of condo and retail development… but fortunately it will continue to stand.
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This is the motive I have made for a band I am doing the CD cover and all the rest of what ever they need for marketing (blog, posters, tickets and so on) for. / The bands name is Tassili (the on who walks) and they do the most exciting music I’ve heard since I was made aware of our very own muskularteeth / The sort of music they play has been called “Sahara Blues” (cool he?) in the media the last year ore so (here in Norway anyway). For those of you having problems with such things, THEY ARE NOT MUSLIMS. but atheists (I think) from Morocco and Norway. / You see if they were in any way religious (ore as I see it not intelligent, open minded, including and learning/spiritually eveolving humans) I wouldn’t work for them….simple as that. / Christians and muslims, budists and sun worshipers is to me all the same. It has no place in a modern society built upon science, logic and reason. / I guess in that way I am a bigot. / I also never did any gigs ore briefs for ANY political unit what so ever. Never as a musician ore as a graphics artist and Illustrator. / I am also contemplating giving up contributing to the marketing efforts of various companies, cos I believe it is bad and very wrong what most of them do, and that goes for me to as long as I let them use my skills to peddle shit we didn’t know we needed til they convinced us it is so. This in turn keep us in debt and stuck in some shit job working for the man and our morgage. / Art is art, and must not prostitute itself. Neither for religion nor politics. / Cos then we are lost. Without a provoking art scene, humanity is lost….believe me if you must believe something. I believe in art, freedome and the right to provoke at any time and place….also religions witch I DON’T consider holy…(goes for all of them). POS / /
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An ancient creature straining towards life. Oil wash over pencil on illustration board.
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Landscape depicting a dried-out desolate future, created with pen and ink.
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A cryptic being emerges from a dystopian melding of forms. Oil wash on pencil.
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A mirroring of dark and light forms. Oil wash over pencil.
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A field of writhing forms struggle and renew. Oil wash over pencil.
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A dark portrait of organic forms pushing and pulling from the depths. Oil wash on canvas.
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if Huxley’s Gamma Minus Machine Minders ever organized they would need shirts for the members
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Dystopian Robot
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Ruins
by atongThey grew from the ground echoing the long forgotten failures of ancient times like one hundred Towers of Babel.
My original story for my English course. This is just an extract, it’s about 6400 words long so I chose my favourite part from it. It’s basically a dystopian short story following the narrator-a bounty hunter of sorts-and his attempt to find the group of people who’ve run away from Olympus (the only surviving city in their time) known as dissenters, the young rodent-like man is a dissenter and is being forced to lead the narrator to their hide out. / This section is somewhere near the beginning of their journey when they’re looking for a place to stay for the night and come across ruins from our time (i.e. skyscrapers).
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Silk Projector
by tolabrennan“He was one of the few people who remembered when earth felt like a home…. Sometimes he thought he could remember, as a small child, ta…
This story is written in the sci-fi style by necessity. Thusly, it should be understood that this is not a typical story about a dystopian future. This story is about the prose, and the ideas. And in that sense, I would hope that it be treated simply as fiction without any contextual biases.
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Pencil, pen and ink on bristol. Anthropomorphic from the pen and ink days.
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Second illustration for “Galatea’s Stepchildren” by Sam S. Kepfield in this month’s issue of The Future Fire ezine ( http://futurefire.net/2009.16/index.html ) This image is kind of a spoiler so I won’t tell you exactly what’s going on. Again, I recommend you read the story. Again, this is all digital, and completed in a relatively short period of time. I started with a sketch of each figure and line drawing of the circuits, scanned ‘em in, blocked in shapes of the girl and the circuits, then started painting just some flat light color where the guy would be highlighted. After finishing the first illo, I came back to this one and finished up the shading and called it done. I like the way this one came out; it’s such a shocking position. Yes, I did try to get into this position myself for reference purposes and you’d have to be pretty wracked with pain and panic to get there naturally.
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