Drawing surrealism
1127 creative works found
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pencil on hot pressed rag paper / original size A1
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Inspired by the nasty subculture of drugs, nightclubs and the vampiric leeches that prey on the naive young.
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A horror piece inspired by the multitude of atrocities man/woman inflicts upon him/herself and the rest of the world for personal gain, and in a lot of cases just for the hell of it.
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Inspired by H.P. Lovecraft Faved by 54 people
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I wish eye could find a way to give nature back it’s earth!
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by Daniel Mathers -
a quick pencil sketch. / available on t-shirts! /
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Pens on paper.
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The Sea Venture was one of the first ships to arrive in Bermuda. It was thrown accidentally off course by a hurricane and landed on the reefs intact. Its original course was with a fleet from England headed towards / Jamestown, Virginia to aid in the colonization. From being shipwrecked, the crew and passengers of the Sea Venture settled in Bermuda and benefitted from its tropical paradise and set up a small colony. This painting is a Mixed Media piece, combining original digital photography taken in Bermuda by me SBC, with my painting, and drawings. It is intended to capture the natural and surreal beauty of Bermuda through my eyes. This art won an Honorable Mention Award in the Rowayton Art Show in 2006 and First Place in the Darien Art Show in 2007. It is presently being considered for exhibition at the Royal Navy Dockyard Museum in Bermuda. Thank you for your interest, comments and purchases!
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originally drawn in pen on paper
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Hand drawn A2 image on cartridge paper with a G-Tec C4 0.4 pen probably took about a year to do, but I don’t pay attention to the time or the drawing until it is nearly complete. Just been looking to buy some more pens and found out the drawn line is only 0.2mm! Featured in Works on Paper winner of the Patterns challenge in Finks in Ink
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Walking towards the edge of a once flattened world, he realized his species sometimes need another consciousness which feels and sees the imaginary but possible paths living in more dimensions nowadays offers… That expedition sometimes requires to see things differently… In Einsteins world time is change… Nothing seems to be obvious. Although the boundaries of our imagination also seem to look quite endless I think it still requires more flexibility in looking at things to understand possibilities within change. Blue & black bic pen & 0,3 fineliner on Studio Art 160Gr/m2 sketchpaper. Circa 40×30 cm or 16 by 12 inches… 2008 Featured in ‘Core’ group / Featured in ‘Lifeline’ group / Featured in ‘You’re accepted’ group / Featured in ‘Dimensions’ group / Featured in ‘Featured features’ group / Featured in ‘Art for the world’ group 785 views at 07/11/09
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Pencil on paper (arches) drawing (ORIGINAL ON HOLD) This is about having a lot to say but being cut off from being able to say it. That’s why her hair is so noisy. (grin) I’m serious! As a funky T / As a framed T / AND, as a mug if you pop over to Zazzle: /
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pencil on paper (Stonehenge) drawing – 22×22” – ORIGINAL SOLD / Signed and numbered limited-edition prints in two sizes are available at cynthia’s store There are so many stories to tell about this piece – wild coincidences, terrible tragedy and ultimate redemption. / I still don’t know if I can tell them all here now, but if there is one take-away to be had, it’s of the power of vulnerability and trust in oneself in the face of daunting odds… / I’ve included a not so great shot of me with the original. I had it framed so it was floating on suede. Here it is after receiving a Best of Show honor along with “Ennead”. detailed version of Event at RedBubble Please check out the numerous T’s with this drawing featured in my clothing section. /
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pencil embellished limited-edition print of pencil drawing “Heliotroped” / (The original drawing was done on standard white layout paper – in a spiral bound tablet – I had to draw it twice because as I went I smeared it and had to redefine the lines the second time out.) See if you can find the poem that was tucked into this print and then sent to me anonymously. Update: Aug. 2, 2009 / I finally located the entire poem today. It was on the back of a Klimt postcard given to me at the same time the print was. / Here it is: .......................................................................................................... “When I met her / she lived, / isolated, / on a narrow lane. She had a wrought-iron fence / with a black rose growing through the gate, / locking it. The rose was groomed beautifully. / The gate it seemed had been locked for years. She would say little about the gate. / But she seemed very proud of the rose. / Eventually, she accepted a gift from me. / The gift was a white seed. A white rose now grows, wild and resisting any grooming. Still, she regards the rose with fear and awe.” ..................................................................................................... Plus there are a few T’s in my Clothing section featuring this image (or parts of it…): / Turned tree T Galactically bent T-shirt Turned solar T-shirt
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pencil embellished limited-edition print of my pencil drawing Heliotroped This was also done for a benefit exhibition where it took Best of Show. I cut out a portion of a print of my drawing “Heliotroped” and wrapped it around the 12×12” block of plywood. Then I embellished heavily with more pencil work. Very fun. Here is what it looked like completed: / >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> For RedBubble products, this cropped version: >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> AND, at Zazzle, this mug /
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This is a night light that I made using a very old drawing of mine “Little Wing Lost”. I cut it into pieces and attached it to a large base I made for it. I then added some branches and a smaller lower box for her chest. I cut out some of my own prints and magazine images and secured them to that. Behind, inside the base, I stuffed it with white lights. Then I wrote over her entire face and neck. My husband was making cookies while I was doing this – watching me – and he said, “Stop writing down everything I’m saying.”, which of course, I was doing and didn’t stop. It took top honors at a regional show a few years ago but now resides in my studio. Here’s a shot of it at the gallery with me next to it for scale. It’s about 5.5 feet high by 2 feet wide. / At night when it’s lit, there is a simple silhouette that shows through the face. (below) / (On the floor – lit – but not dark in the room yet – just showing you her full size) / And in my Clothing section, this T for thee… /
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I tweaked the colors of this image so that it works better with RB previews. Based on pictures from previous buyers I think it will print much more vibrant that the previews show. I also added a few details. This image is available as a PRINT
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Mixed Media (Watercolor, gouache, graphite and colored pencil) on board, / 9×12 / 2009 Model: Adhara Batul Illustration for a brief moment in the wonderful Tennyson’s poem “The Lady of Shalott”.
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Traditional graphite drawing 12” x 16” on Arches watercolor paper. Lyrics from this song by Sarah McLachlan inspired my drawing Unravel me / a distant cord / on the outside is forgotten / a constant need / To get along / and the animal awakens / and all I feel is black and white The road is long / the memory slides / to the whole of my undoing / put aside / I put away / I push it back to get through each day / and all I feel is black and white / and I’m wound up small and tight / and I don’t know who I am Everybody loves you when you’re easy / everybody hates when you’re a bore / everyone is waiting for your entrance so / don’t disappoint them Unravel me / untie this chord / the very center of our union / is caving in / I can’t endure / I am the archive of our failure / And all I feel is black and white / and I’m wound up small and tight / and I don’t know who I am /
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Inspired by the music of Sam Phillips, too much coffee at 4 am, Alice, and the first hint of autumn in Boston
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Sept 2009 / The three headed beast – past, present, and future. Graphite pencil drawing on Arches cold press watercolor paper
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A somewhat modern take on two of my older drawings – one, VERY old, Waxing / / married up with the face from To Know Clouds / / with some further atmospheric changes… >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
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