Dust
1387 creative works found
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Basic Work Flow Tutorial
by Simone ByrneThe fifth in a series of tutorials I have written. What a marathon effort this one was, five pages in all (so please give them time to…
The fifth in a series of tutorials I have written. What a marathon effort this one was, five pages in all (so please give them time to fully load). There were several people who requested a work flow tutorial from me so here it is. I hope you find it useful! If there are any questions in relation to this tutorial feel free to post them here and I will answer them as best as I can. These pages are in A4 size for easy printing. Click on each page to download the printable version. Have fun :o) Simone More Tutorials 9 Stop ND Filter Tutorial Levels and Curves Tutorial – Part One – Levels Levels and Curves Tutorial – Part Two – Curves Levels and Curves Tutorial – Part Three – S-Curves Levels and Curves Tutorial – Part Four – Anchored Curves Self-Critique Tutorial Black & White Tutorial
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/ “Kikin’ Dust” was selected as one of the winners in the UK, Liverpool Biannual 2008 Digital Show. Digital Art: Bronc training a fresh horse. / Note: All my digital art work is executed entirely with my mouse and Photoshop Elements’ brushes. It takes hours of concentration, patience and self control. Especially when the mouse wants to go right and you need it to go left! *When this happens , I reluctantly leave my office and go for a stroll in my garden. / That usually takes care of the problem and then, I get back to work :) *
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Description to come
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These abandoned movie or theater seats were sitting inside an old barn in town. Those are rays of sunlight poking thru the barnyard walls !
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An image from a shoot I did for a mate who used this shot on his logo for a climbing gym he opened….. Bloc Climbing
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This was an old abandoned home that was located on a bay. It was such a beautiful location and so sad to see that no one was living there. One the side of the home there was this window with weathered beaten curtains blowing about.
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every cinderella…needs a tinkerbella
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Detail from a larger image – available as small print or card only. Featured on / Out of the Past / (2009.MAY.07) / American Southwest / (2009.APR.22) / JPG Castoffs / (2009.APR.19) / The Wild West Show / (2009.APR.03) / Steptoe Valley, NV RedBubble Gallery: Horses Of The High Desert Range Sales: 5 Gallery or Direct
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On route to Monument Valley, USA 2008 Dawn, cold and very beautiful :) ©2008 Globalphotos All rights reserved. / All photographs, text and images by Globalphotos are the exclusive property of Globalphotos – protected under Australian and international copyright laws. / These images may not be reproduced, copied or manipulated without written permission. / No use for Public Domain. / Use of any image for another photographic concept or illustration is a violation of copyright.
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A self portrait to join the gallery of Bubble self portraits. Image copyright © 2007, Robert Knapman. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited.
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Kansas / Dust in Wind I close my eyes, only for a moment, and the moment’s gone / All my dreams, pass before my eyes, a curiosity / Dust in the wind, all they are is dust in the wind. / Same old song, just a drop of water in an endless sea / All we do, crumbles to the ground, though we refuse to see Dust in the wind, all we are is dust in the wind [Now] Don’t hang on, nothing lasts forever but the earth and sky / It slips away, and all your money won’t another minute buy. Dust in the wind, all we are is dust in the wind / Dust in the wind, everything is dust in the wind. / / /
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Wild horses in Utah’s west desert.
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Oil on Canvas
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Our silvery gray rescue kitten is one year old now. He was found in a pile of tires as a six-week old filthy, flea-infested terrified ball of matted fur. Today he is handsome, healthy and full of spirit!
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A Bishnoi woman, in India’s Great Thar Desert, keeps her environment clean. Her village, located in Rajasthan, is about 30km from the Pakistani border. She uses a broom made from a bundle of straw bound together. / From what I could see, she was doing little more than stirring up dust. But anyhow, it made for a good photo!
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As we drove out of our Lodge in Amboseli on the final morning of our stay , at sunrise, there was a herd of Buffalo heading for the waterhole, kicking up the ever present dust. Their hooves made a wonderful sound in the silence.The scene lasted only seconds, but will be forever imprinted on my mind. The eternal struggle for existence,of many animals, to reach water, without being attacked by a predator, crossed my mind as I frantically shot my image. / You snooze, you lose !! / Mount Kilimabjaro peers through the thick dust, barely discernable. Taken on a CanonEOS40D.
