Digital reflecting
969 creative works found
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A street photo taken at Changi Airport, Singapore. Using the natural light as backlighting, these people were quickly snapped in silhouetted as they were walking away. I’m surprised how similar these people are. They echoed each other in terms of being in a pair. Also, the pairs in the foreground are single dad with their only child. All this captured at the time 16:57.
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A present from Pierre the parrot © Cadence Gamache
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Lake Bohinj, Slovenia. I shouldn’t really advertise it because one of the delights of this place is that it’s not too crowded… Available for sale as: / Laminated Prints, Cards, Mounted Prints, Canvas Prints and Framed Prints
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This is a tribute to Steve Axford’s amazing photography. Here’s the link to his portfolio.. http://www.redbubble.com/people/steveaxford as this was a collaboration… any profits from the sale of this pic from my portfolio will go to the Fred Hollows Foundation who have restored vision to over one million people worldwide. I hope you approve Steve!
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The glory of the sunflower and the wonder of the sunset!
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Another collaboration between Steve and myself. Beautiful photo Steve!! / Proceeds of any sale will go to my favourite charity, The Fred Hollows Foundation.
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Another collaboration with the amazing Steve Axford. Proceeds to Fred Hollows Foundation. I dont think I will ever tire of adding fairies to his photos!
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A wonderful macro moment captured of this butterfly just needed a little post editing magic to bring out it’s beauty. / / /
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Stocks from Deviantart and sxc.hu / http://myruso.deviantart.com/ / http://pendlestock.deviantart.com/ This work sold as Framed print © Manolya F 2008. All rights reserved. / You may not reproduce, modify, distribute, publicly display or perform, or prepare derivative works by using my works.
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Created using Photoshop and Gimp / / /
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Thanks for your help George Lenz / Layers and blends used in PhotoShop… / By using Photoshop, I used 4 different layers here to configure this piece. I took the clouds in one layer, added the egrets in another layer, George Lenz was so kind to help me with the moon layer and I also added a nice flood filter to give the reflections and blending them all in I’m staring out into the night / And trying to hide the pain / I’m going to the place where love / and feeling good don’t ever cost a thing, / And the pain you feel’s a different kind of pain / I’m going home to the place where I belong / where your love has always been enough for me / I’m running from you know I think you got me all wrong / I don’t regret this life I chose for me / But these places and these faces are getting old / So I’m going home / The miles are getting longer it seems / The closer I get to you…. babe / I’ve not always been the best woman and friend for you / But your love remains true and I don’t know why / You always seem to give me another try / I’m going home / To the place where I belong / Where your love has always been good enough for me / I’m running from you know I think you got me all wrong / I don’t regret this life I chose for me / But these places and these faces are getting old / Be careful what you wish for / cause you just might get it all / you just might get it all and then some you dont want / be careful what you wish for cause you just might get it all / You just might get it all / I’m going home to the place where I belong / Where your love has always been enough for me / And I’m running from.. you know I think you got me all wrong / I don’t regret this life I chose for me’ / But these places and these faces are getting old / But these places and these faces are getting old / I’m going home Credits to Chris Daughtry
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After dropping my daughter to work early one morning I decided to visit the ancient part of Plymouth, the Barbican. It’s such a picturesque place, visited by many tourists. There are many wonderful photo-opportunities here, and I hope to share a few, especially some that may not be the norm from tourists. What I like about this photo is the clear reflection and detail in both the water and the boats. I’d love to know what you all think of this picture. Regards, Don. Camera Nikon D40x with 18-55mm Kit Lense. / / Like Plymouth Barbican? You may also like / Click Images below to take you to their page. /
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Taken in St Grade Church, Ruan Minor, on the Lizard Peninsular in Cornwall, that was built in the 14c. / The sunlight was streaming through one of the stained glass windows, and left this colourful reflection on the floor, and a lovely colourful glow around the inside of the window. / This was the first time we have visited the church in all the years we have holidayed in the area. / We will certainly be visiting the church again this year. I hope you like it. / Thank you for looking. Pentax K110D. / Pentax 18-55mm Lens.
