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426 creative works found
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Artist's Hat-An artist is working on a chalk painting at the Imadinari Street Painting Festival. Santa Barbara, California
by Eyal NahmiasAn artist is working on a chalk painting at the Santa Barbara Mission during the I Madonnari street painting Festival in Santa Barbara 2006 top ten Candids with Hats Challenge Candid Photography Group Featured: United States Group Nov. 2008 —-—-—-—-—-—-—-—-—-—-—-—-- / —-—-—-—-—-—-—-—-—-—-—-—--
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A recent charcoal diptych..
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This is the old Beamish wheel in County Durham, England. Painted in watercolour and pencil, in the style of Thomas Hair (1810 – 1875). / My hero from the 1830’s. He is unknown in his own town (Newcastle upon Tyne) and was buried in an unmarked grave, but his work was stunning. Finding artistic beauty, amongst the hellish conditions of industry, in the 1830’s! This is my latest (and my personal favourite) from my Thomas Hair series.
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An expressive line art work rendered in gel pen on sketch paper. An interpretation of Mother Nature. / /
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This one is a bit older than some of the stuff I’ve put up here so far. It was done a couple of years ago for a book titled “The Big Coat.” (Not exactly my best writing.) Despite the story not exactly standing the test of time I think this piece still holds up fairly well. No? Okay, maybe not, but could you at least pretend that it’s fantastic? Pretty please? Pretty please with sugar on top? Pretty please with sugar and a fresh, crisp new fifty dollar bill on top?
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Can happen to many office people, that you wish it was already five pm, killing the time with the tools available on your desktop. Best demonstrated in the opening scene of the movie About Schmidt, where Jack Nicholson plays a man waiting till its five, after that moment he is retired and not coming back in the office for work anymore. In my zazzle shop you can find the same design showed on different models, colours and the backside printed with logo and instruction. Plus they print larger and their quality of printing is very good! And some others…
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Mixed media – archival black ink, acrylic, collage – paper painted, mono & screen-printed, drawing, photo; screen-printed cotton fabric, carpet material; on canvas. Work exhibited in the Visual Arts Association Group Exhibition ‘Four Seasons’, held Cairns Regional Gallery, Qld. / Theme – ‘The Four Seasons’ by Vivaldi Background: I had working individually on art compositions relative to my passion to interpret music, rhythm/movement and energy through the use of formal visual art elements ie. line, colour, tone, shape, texture and art media. The interpretation requires one’s senses to hear and feel, absorb sound and energies, to internalize and contemplate, as apposed to recording information seen/perceived through the eyes from the physical ‘outer’ world. One has to create and interpret a visionary abstract, from a pure transitional and spiritual sensual state, from one’s own internal environment, of knowledge, understanding and experience. I jumped at the chance when this exhibition theme came up. Also I am much inspired by Kandinsky and his work, a long time favourite art philosopher and mentor. ....................................... /
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Medium Pencil drawing on A1 size Kent cartridge paper. Art & Design theme Extension of the Senses of Man (Woman) / Always had a passion for direct observational drawing/painting from life/nature, especially to observe and study the human figure/form/anatomy. / The skin is our largest sensory organ and requires the extension of clothing for its protection against the environmental elements. Thinly draped clothing veiled over the human form provides ample study of soft falling movements along body lines, flowing shapes & patterns etc. I wanted to explore the human form/skin/clothing outdoors in the natural environment as apposed to life models posing in a protective drawing room set-up that I had been so far exposed to. / / Process: / Stage 1) Exploring the extension of the senses by exposing the human form/skin/clothing to the natural physical elements of water, air and earth/sand at a public beach landscape and documenting this through the photographic medium. Two fellow art students modelled for me in loose light negligee clothing. Stage 2) From there I developed a B&W photographic series learning several darkroom manipulation techniques in the process. Stage 3) From the resultant photographic imagery (on the human structure, female shapes and forms, skin & cloth exposured to the natural elements of water, wind/air, earth/sand/rock in the landscape) I further explore and study the inherent structure and ‘dynamics’ of several images and produce several drawings. / / I think my two fellow art student models totally enjoyed the creative photographic documentation experience, even though they got cold, wet and buried in sand, and I, the photographer stayed dry!
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The North Sea at Whitby. The Herring boats at misty dawn, / To get the details of the boats correct, I’ve used a Victorian photo as the subject. I liked the very hard pen ink lines of the foreground, contrasting with the soft, misty, wet-in-wet background. 90 lb watercolour, medium rough paper. / 12”x8”
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I based this watercolour painting upon an engraving, from the Georgian period of the old harbour at Whitby. Size 18”x12”. On 140lb, paper .
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Pastel and watercolour wash on 300gsm hand made watercolour paper (acid free rag). 1020×840mm 2008. / Due to buyer default the original artwork depicted above titled “The Boys” has recently become available for purchase. Interested parties are encouraged to contact me via Bubblemail.
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“Oksancia: Optimistic Art” is a calendar representing the collection of my vector illustration created in the period of 2007-2008. It is full of bright characters that can make you smile and paint your days in vibrant colors :)
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Back in the day, when I could spend the time of day creating just what I wanted.
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Medium: Gesso, sanguine pastel on Arches 300gsm rag paper, 76×56 cm (30×22”). / Worked directly from a life model in my studio gallery, this work combines both drawing and painting skills. I have a love/passion for embellishing, building up a surface with both actual and implied textural qualities. / / WORKS ON PAPER- ‘Two (2) Colours’ Challenge / In TOP TEN – In 2nd place (mid-July 09) / Click on the image link below to see the challenge page. / A Monthly FEATURE (June 09) / in Life Session Expressions / “Life Session Expressions” Challenge “No. Favouritings – in The Top Ten
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Pen and pencil drawing of myself drawing. I colored this in post. / Vellum paper.
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Felling colliery, now long gone, painted from a 1920’s photo. HB pencil, watercolour and a tiny bit of white gouache, using a very limited palette. 14” x 10” on 90lb (Poundworld) watercolour paper. / Using Ashby watercolour pans
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This snap was taken after my first hour or so of starting this drawing. (watercolor Arches stock) Below, you can see it finished. / The Witness
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Concept design for The Dreamers Videogame / This is one of the locations, the gate on the mountain path Videogame: The Dreamers / Creator: Luca Deriu / Art director: Chiara Benetti
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dearest, / my every thought is you… / we’ll see each other in our dream tonight… . created on o6.o6.2oo9 / for Drawing Day . o6.o6.2oo9 / acrylic on canvas / 9”x 12” .
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“Garden Poems” charcoal on mylar film, 9 1/2×7 1/2” Self-portrait. This piece was requested, along with a few other of my small works, for a group figurative show at Argosy Gallery Bar Harbor, Maine, August 2009. Contact the gallery for details.
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Ink on 280 gsm Linen textured paper / A digital partner to this piece is available (Without) FEATURED in ‘The Patchwork’ July, 2009 / FEATURED in ‘Spectacular Spirals’ August, 2009
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Experimental digital manipulaton of original ink on paper drawing (Within). / A partner to this piece is available (Within) FEATURED in ‘Peace, Love and Tranquiity’ August 2009 / FEATURED in ‘21st Century Celts’ September 2009 / FEATURED in ‘Finks of Inks’ September 2009
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Sept 2009 / The three headed beast – past, present, and future. Graphite pencil drawing on Arches cold press watercolor paper
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