Drawing horse
449 creative works found
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Sold as a framed print, a mounted print and a card in mid 2007, and as a mounted print in December 2008. Shade and honey I could look in your face for a thousand years / it’s like a civil war of pain and of cheer / but if you were a horse / I could help you with your chains / I could ride you through the fields / by your fiery mane May your shade be sweet / and float upon the lakes / where the sun will be / made of honey
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Oil painting /
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acrylic on bambo wallpaper 120×80cm
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An interesting variation of the Playing Beasts image. Don’t know which one I like better. Soo, the same playing stallions but….in the dusk Pencil and some afterwork in Photoshop CS3.
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What can I say – the Equine group got me inspired again! Hope you like it!
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9×12 watercolor enhanced colored pencil on Arches “satin” finish paper. / As of 11-29-09, 1546 views / Part of a series. / Many consider the Trakehner to be Europe’s finest warmblood and the ideal competition horse. During World War II, 1,200 Trakehners, out of 25,000 registered in the East Prussian studbook, were trekked 900 miles across Europe to prevent them from falling into Soviet hands. Using this nucleus, German breeders have been able to preserve the breed. / It originated in the 13th century studs of the Teutonic Knights, in what used to be East Prussia. They used indigenous Schweiken ponies, descendants of the Tarpan, as a base. The Royal Trakehner Stud was founded by Friedrich Wilhelm I of Prussia in 1732, and aimed to produce active coach horses. Complete 2006
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9×12 watercolor enhanced colored pencil on “satin” finish Arches paper. As of 11-29-09, views are 763. Original available. The History / The Oldenburg was first bred in Lower Saxony, Germany. The foundations were first laid by Count Johan von Oldenburg in the late 16th century. He bred Friesian mares with Danish, Turkish, Neopolitan, and Andalusian stallions to produce large war horses. His son, Count Anton, travelled Europe and brought home the finest Spanish and Italian stallions, to add speed and strength. His tenant farmers were also allowed to breed from his stallions, establishing the tradition of small, private studs that is still common with the breeders in that region today. In the 17th century, the Oldenburg became a well-known coach horse, admired for its height, power, and elegance. It was also used as a riding horse. In the 18th century, Thoroughbred blood was added to refine the breed. In 1820, it became illegal to use any but a government-approved stallion for breeding, but it wasn’t until1861, that the Oldenburg stud book was established. In 1897, Oldenburg breeders brought Thoroughbreds, Cleveland Bays, Yorkshire Coach Horses, Normans, and some Hanoverians to further improve the breed. In the earlier part of the 20th century, the Oldenburg was still being used as a high-stepping coach horse, as well as on farms. But as machinery replaced horse power, the stud owners decided to breed for an all-around riding horse. In the 1950s, the Thoroughbred Lupus and the Anglo-Norman Condor founded a new Oldenburg stallion line, which produced heavy but elegant mares. From that point, only the finest of European livestock have contributed to the breed. Thoroughbreds were used first to refine the Oldenburg, then Trakehners, Anglo-Normans, Anglo-Arabians, Selle Francais, Hanoverians, and Westphalians. The resulting horse is an excellent sport horse that is more refined than its predecessors. (information from Wikipedia) Complete 2006
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9×12 watercolor enhanced colored pencil. / The black Friesian is a coldblood horse of ancient origin. In its own land it arouses much the same admiration, and even adulation, as that given to the massive Shire horse in Britain. Although it is ridden and displays great agility under saddle, the modern Friesian excels as an impressive, free-moving harness horse. It’s temperament and appearance made it popular with circus trainers, and its presence and color ensure a market for it in the funeral business. / The Friesian, which descends from the “primitive” Forest Horse of Euopre, is bred principally in Friesland on the northern Netherlands coast. Complete 2006
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Pastel drawing and Apophysis images layered in PaintNet
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Digitally altered oil pastel drawing with Apophysis layers All profits from the sale of this work will be donated to the wildlife victims of the Victorian bushfires.