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All work in this portfolio is © Stephanie Rachel Seely. / These materials (images and poems) may NOT be edited, copied, reproduced, printed, distributed, displayed, performed, or used in any way, in whole or in part, without my written permission. Please respect copyright and do not save or upload any images or poems to Photobucket, Flickr, Myspace, Facebook etc. These creative materials are NOT public domain. This artwork was featured in The True Beauty, Dream & Fantasy, All About Your Best Work, Music Inspired Art, Core [C.O.R.E], Made In Digital, Dimensions, #1 Artists of RedBubble, The Dreaming Tree, and Live and Let Live This artwork placed in the Top 10 for the Dream & Fantasy First New Avatar challenge Won the All About Dreams challenge – May 29, 2009 Placed 2nd in the Unearthly Dreams challenge A peaceful place within my mind… I spent an hour working with a field/mountain background only to decide that I was going in the wrong direction. Strange how the image I intend to make is never the final result. But I’m usually happier when that happens… Endless Silence by ATB ....Stock Credits…. / Sky / Model / Stock copyrights remain the property of their respective owners.
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Digatal artwork created in 2007
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featured in The Healing Journey 09-11-2009 / featured in The Art of 3D 08-23-2009 / featured in Exceptional-Ekphrasis 04-04-2009 / featured in Fractal Perception 03-21-2009 / featured in Globes, Sphere’s and Curves 02-28-2009 / featured in NR1 Artists of RedBubble 02-19-2009 Now theyre planning the crime of the century / Well what will it be? / Read all about their schemes and adventuring / Its well worth a fee / So roll up and see / And they rape the universe / How theyve gone from bad to worse / Who are these men of lust, greed, and glory? / Rip off the masks and let see. / But thats no right – oh no, whats the story? / Theres you and theres me / That cant be right Fractals created with Apophysis
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featured in Creative Cards 09-11-2009 / featured in Shapes & Patterns 09-11-2009 / featured in Globes, Sphere’s and Curves 05-16-2009 / featured inFractal Energy Passion 04-13-2009 / featured in Spectacular Spirals 04-12-2009 Kapa Haka is the term used for the Traditional Maori Performing Arts. Unlike other indigenous dance forms, kapa haka is unique in the fact that the performers must sing, dance, have expression as well as movement all combined into each item. PART ONE / PART TWO A marriage between Apophysis and Incendia
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featured in Inspired Art 10-26-2009 / featured in ImageWriting 10-18-2009 / featured in Universal Innovation 10-16-2009 / featured in A Fractal Energy Passion 07-12-2009 / featured in Angelwings & heaven 07-01-2009 / featured in Globes, Sphere’s & Curves 06-29-2009 / featured in The Voyage of the Surrealists 06-04-2009 / featured in A Fractal Energy Passion 06-01-2009 / featured in All colors of the Rainbow 05-29-2009 Time keeps on slippin, slippin, slippin / Into the future / Time keeps on slippin, slippin, slippin / Into the future I want to fly like an eagle / To the sea / Fly like an eagle / Let my spirit carry me / I want to fly like an eagle / Till Im free / Oh, lord, through the revolution Feed the babies / Who dont have enough to eat / Shoe the children / With no shoes on their feet / House the people / Livin in the street / Oh, oh, theres a solution I want to fly like an eagle / To the sea / Fly like an eagle / Let my spirit carry me / I want to fly like an eagle / Till Im free / Fly through the revolution Time keeps on slippin, slippin, slippin / Into the future / Time keeps on slippin, slippin, slippin / Into the future / Time keeps on slippin, slippin, slippin / Into the future / Time keeps on slippin, slippin, slippin / Into the future I want to fly like an eagle / To the sea / Fly like an eagle / Let my spirit carry me / I want to fly like an eagle / Till Im free / Fly through the revolution Time keeps on slippin, slippin, slippin / Into the future / Time keeps on slippin, slippin, slippin / Into the future / / Created with Incendia & PSP
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featured in Spectacular Spirals 08-19-2009 / featured in Metallic Junktion 08-19-2009 / featured in Globes, Sphere’s & Curves 08-19-2009 / featured in Creative Cards 08-05-2009 / created with Apophysis & Incendia
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Poetic stillness on the shores of Neera river. Fusion of elements of nature – Earth & Water, Color & Light. FEATURED in : 1. Mood & Ambiance – 19.09.2009 / 2. Art by bubble hosts – 20.09.2009 / 3. Your magic place – 20.09.2009 / 4. Light & reflection – 21.09.2009 / 5. JPG Cast offs – 22.09.2009 / 6. All Countries ~ Wetlands, Ponds, Lakes & Rivers – 06.10.2009 / 7. All about water – 13.10.2009 Equipment : Canon EOS 400D & Tamron 28 – 300 mm lens.
