Dirt
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dirt
Canada
2709 creative works found
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This image is inspired by the photography of Bill Henson and the taste for darkness, texture and creating a subliminal energy. The focus of the sprawling arms as they cut diagonals through the image to the dark silvery tones help create the ambiguous nature of the image – is it uplifting or helplessness. You decide.
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Often the storm chasing day ends not with the last glow of the setting sun, but with a photogenic show of pyrotechnics dancing from cloud to cloud and into the ground and lasting well into the night. This strike was captured just a few miles from my home after a long day of driving and looking for marvelous supercells and their awe-inspiring structures. Typically, any isolated cells that form during the day in western Oklahoma will race through the portions of Oklahoma that I call home, I just have to drive back ahead of the racing squall line and on such days will end the hunt with a tripod and a camera on this gravel road. It isn’t a part of my public offered storm chasing tours, but instead just my time to relax, snap shutters and enjoy my favorite hobby – lightning photography. I’ve always hoped for a dead centered strike at the end of this long gravel driveway. So many times I have closed my eyes and envisioned this very shot. Then, one night in 2006 after a long day’s work of hunting down tornadoes I ended my chase day in this fashion, opened the shutter and waited – “bang” – I had it! ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Be sure to check out my company, StormTours.com. It’s a great opportunity for anyone who wants to chase storms to improve their lightning photography skills and see awe-inspiring photogenic storms. www.stormtours.com AND www.stormchase.com
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The Quiet Earth is a series devised by / Paul Vanzella and Jo O’Brien Styling: Jo O’Brien / Model: Jo O’Brien / Art Direction: Jo O’Brien & Paul Vanzella / Photography: Paul Vanzella
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Creative / I created this image to remind us of the consequences of our actions if we continue to take our precious environment for granted. The location chosen is Melbourne, Victoria, Australia, a city free from catastrophic disaster. That is until Mother Nature turns back on us. We can keep running from what we have done but this is infinite future chaos! Thanks to Rikki & Jess for being models. You can see the before and after shots here Technical / The background was shot in 3 sections and stitched together in Photoshop CS3. Various parts from extra shots were used i.e. The Seven sign and text from another shot I took. I also cloned out people and objects as well as added elements to create this scene. The background, clouds, Rikki and Jess were shot separately on an old but trusty Canon 10D in RAW mode. Other images were sourced online and manipulated beyond original recognition. Once I had all the elements I needed I composited it all together in Photoshop CS3. I had to create some elements such as texture, debris, snapped cables and smoke from scratch using the good old airbrush and pen tools with various brushes all made easier with a A4 Wacom tablet but found that the mouse was sometimes better for other tasks. A lot of masking, deep etching, cloning, dodging and burning went into making this image what it is. Once complete I colour graded it to give it a real sense of drama and darkness.
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© Claire McAdams / ALL RIGHTS RESERVED Imitation of a shot by another photographer. Playing with potting soil is fun
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A little color in the Mojave Desert.
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This was taken in Morton National Park just north of Ulladulla on Pointer Gap Road. There is a great lookout at the end, just don’t go when the weather’s like this. /
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Is the world really what it seems… / or are we only looking at it halfway
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After a heavy rain, we frequently get to see what is called a “Rusty”. The red rust colored water is from the red clay soil that makes up most of this surrounding area. This was shot from my back deck in Arcadia, Oklahoma Technical Details: / Nikon D2X / Nikkor AF-S 17-50MM F/2.8 / Focal Length17mm / Exposure Mode; Program Auto / Spot meter / 1/5 sec at F/11 / -1.0 EV / ISO 100 / WB = Auto I used the -1.0 EV to under expose it a bit.
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Monument Valley, Utah.
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Don’t you just want to grow old with the one you love… / I don’t know why people choose the exit door so quickly.
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...you can’t always rely on it.
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Camera Details: / Nikon D70s , Sigma 18-200mm f3.5-6.3 DC Location: / Monument Valley Navajo National Park, Utah, United States of America Map: / Road Map , Terrain , Satellite Copyright: / © Brendan Schoon , All rights reserved. Background Information: / Monument Valley is located on the southern border of Utah with northern Arizona (around 36°59′N, 110°6′W). The valley lies within the range of the Navajo Nation Reservation, and is accessible from U.S. Highway 163. The Navajo name for the valley is Tsé Bii’ Ndzisgaii (Valley of the Rocks). / The area is part of the Colorado Plateau. The floor is largely Cutler Red siltstone or its sand deposited by the meandering rivers that carved the valley. The valley’s vivid red color comes from iron oxide exposed in the weathered siltstone. The darker, blue-gray rocks in the valley get their color from manganese oxide. / Monument Valley has been featured in many forms of media since the 1930s. Appearances include movies, such as Westerns by Director John Ford, and science fiction movies such as Back to the Future III; television appearances as in MacGyver; as well as DVD covers, book covers, and video games such as the Playstation 3 video game Motorstorm. source: wikipedia The Watchman / Moraine Lake / Banff National Park, Moraine Lake / Bryce Canyon National Park, The Lonely Tree / Purden Lake / Sunset in Tofino / Bryce Canyon National Park / Grand National Park, Hazy View /
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Big thanks to my wonderful models Lisa and Jo who persevered with raging winds hitch hiking for the camera. And I so love the Ramones series
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my son and Kodak Duaflex II
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canon 5dii 16-35 lens / about 100 30 sec exposures
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canon 5dII 16-35 lens / same set up as previous upload only taken later and the building was lit by the brake lights of the car.
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