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This was taken at the downtown loft where my church college group meets. On this day we were tearing down walls to make more room. If I’d taken a picture slightly to the left, you’d see mounds of insulation, drywall, wiring and 2×4s littering the room. It was a huge mess – hence the dust creating the wonderful effect near the window.
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Borrego Springs, California. I was fascinated by this old truck rusting away in the California desert, being swallowed by the sand, while all around there were flowers blooming. The desert awash with flowers is a rare and wonderful occurrence…I thought the rusty old truck slowly disappearing into the sand was equally as wonderful. This photo was taken with an old Olympus digital 1.2 mp camera FEATURED IN RURAL AMERICA OCTOBER 2008 FEATURED IN MOOD & AMBIANCE NOVEMBER 2008 FEATURED IN NATURES RECLAMATIONS DECEMBER 2008 FEATURED IN VICTORIAN VIEWFINDERS FEBRUARY 2009 FEATURED ON REDBUBBLE HOMEPAGE JULY 5, 2009 TOP TEN FINISH PRIZE CHALLENGES WONDER OF TIME TOP FOUR FINISH IN STILLNESS SPEAKS IN ABANDOMENT CHALLANGE
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One in a series of four images. / Now available here at Red Bubble as a print. / Original: Oil on Canvas. / Size of original painting: 4 ft X 3 ft / - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – - / / “A big part of the Red Dust Girl series was about trying to convey a sense of living in a regional area or a situation far from the influence of a metropolitan city. I wanted it to reflect a celebration of outback Australia, of the people living there each day of their lives and of the purity or innocence that can be found in such a seemingly baron and harsh landscape. / / Painting can sometimes be a very individual pursuit or in my case an infatuation, so I also wanted that series to express the joy (of all things) of being alone or separated, and of the contentment in that individualism. How “change” presented here as a metaphor (the seasons) can be a good thing and doesn’t necessarily need to change us as individuals. / / I knew that having a young girl or woman in the picture would be the perfect vehicle to present this idea. I’m not sure how the “floating” concept came about but I had previously painted a picture of a girl floating over the landscape and really liked the whole idea of the shadow beneath the feet etc. It certainly fitted the context of “separation” and when I mapped it out initially it just looked right. I decided that nothing in each of the four paintings would touch the ground, that the earth beneath her feet would remain unchanged through the seasons. “ - – - – - – - – - – - – - – - – - – - – - – - – - – - – - - - – - – - – - – - – - – - – - – - – - – - – - – - – - – - – / THE “RED DUST GIRL” SERIES Review by Karl James At first glance, Leith O’Malley’s “Red Dust Girl” series invokes his love of contemporary illustration with its simplicity of design and striking power to just jump at the viewer. These large oil on canvas works are figuratively simple in composition but make no mistake, the paint work is delicious with luscious textures, tactile surfaces and collaged with natures discards. One wants to reach out and feel the very canvas. Full of outback hues, rich magentas, cobalt skies and desert ochre applied in buttery layers, these paintings have an underlying Australianess about them as the title of the series suggests. They also follow the seasons. Summer with its blazing, sizzling outback.. a sort of piercing Vincent heat, invigorating and maddening. Then there are the feather-like leaves of Autumn, falling about her and nesting at her feet. Thick and pillow soft, a season of calm reflection. Winter rain. Cleansing, ultramarine and diamonds, a cool tonic for the red raw earth. Finally Spring. All petals and newness, the simple joys of life, rebirth. A warm caress and motherly wonder. But who is the girl, this doll like puppet? Zen like in her calm yet so poetic and mysterious? Leith often incorporates metaphor in his work. Is she real or fictional? Or could it be “Eratos”, the artists muse guiding the creative spirit. Nothing is certain, but maybe we really see the artist here with his thoughts floating as visions do, bound not by the earth. Maybe he is like many of us, wary of change yet accepting of it. Of this new work Leith says “part of it is a reaction to living far from the city in a regional area. There is an underlying celebration of solitude and adaptation to my surroundings. That no matter what seasons bring we remain unchanged, and that isolation should be embraced. I believe in my own case it really is a stimulus for creativity”. If one looks beyond this little red dust girl of ponytail innocence and into those piercing cornflower eyes there is a knowing, an accepting. She hovers above the ground not at one with nature but unfazed by the seasons change, and like the hand that holds the brush, she adapts. More information here -
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