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featured in Globes,Spheres&Curves 10-28-2009 / featured in SOLO-EXHIBITION 10-19-2009 An exquisite flower opens, in I Belong to You by Desirée Glanville, to reveal a / huge silvery perl– certainly a priceless treasure. Its antithesis, a gazing ball, / popular in Victorian and modern gardens, is suspended above it. Perhaps / hinting at the subliminal message, the gazing ball mirrors a very real world with tree, water, and sky; / rather than the ideal fantasy that we see before us. / Tiny remnants of petals float in the blue, luminous atmosphere. Desirée has repeated their skeletal / veins in the lower petals of the central flower; so that we know the air is filled with petals pulled from / the larger one. Was this a “He Loves me, he loves me not” scenario—a child’s game with Daisies that / gets replayed in various intonations when we are adults? The video accompanying the piece is a track, “I Belong to You”, from British alternative rock band, / Muse, from their album, The Resistance, released in Europe mid September 2009. / Remembering that the ultimate key to unlock the mystery of Glanville’s art is in the paired music, / it’s of importance that the song and lyrics regard one who travels half the world to tell their muse “I / Belong to You”. / Mid-song, from this British band, are French verses, sung with such emotion to melt the soul. / They are borrowed from Camille Saint-Saëns’ opera, “Samson and Delilah”. / Delilah sings these verses to seduce Samson, in a famous aria in Act II, “Mon coeur s’ouvre ta / voix” (“My heart opens itself to your voice”, or commonly “Softly awakes my heart”). / Ah! réponds à ma tendresse! / Verse-moi, verse-moi l’ivresse! / translated: / Ah! respond to my tenderness! / Fill me with ecstasy! / It’s uncertain, here, whether Desirée is presenting the side of the muse as a reaction to the / overtures, or the perspective of the one presenting overtures of tenderness to their heart’s desire. / It could be either or both, probably determined by the perspective of the viewer. / This is where fine art brings the viewer in as co-artist, to complete the work. Desirée seems to me / to have accomplished that spiritual merger here. / Either way, Desirée has input in the matter. Remember the gazing ball in the garden. It never lies. / Despite our fantasy and what we want things to be, there is also reality to deal with. * featured in* SOLO EXHIBITION 19-25 Oct 2009 / featured in I Got the Music in Me 10-12-2009 / featured in Abstract Digital Art&Writing 10-05-2009 / featured in The World as We See it 10-04-2009 When these pillars get pulled down, / It will be you who wears the crown, / And I’ll owe everything to you How much pain has cracked your soul? / How much love could make you whole? / You’re my guiding lightning strike I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Then she attacks me like a Leo, / When my heart is split like Rio, / But, I assure you my debts are real I can’t find the words to say, / When I’m confused, / I’ve travelled half the world to say, / You are my mu- (Ah! Réponds à ma tendresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / Verse-moi, verse-moi l’ivresse, / Réponds à ma tendresse, / Réponds à ma tendresse, / Ah! Verse-moi l’ivresse, / I belong, / I belong to you alone) -use, / I can’t find the words to say, / But they’re overdue, / I’ve travelled half the world to say, / I belong to you Incendia, Apophysis, Photography &PSP
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