Dof
1910 creative works found
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As Paul would say.. Something outside the square!! ;-) ~Just for the record.. this is pretty much straight out of the camera! :) No manipulation!
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From the 2007 floriade in Canberra. Shot with with a big big macro – 400 f/2.8IS with 2x TC – the people looking on were a little bewildered at the sight.
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...and with malfunctioning landing gear, too….. mgm-click / mam-post
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Okay well this morning I felt the urge to get out and finally take some new pics and the first thing that caught my eye was a bunch of dandelions that were starting to break apart.. However I didn’t feel like just taking a plain shot of a dandelion, I felt like doing something a tad more artistic, so today I have a series of three dandelion shots that I have processed in an artistic way to break free of the standard flower macro bounds.. I am open to all feedback because I will only keep shots uploaded that people think are worth being on the sight.. Thanks for having a look! This would have to be the least artistic shot of this morning, as the only real major treatment here was implementing a monochromatic filter and then a sepia filter over the top of that.. As per usual the exposure, contrast and levels were played with to bring the image to what I believed worked best.. / I liked this image as it seemed to “pop” and it looks almost as though the dandelion is lurching forward in an attempt to break free from its flowers. I think that this shot and Season’s End both really captured the moment that the dandelion begins to lose its flowers and disappear from existence.
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© Pablo León-Asuero Moreno. All rights reserved.
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I have debated for a few months whether or not to put this image up but finally decided to test the waters.. If no bites then I’ll take it down…. This is another image taken during a sunset at the local beach.
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Exposure - for beginners/ intermediate photographers.
by Mark GermanI just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions….
I just answered a question in a certain group forum, and it occurs to me that it may be useful to others. Feel free to ask any questions. So here goes: General rule-of-thumb: expose to the right. What that means, is – use your histogram and get your exposure to the right half without hitting the far right edge. Anything clipped (blown, over-exposed) will be data lost for good. The same goes for black clipping (under-exposed). The reason exposing to the right is better then to the left, is that recovering data/detail from dark areas creates noise – whereas the reverse does not. A little rule that may help you with exposure: / Sunny 16 Basically what this catchy-named rule means, is this: / Given a bright and sunny day outdoors, correct exposure for any scene will be f/16, 1/100 SS, ISO100 (also known as ASA) Working up and down with this you can adjust to suit. For example – a slightly overcast day: / f/11, 1/100, ISO100 (1-stop wider aperture) / or / f/16, 1/50, ISO100 (1-stop slower SS) / or / f/16, 1/100, ISO200 (1-stop more sensitive film/sensor) If you have a specific requirement with SS (stop motion, blur, etc), adjust the other parameters to compensate. To stop your hand motion blur, use the reciprocal of your focal length. Example: 100mm needs at least 1/100th SS. Crop bodies need to be multiplied by the crop. (ask if confused) / If your subject is moving, double SS. If you are also moving, triple it. / Of course using a tripod (and you should whenever feasible) changes this. With photography, each numerical value doubles. / ISO: 100/200/400/800/1600/3200 / SS: 25/60/125/250/500/1000/2000/4000/8000 Aperture can be remembered by using this system: / Use two numbers (f/1 & f/1.4) and double them as you go. f/1, f/2,f/4,f/8,f/16,f/32 / f/1.4,f/2.8,f/5.6,f/11,f/22 Now put them together and you have your full range of full-stop apertures :) Some cameras will list 1/2 or even 1/3 stops. f/1, f/1.4,f/2,f/2.8,f/4,f/5.6,f/8,f/11,f/16,f/22,f32,f/44 Aperture effects Depth of Field (DoF), which is the distance between the closest area in acceptable focus, and the furthest. Choose your aperture to suit your subject/scene. Adjust the other two parameters accordingly. A larger aperture number means a tighter aperture – which means less light. If you ever come up to a situation that has a very high dynamic range (DR) and can’t wait for better light – bracket your shots. That is, expose +/- from the above settings. You can then either decide what you like best, or even combine exposures. (ask how). Of course – if you are a street/candid/journalistic/wildlife style photographer, then you may only get one chance. Which is more the reason to learn the above. There are various filters available to help shoot skies and landscapes – or any scene that has defined high dynamic range. Circular polarisers, graduated neutral density filters – ask. Using additional lighting such as flash adds another element to the equation, and other rules apply. The above is a basic guide to correct exposure for everyday and natural conditions. Hope this helps some people. Feel comfortable in asking anything, or contributing.
