Digital urban
442 creative works found
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I took this picture in Helsingborg, Sweden. What caught my attention was the angle and the beautiful colours. I’m a big fan of perspectives so I had to switch on my camera. check what the product looks like here thank you for stopping by!
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Adobe Photoshop (digital) manipulation of photographic imagery. FORGIVE ARCADIA You asked me to write something today / And all I could sense was a blank. / Something on fiction and truth, was what you needed – / But my truth is a brick wall / And buildings that should be shattered / Like crabs’ claws. / Still, this morning I woke up at five / And wondered what would happen / If the earth froze numb at that secret hour – / If I could lift my hand, and make the horizon still. / Then there’d be no one except me, / And the birds. As the moon went out I should / Dance and fly through emptied streets / Away from the city’s cramped horizon / To where the great clouds raced. / Within their wefts, or so I’d like to think, / A sugar veil of crystals / A flurry of icy motes, waiting to catch the sun, / For now still dark with night – / A gust of frozen sparks, perhaps, / Dormant, and charged with the power / Of undiscovered things: unformed, unknown. / And then, having been born again, / I’d creep back to bed, and the smell of cotton. Last night I met a girl, from far-off lands. / She was charming – Finnish, so she said, / And she smiled a numinous smile / On a clear face with peachy skin: / Slender, and lit with an inner glow, / Peaceful and seraphic, / As lucid in form as porcelain, / Or a pink sweetshop mouse. I want to meet her again. But I’d made her up, / In a dream it seems I’d had; all complete, / All fully formed, with a purpose, and a past / Of her own, although she’d never been alive. / And now she’s gone with the dew. / And now I miss her. She was, a think, a succubus of strange benevolence: / Beating inside, her eager heart / That galvanised my moment of epiphany, / And found a path to earth through sleeping limbs. / These ghosts of memory, haunting my waking hours: / Why do you give me time, why do you lend me / Your good aim? Phantasms that could not be, / Specious potentialities, all unborn / You night creatures, far removed / From what the daylight people do, or are; / Those sunshine ones, who own the clear air, / And spread themselves in it; whose clamour makes / A transient misfortune, then they’re gone… / Yet why must you, instead, / Tend me as if I were an orchid of the gloom – / Which, plainly, I am not? I tried to think what heaven might be like / For us, we creatures of blind purpose / Fumbling (as we do) at light. Oblivion would be / Much of it: forgetting for the hundredth time / What we had done before, and comatose with hope, / We should ourselves break free – like birds, or / A flutter of petals, simply because we could. / Nothing to fail us, nothing to expiate, nothing to / Disappoint. Above all, freedom from shame. / Blank-eyed, we’d cup our hands, and find them / Crammed with sweets. Infantilism would be the / Recommended option, that or promiscuity. / We’d flounce like butterflies, or nose our way / As small insectivores do, sniffing for flesh to nip / Without remorse. Inspiring our laborious intent: / The gaze of a cow, chewing on infinity. All animal / Kingdoms would be ours to claim, lacking only people. There’d be no art, no divine discontent: / No knowing laughter, and no more endeavour – / Only the yawning promenade / Of a world stripped of Self. Upon preened wings, / We’d soar through canyons bright as mirrors, / Where everything was fixed and known. Down / We’d dive: to perch, and later, stroll an eternal pleasure / Pier, bounded on each side by the extinction / Of individuals. Our jelly baby guards / (Blameless as halfwits, or as sociopaths) / Their looks too liquid to sustain reproach, / Would urge us safely home, and in a tract of flowers / We’d be immured, and there we’d stick: an endless, timeless / Moment wherein consciousness lay hanged. Paradise, although fortuitous, is where nothing goes unplanned. / It is predestination without fear, without account. / Meanwhile, with brains intact, you’ll promise to let me / Face the glare of what is commonplace. / And, in return, I’ll try to be more even-handed / In indifference. Stephen Jackson June 2002 / For Jan
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I missed a fantastic sunset, and an incredibly intense lightning storm. By the time I got to my chosen vantage point, I was left with the remnants of both. © Sara Lamond 2007. All rights reserved. / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
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Someday… on a clear, still, moonlit night; / To the beach, is where we’ll go. / With a blanket and hot chocolate already packed; / Walk, hand in hand, on soft, warm sand; / Down to the water’s edge, where we’ll dance awhile; / Oh, to hold you close and whisper in your ear; / Those three words you’ve longed to hear. / Brush aside the hair which hides your face; / See a smile grow and laughter kiss your lips; / Then sit with you ‘til dawn‘s early light; / Your hand in my left, hot chocolate in my right. / Precious moments, dreams and memories; / Someday… with you, I want to share.
