Distance
1092 creative works found
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Sepia Mist
by PigleTUp at Glen Affric, really early, watching the sun slowly rise, illuminating trees at different distances through the mist. The best way to spend a morning.
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Though the distance between us grows, we’re never really apart. This photo was taken on the Chattahoochee River front in Roswell, Georgia at sunrise. The golden light mixes with the mist rising from the lake for a magical effect. The wake of the boat cuts through the current of the river and creates a line connecting the two people in this scene. The story between these figures is unimportant, but the viewer gets to imagine what might be happening in this golden moment.
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People Set Here’s someone’s work that you shouldn’t miss! Karen! /
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Four of the Red Arrows zooming into the great blue yonder above a white fluffy cloud, with red white and blue smoke contrails trailing behind. I only noticed this display happening late one Friday evening; taken from Perth, August 2007.
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Gift for my (now ex) boyfriend/best friend. Cause he’s such a great guy. =D Done with oil pastels (pencil for details) on cardboard.
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No one ever notices the scar on his cheek. It could possibly be due to sloppy rendering on my part, but I’ve chosen instead to blame it on a craptacular scanner.
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The lighthouse stands alone. / It leads a solitary existence whose purpose is to shine light into dark places. No two lighthouses will ever stand together….for then neither would show their true light to the world. They require space and distance to do their best work. So they spread their light across the land, and across the ocean, steadfast and courageous, guiding, inspiring, never knowing who might be touched by their radiance, always seemingly alone. Yet imagine – what if they could connect with the energy of another lighthouse in a distant place, and their combined power and light create a previously unknown magic to embrace the Earth with force and compassion. While their feet remain firmly planted on their homeground, it is only the space between them that allows the healing light to travel back and forth across expanse and time so that it can be seen and felt by all. Would the Earth itself feel this web of illumination? There must be darkness for the true beauty of light to be appreciated, there must be space for the true nature of love to shine. / ... / .. / . / (Thanks to Kryon for inspiration) PLEASE view larger for best effects…. :-))
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Model – Karina (lead singer of Young & Restless)
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A nice sunset I took a couple weeks ago; loved how the colors came out… especially the contrast of blue & yellow.
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ink on watercolor paper i keep having phantom pains from where my heart used to be… a sentiment which rang true more then than it does now. maybe they grow back. maybe the pain just goes away.
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Please view large Thank you for viewing my work Image copyright © 2008, Larry Fridel. Copying and displaying or redistribution of this image without permission from the artist is strictly prohibited. /
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Denver Botanic Gardens property outside of Chatfield Reservoir, Colorado
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Another misty foggy morning…with an orton effect.. DebsPhotos
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Taken at the Minnesota Zoo in Apple Valley, MN. Mexican Wolves are trying to make a comeback. They are extremely endangered in Mexcio and only in zoos in the USA. There are some programs in place to help this great looking animal strengthen in numbers and be re-introduced to the USA. Please View Larger
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Prague seen from Petrin Lookout Tower (Petrinska Rozhledna), Czech Republic. More than one year ago, I’ve got fascinated by some overlay works presented in various PS fora. Last year, I found about RB and soon could admire beautiful composite works of e.g. John Edwards here at RB. Inspired by many of those images here at RB or elsewhere, I’ve been planning to put my hands on some overlay work too, but I only got to it in recent days, ultimately inspired by The Wilds Of France by onefourseven (thank you, Mat, both for inspiration and a link to textures!). / This composite is my first result on the theme, composed of my original photograph and three textures from cgtextures.com. Comments and suggestions welcome! Original photograph: May 2008, Canon EOS 300X, Sigma 28-135. Post-processing: retouch, BW conversion, curves, sharpening, sepia, color adjustment, shape cut, filter gallery, overlay by three textures from cgtextures.com with adjusted brightness/contrast/levels/color, color adjustment, blend modes; final file: 24 layers, 5540×3693px, approx. 1.5GB, color profile conversion 10min, saving time >5min.
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A touch of Orton on a textured composite image. Brushes: midnightstouch iconseiyastock
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Gainesville, FL / - / FEATURED IN “JUST BUTTERFLIES GROUP” Butterfly
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Vector art
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The setting at Mescal resembles a late 1800’s town complete with a dusty main street lined with one and two-story buildings. Cattle are frequently the inhabitants, along with rolling tumbleweeds coming to a stop against a leaning hitching post. Wind flutters curtains through windows. And off in the distance, rolling hills lead to lofty mountain heights that play with the imagination… Located just 45 minutes from the parent home of Old Tucson Studios, the Mescal film set offers an old western town atmosphere atop a gentle hill surrounded by natural tall grasses and native cacti. This location has been featured in over 50 film, television and commercial productions including: Monte Walsh (1968 with Lee Marvin), Dirty Dingus Magee (1970 with Frank Sinatra), The Life and Times of Judge Roy Bean (1972 with Paul Newman), Tombstone (1993 with Kurt Russell and Val Kilmer), The Quick and the Dead (1994 with Sharon Stone and Gene Hackman) and Buffalo Soldiers (1997 with Danny Glover). Unlike Old Tucson Studios, Mescal is a movie set. You won’t find fake gunfights or simulated hangings here, just a tour guide who will related the site’s history. It is in pretty bad shape so it’s unlikely that many more movies will be made there. It is located near Benson, Arizona. Photographed with a Panasonic Lumix DMC-FZ 28. 300 views as of 12/2/09 / “Cochise Stronghold From A Distance” was featured in: / DILAPIDATED BUILDINGS/July, 2009 / THE WILD WEST SHOW/July, 2009 / OUT OF THE PAST/July, 2009 / GRUNGE PHOTOGRAPHY/December, 2009 THE MESCAL SERIES / “Cochise Stronghold From A Distance” / “What’s Upstairs?” / “Behind the Bar” /
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3 images stitched together to make this pano of the paddocks at home and the last of the morning fog floating off….......
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Kelowna BC, Canada
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Remotely yours, / you said / Remotely yours my darling, / I answered. Distantly in love / we are, aren’t we? / Why yes, let me tell you. Months gone by / ...told in deed. Silently. Remotely yours. / Forever remotely. 27 September, 2009 / —- / Happy note: A real story here? Well, I came up with the title and the short-story/poem after I finished the artwork, so this was an afterthought. But given the sheer number of people “connecting” via Myspace, Facebook, email, Skype, uNameIt, etc., I am quite sure there’s more than one true story… but then again, I may be wrong. Just my imagination… / —-
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