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Pastel drawing and Apophysis layers Horses / Tori Amos I got me some horses / To ride on, to ride on / They say that your demons can’t go there / So I got me some horses / To ride on, to ride on / As long as your army keeps perfectly still And maybe I’ll find me a sailor / A tailor / And maybe together we’ll make mother well / So I got me some horses / To ride on, to ride on / As long as your army / Keeps perfectly still You showed me the meadow / And Milkwood and Silkwood / And you would if I would / But you never would / So I chased down your posies / Your pansies in my hosies / Then opened my hands and they were empty then Off with Superfly / Sniffing a Sharpie pen / Honey it’s Bill and Ben / Off with Superfly / Counting your bees / Oh me honey like / One two three / The camera is rolling / It’s easy like one, two, three And if there is a way to find you / I will find you / But will you find me if Neil makes me a tree / An afro, a pharaoh / I can’t go, you said so / And threads that are golden don’t break easily I got me some horses / To ride on, to ride on / They say that your demons can’t go there / So I got me some horses / To ride on, to ride on / As long as your army keeps perfectly still Horses
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Chalk pastels on black paper / Used Lance Leopold’s photograph as reference.
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The heavy weight. The working horse is always a favorite! Even out of harness you can see their power. This lot look like they’re coming up for a treat. / An original drawing of Clydesdales done in colour pencil and white gouache. Size of original artwork – 55cm x 81cm 2007 Has been featured in ‘Equine Art and Photography’, ‘Pencil Drawing’ and ‘Everything Draft Horse and Carriage’ groups.
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Medium-coloured pencil, pastel sky / Here is a drawing I did for a dear friend of mine, Belinda….I hope you like it!
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This digital painting of a cowboy in a predicament is published by a national company as a greeting card and other gift products (mugs, magnets, t-shirts, etc.) The card has a verse inside “hope things are looking up,” a satirical greeting of hope and well wishes to anyone going through tough times. Whether in a western setting, humorous or serious, it is a look at the way life sometimes puts us at odds with seemingly impossible situations… you either laugh or cry, and pray like crazy. Now available as a print. Nate Owens / My Web Site
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Pastel drawing with Apophysis overlays “Horses In My Dreams” Horses in my dreams / Like waves, like the sea / They pull out of here / They pull, they are free / Rode a horse round the world / Along the tracks of a train / Broke the record, found the gold / Set myself free again / I have pulled myself clear / I have pulled myself clear / I have pulled myself clear / Silent, I have pulled myself clear / Horses in my dreams / Like waves, like the sea / On the tracks of a train / Set myself free again / I have pulled myself clear / I have pulled myself clear / I have pulled myself clear / Silent, I have pulled myself clear P J Harvey
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Fire
by Nori BucciGraphite on bristol vellum. / Friesian stallion. 11×14 original size. FEATURED in the Graphite Pencil Artists Group / copyright 2008.
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4”x6” Prismacolor pencils
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Graphite Pencil Portrait on canson smooth bristol board. / This drawing has won the Drawing Challenge in the Bit and Pieces Group. / Featured in Graphite Pencil Artists group. / Featured in Dimensions group.
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Drawn using a wacom pad and photoshop Another version of /
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Pastel and watercolour wash on 300gsm hand made watercolour paper (acid free rag). 1020×840mm 2008. / Due to buyer default the original artwork depicted above titled “The Boys” has recently become available for purchase. Interested parties are encouraged to contact me via Bubblemail.
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Original graphite on Canson Bristol Smooth paper, 16ins. x 13.5ins.
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Graphite on bristol Prints available / www.mariadangelo.com
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Ink, pencil and gouache on Fabriano Artistico 200gsm / . / A riderless horse known as the black horse of Sutton’s Forest. It was regarded as a sign of coming disaster. It has been known to pass right through houses. / (Source of information: www.warrenfahey.com ) / The horse is also referenced in this 1891 poem by Henry Lawson, Talbragar / .
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