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I love shooting at night, and generally am out alone when I’m shooting – it’s when I produce my best work (in my mind anyway). / / This is one of my favorite places in the city. You can sit here alone for hours, traffic streaming past, only the occasional pedestrian, while hundreds, or even thousands of people are just a few feet below. It’s both a quiet spot to find refuge, and a place that symbolizes the loneliness and isolation that can be experienced in a city of millions. © Sara Lamond 2007. All rights reserved. / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
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Captured where no-one is supposed to go… / / Art Folders… / / Entire Portfolio / Born From This Earth – Series / Hearts At War / Vehicular works / Architecture / Travel / B&W Photography / Transitional Industrial Utopian Series / Abstract / Models and Fashion Photography
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Recently we did a test shoot for two really funny and crazy guys who also happen to make music together, Jase and Tom after their manager aeris saw my stuff on RedBubble and decided I am shit hot at what I do. (I’m working on the modesty bit, I swear.) Anyway they really really didn’t want to do a photo shoot in a smelly, public, and damp mens’ toilet so naturally I nagged at them until they relented. Then the first thing their manager said upon viewing this image was “That one’s for RedBubble!” So here it is.
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She’s wearing Bantu/Zulu Knots in her hair. / She’s also my first digital painting
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Hosier Lane in Melbourne, Australia. A result of 9 images (3 HDR’s) done in Photomatix. Merged the HDR’s in photoshop using automate > Photomerge. Took the photos quick as it was around midnight in a dark alley… Sales 1 Greeting Card 1 Framed Print 2 Canvas Prints 1 Greeting Card 1 Mounted Print 1 Laminated Print 1 Poster This work has had over 6000 views :) Click here for my other images of laneways and graffiti Click here for my other images of Melbourne !
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This was originally thought out to be for a t-shirt design but changed my mind, I felt would look better as a print instead.
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My other works: / A LARGER view to see more in detail… / (Long side is only 1024 here) EXIF: / Taken with a Canon EOS 400D Digital. Exposure: 0.001 sec (1/1000) ISO Speed: 100 Aperture: f/5.6 Software: Adobe Photoshop CS2 Windows Metering Mode: Partial Focal Length: 67 mm Exposure Program: Shutter priority Exposure Bias: 0/3 EV Flash: Flash did not fire White Balance: Manual
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Symphony For A Stroll / a casual walk in the park, down the path, into the meadow…life’s easy refresher… / a delightful watercolour painting with a sense of rhythm in each of its delicate layers… Limited Edition prints of 5 Own the original 81.6cm x 60cm Digital Image, ships directly from the artist. Price: $1,700 All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission.
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A collection of more recent digital art imagery.