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Sing us a song, you’re the Piano Man.
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Surprise the gerbera makes yet another appearance :)
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there was actually a concept behind this. it was day 320 of my “flickr.com 365days self portrait project”, it was a wednesday, and the week felt like it was taking an eternity. it was a “gift” for my flickr friends. the title was actually “this is for you, you’re gonna need it”. this one will end up on my kitchen wall, and probably as greeting cards. just a kind of “hello” to friends i’ve fallen out of touch with, or to ask someone for lunch, coffee, etc.
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Taken at Geranium Cottage in the rural northern are of Sydney Australia, in Spring 2008. I had no idea there was such variety in the Geranium family – from tiny orchid-like flowers, to large rhododendron-like bunches … stunning. Landscapes Trees Cards EOD Rusty Flowers Architecture Macro CatchAll DM
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Water beads on a glass patio table. / /
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Hi there! ☺ Yes…it´s me…..Andreas Stridsberg. Why am I opening a new account you ask? Well the answer is simple: Because i´m under contract with various publishers that demand they have “first dibs” on my work i can´t go around selling them left and right. I first have to wait for them to either accept or reject any of my new work. And because that´s usually a looooong and slooooow process i then use my other account to simply showcase my work. While on this account i can make those i know for sure my publishers have rejected available as prints to whomever may be interested. Does it make sense to you? :-) I´m sorry for possibly posting duplicates of something that i might already have posted at my original stridsberg-account But i need to keep them separeted due to above mentioned reasons. :-) Thanks for stopping by! And as always…keep an eye on my own website for my most recent work and my pointless blog: Sincerly Andreas Stridsberg www.mystic-pic.com P.S. I´m also sorry for repeating this message on my every single upload tonight…i just thought i´d be as clear as possible. Godness how i´m apologizing right now…i´m sorry about that as well. :-/
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/ Cross Processed / Our Images Do Not Belong To The Public Domain. / All photographs in this portfolio are owned and copyright © N & L Williams Photography. / Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from ourselves is prohibited. All rights reserved.
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I made a calendar for those of you who wants to see him all year around :) Featured on Toys and Puppets Group in April 2009 / Featured on The Woman Photographer group in May 2009
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canon 400d 50mm f/1.4
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An image from the Astor Theatre Melbourne Meet Up modeled by the stunning Lisa Defazio of Landell Fashions / / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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That love transcends the world as we know it… / That even the tiniest of hands leave the most lasting imprints on our lives That the tragedy of loss can lead to the discovery of the soul / That there really are guardian angels That every moment we have with those we love is a blessing / That God’s gifts, however fleeting, are cherished and remembered forever… That every small kindness we show to others makes the world a better place / That we control very few things, God takes care of the rest That friendship encompasses every experience and emotion / That we all have so much to learn That for some of us, life begins in heaven, in the arms of Jesus / That teachers come in all forms. ~author unknown. Featured on 1:1 Macro Photography group in May 2009 / Featured on Depth of Field group in May 2009 / Featured on Macro Water Photographic Group in June 2009 /
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Bunny tails on the beach in Raglan
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This photo has not been cross-processed properly, apparently. However, I’d never heard of cross-processing until recently. I’ve read that the term started by developing color print or slide film in the wrong chemicals – for example, color negative film in slide chemicals or slide film by the color negative process. This causes wild color and contrast shifts and requires lots of trial and error. for more, see Dana DiPasquale’s forum page. Apparently a group exists for cross-processing experts, as well. / / However, playing with the RGB channels certainly stretched my tendency for more realistic, staid photos! I played with this photo last night using Sue Wickham’s method and the tutorial that Mary Campbell posted. I used curves and RGB channels in Photoshop and Nikon’s Capture NX2.1 software. / / This is the Capture NX2 version, with a bit of a vignette blur from efex. Original: Nikon D200, Nikkor 70-300mm, 145mm, f/5.6, 1/1000sec, -0.3ev., ISO 200, manual exposure, / Converted from 12-bit RAW to jpeg. Manfrotto tripod. / 2025×3037px
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LITHUANIA CLICK for VIEW or COMMENT
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LITHUANIA CLICK for VIEW or COMMENT
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Going Back
by IngzCanon 350D / F/5.6 / 1/125 / ISO-100
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