Dust
1 member found
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Duste
Australia
920 creative works found
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/ “Kikin’ Dust” was selected as one of the winners in the UK, Liverpool Biannual 2008 Digital Show. Digital Art: Bronc training a fresh horse. / Note: All my digital art work is executed entirely with my mouse and Photoshop Elements’ brushes. It takes hours of concentration, patience and self control. Especially when the mouse wants to go right and you need it to go left! *When this happens , I reluctantly leave my office and go for a stroll in my garden. / That usually takes care of the problem and then, I get back to work :) *
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I found the remains of this old truck in the mountains just north of the City of Orange, California. It had become a part of its surroundings and was now consigned to the few parts that remained on its return to the dust. Images Do Not Belong To The Public Domain. All images and writings are the copyright of the artist – © amari, amarica. All Rights Reserved. Copying, altering, displaying, distributing and/or selling any image without prior written consent from the artist is strictly prohibited and subject to any and all legal remedies.
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On route to Monument Valley, USA 2008 Dawn, cold and very beautiful :) ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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Wild horses in Utah’s west desert.
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Oil on Canvas
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Kansas / Dust in Wind I close my eyes, only for a moment, and the moment’s gone / All my dreams, pass before my eyes, a curiosity / Dust in the wind, all they are is dust in the wind. / Same old song, just a drop of water in an endless sea / All we do, crumbles to the ground, though we refuse to see Dust in the wind, all we are is dust in the wind [Now] Don’t hang on, nothing lasts forever but the earth and sky / It slips away, and all your money won’t another minute buy. Dust in the wind, all we are is dust in the wind / Dust in the wind, everything is dust in the wind. / / /
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These abandoned movie or theater seats were sitting inside an old barn in town. Those are rays of sunlight poking thru the barnyard walls !
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Sales of this Design? – 2 sales so far :) Razzamattaz Fairy joins us today on Red Bubble. / She came to life from a piece of paper and a little inspiration…..it grew from there! / In a crazy frenzy of pastel dust, charcoal, ink, acrylics, wool, silver thread and sparkles Razzamattaz was born…...out of the pastel dust she came to life to grace us with her presence and present herself on cards, to make herself known to others, bringing fairy magic wherever she goes. Hope you like Razzamattaz!
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every cinderella…needs a tinkerbella
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One in a series of four images. / Now available here at Red Bubble as a print. / Original: Oil on Canvas. / Size of original painting: 4 ft X 3 ft / - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - / / “A big part of the Red Dust Girl series was about trying to convey a sense of living in a regional area or a situation far from the influence of a metropolitan city. I wanted it to reflect a celebration of outback Australia, of the people living there each day of their lives and of the purity or innocence that can be found in such a seemingly baron and harsh landscape. / / Painting can sometimes be a very individual pursuit or in my case an infatuation, so I also wanted that series to express the joy (of all things) of being alone or separated, and of the contentment in that individualism. How “change” presented here as a metaphor (the seasons) can be a good thing and doesn’t necessarily need to change us as individuals. / / I knew that having a young girl or woman in the picture would be the perfect vehicle to present this idea. I’m not sure how the “floating” concept came about but I had previously painted a picture of a girl floating over the landscape and really liked the whole idea of the shadow beneath the feet etc. It certainly fitted the context of “separation” and when I mapped it out initially it just looked right. I decided that nothing in each of the four paintings would touch the ground, that the earth beneath her feet would remain unchanged through the seasons. “ - – - – - – - – - – - – - – - – - – - – - – - – - – - – - - - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – / THE “RED DUST GIRL” SERIES Review by Karl James At first glance, Leith O’Malley’s “Red Dust Girl” series invokes his love of contemporary illustration with its simplicity of design and striking power to just jump at the viewer. These large oil on canvas works are figuratively simple in composition but make no mistake, the paint work is delicious with luscious textures, tactile surfaces and collaged with natures discards. One wants to reach out and feel the very canvas. Full of outback hues, rich magentas, cobalt skies and desert ochre applied in buttery layers, these paintings have an underlying Australianess about them as the title of the series suggests. They also follow the seasons. Summer with its blazing, sizzling outback.. a sort of piercing Vincent heat, invigorating and maddening. Then there are the feather-like leaves of Autumn, falling about her and nesting at her feet. Thick and pillow soft, a season of calm reflection. Winter rain. Cleansing, ultramarine and diamonds, a cool tonic for the red raw earth. Finally Spring. All petals and newness, the simple joys of life, rebirth. A warm caress and motherly wonder. But who is the girl, this doll like puppet? Zen like in her calm yet so poetic and mysterious? Leith often incorporates metaphor in his work. Is she real or fictional? Or could it be “Eratos”, the artists muse guiding the creative spirit. Nothing is certain, but maybe we really see the artist here with his thoughts floating as visions do, bound not by the earth. Maybe he is like many of us, wary of change yet accepting of it. Of this new work Leith says “part of it is a reaction to living far from the city in a regional area. There is an underlying celebration of solitude and adaptation to my surroundings. That no matter what seasons bring we remain unchanged, and that isolation should be embraced. I believe in my own case it really is a stimulus for creativity”. If one looks beyond this little red dust girl of ponytail innocence and into those piercing cornflower eyes there is a knowing, an accepting. She hovers above the ground not at one with nature but unfazed by the seasons change, and like the hand that holds the brush, she adapts. More information here -
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A Bishnoi woman, in India’s Great Thar Desert, keeps her environment clean. Her village, located in Rajasthan, is about 30km from the Pakistani border. She uses a broom made from a bundle of straw bound together. / From what I could see, she was doing little more than stirring up dust. But anyhow, it made for a good photo!
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An abstract piece created byt the cold of winter along the waters of the Naches river. Ice, bubbles and colorful rocks form a nice palette
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This was an old abandoned home that was located on a bay. It was such a beautiful location and so sad to see that no one was living there. One the side of the home there was this window with weathered beaten curtains blowing about.
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Our silvery gray rescue kitten is one year old now. He was found in a pile of tires as a six-week old filthy, flea-infested terrified ball of matted fur. Today he is handsome, healthy and full of spirit!
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A self portrait to join the gallery of Bubble self portraits. Image copyright © 2007, Robert Knapman. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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I have taken this moon with a 60 to 300mm Sigma and a 2X converter. But it was still to far away, so I cropped the image and increased it in Paintshop! I also HDR’d it to bring out more detail. This is for the bordem competition on the subject of dust! Framed Print /
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Oil Painting on canvas (24×30 inches) The Cape Buffalo is one of the most dangerous animals in Africa. And one of the most interesting to paint. Mean, tough and unpredictable, even lions are wary of taking him on.
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