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agendas, goals, rendezvous, and living life in general… / painted in a rich, bold blend of oil pastel colours, capturing the rush of modern life… Own the original 99cm x 87.6cm Digital Image, shipping directly from the artist. Price: $2,500 All images, graphics and written content on this gallery have been created for and are the sole property of Solomon Walker. Content and images may not be reproduced without express written permission. / Framed Print / Laminated Print / Canvas Print / Mounted Print / Poster
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Tower in a new area located in the touristic harbour, that includes a maritime station for cruise ships, housing and office complex. / Savona, Liguria, Italia Digital reflex camera / iso 100, f 8.0, 1/80 sec., 18 (27) mm. Thank you for your attention. Featured in the group Going Coastal / Featured in the group Tunnel vision / Featured in the group European Everyday Life / Featured in the group Shapes & Patterns Winner in the challenge New facades / Winner in the challenge Perspectives – The First Challenge / Winner in the challenge Perspectives – Abstract / Winner in the challenge Disoriented / Winner in the challenge Disoriented On Purpose Top ten in the challenge Architectural Shapes / Top ten in the challenge Architecture viewed from the Ground Up!!!!! / Top ten in the challenge Shapes in Glass / Top ten in the challenge X Composition In the calendar Abstractions The same building:
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Bluejay at Forest Park, St Louis Missouri, Feb 2009 /
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Digital reflex camera / iso 100, f 8.0, 1/80 sec., 100 (150) mm. Thank you for your attention Featured in the group All Street Portraiture And Photography / Featured in the group Random Photography Challenge Winner of the challenge All By Yourself Top ten in the challenge Gloomy / Top ten in the challenge Sad, Sad World Avatar of the group Random Photography Challenge
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Piazza della Concordia, Albissola Marina (Liguria, Italia) Canon PowerShot A80 / iso 100, f 8.0, 1/500 sec., 23 mm. Thank you for your attention. Featured in the group Shapes & Patterns / Featured in the group The Compact Group Winner of the challenge Geometric Shapes & Patterns Top ten in the challenge Unnatural Nature Avatar of the group Shapes & Patterns -
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Autumn leaf, concrete, rivets….... simple. / [canon 1000D] Featured – Canon Vs Nikon – July 2009 Featured – Dimensions – July 2009 /
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Tower in a new area located in the touristic harbour, that includes a maritime station for cruise ships, housing and office complex. / Savona, Liguria, Italia Sony Alpha 100 / iso 100, f 8.0, 1/160 sec., 200 (300) mm. Thank you for your attention. Featured in the group European Everyday Life Top ten in the challenge Window & Door Shapes / Top ten in the challenge Show us your Stuff! The same building:
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Industrial Disease by Dire Straights. / “Warning lights are flashing down at quality control / Somebody threw a spanner and they threw him in the hole / Theres rumors in the loading bay and anger in the town / Somebody blew the whistle and the walls come down”...... Gritty grimy grungy layers over a pic of the winter garden building in the Auckland Domain New Zealand. Featured on Redbubble Homepage 26.8.09 – now that makes me feel good about myself! / Top ten in the “Textures Unlimited” challenge. / Featured in “Out of the Past” group. / Featured in “Digital Art Compilations” group.
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Westminster Bridge Lamp with V & A Victoria and Albert Monograph. and The London Eye. / Matthew 6:21-23 (New International Version) / For where your treasure is, there your heart will be also. “The eye is the lamp of the body. If your eyes are good, your whole body will be full of light. But if your eyes are bad, your whole body will be full of darkness. If then the light within you is darkness, how great is that darkness! Camera Nikon D700 with 24-120mm Lense. Photo manipulation. Levels adjustment, vignette, dodging and burning, texture layer, HDR of original photo in photomatirx pro, with 6 different exposures of the same image from a RAW file. / / You may also like to visit Just click the pictures:-) / The Houses of Parliament at Night / The London Eye The world’s largest observation wheel is 135 metres high. It provides a 30-minute, slow-moving ‘flight’ over London. Designed to reflect the elements of air, water, earth and time – the central theme is a circle of white light from within the rim which sweeps the skyline at 135 metres. The passenger capsules signifying ‘time’, is lit internally at the point of embarcation. Each high-tech capsule accommodating up to 25 people. The attraction has the capacity to handle 1,500 visitors every hour. The British Airways London Eye is a privately funded venture between British Airways, the Tussauds Group and London architects David Marks and Julia Barfield. /
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