Digital lovely
2578 creative works found
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Petals taken from a gerbera flower.
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Taken at the Henley Royal Regatta, June 2007. A photo that represents this well know beautiful English town. REGATTA has sold several times. Mounted print on RB, unknown client. Framed print 84cm x 29cm. / Framed print A4×2 / Framed print A3 / at my personal exhibion at Henley on Thames in 2007.
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This is my Very Last Work for 2007 finished it on 31st Dec 2007 First attempt at making a Mountain Background on a Moon Orbiting a Planet… Is the woman is supposed to seem like a Mountain as in a Mirage or a Daydream…. This is 3 of 3 Versions that I made a few with Romantic Writing…
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I seriously doubt that anybody is going to buy a grainy card, poster or print of ugly old me but I nevertheless wanted to share this work with you. ;) / It’s one of those works that in real life gets tons of reactions when people see it hanging on our wall. I’m curious to see whether it will provoke any reactions here on this wonderful art community. In truth, this is only half the artwork. The other half has agreed to being upload to redbubble too, so, here she is: Showcased in Pay it Forward after a nomination by picketty because: / °°° / I have to nominate this fine work as my all time favourite because it has imprinted itself on my memory. I love the subtle colour treatment and the way the image halts me in my tracks. There are so many beautiful images, I have pages of favourite,... . but for me this is the most memorable. / °°° / Many thanks for this gigantic compliment!
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My Bubble Site
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This piece is based on how much we base our decisions off of love. Not condemning it, but rather it intrigues me what those will do in the name of love. Many people have died for love, have fought for love, and have sacrificed for love. It’s a powerful feeling that enslaves us, causing us to react in ways we may not deem normal in a clear state of mind, but like they say, Love is intoxicating. 2nd traditional piece I’ve ever attempted with acrylics. It was (key word, was, because it was sold lol)a 18×24 inch stretched canvas with acrylics and india ink. I miss this piece dearly, but at least I have a wonderful jpeg of it’s remains.
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. digital painting shooting star .
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Featured In Inspired Art Group / Featured In All the Colors of the Rainbow Group / ©Angi Baker / Inspired By: Rita Coolidge / MUSIC / / /
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I Died many Times Before… First time I remember, I was still a toddler / sitting in the morning sun, on the concrete floor. / My grandparents’ courtyard in Salamiyeh. / I watched, fascinated, as the massive snake / made its way from the roof / down the wall in front of me. / I held a long stick in my hand, tapped / the giant head as it slithered closer. Second time, a year or so older, also in Salamiyeh. / It struck on a starry summer night. / I was playing barefooted on the patio. / Mother came running to my screams. / Sobbing, I told her a big butterfly bit my foot. / I pointed to where it ran off, watched / as she grabbed a straw broom, killed / the venomous desert scorpion with repeated blows. / I vividly recall her rushing around with one shoe on, / the other missing, laying me in a stroller, / running down darkened streets to the emergency clinic. I also died at age five, along with my mother and sister. / It happened on the two-lane Hama-Homs highway. / Mother unintentionally turned the steering wheel / as she twisted her body to chide us / for backseat bickering. No guardrails. / Nothing but protruding rocks all the way / down the steep drop-off. My first summer in college, I died in New York City. / Muggy night, uptown Manhattan, a block away from Broadway / in front of the big Cathedral. I had my arms up, / as the man who had just asked for a light / pressed the tip of his knife into my ribs. Years later, on a misty morning on Texas Highway 87, / I fell asleep at the wheel. / I had worked through the night in Victoria, / and was looking ahead to my bed in San Antonio. / My Chevy Blazer slowly drifted left / into the path of the oncoming truck. Those worlds / continue without me. / My tombstones there / mark ends of times I knew. In this one, grandmother Um Sami suddenly appeared. / Rounded boulder hoisted high. Arms fully extended. / How she lifted it? How she took dead aim, and launched it / smashing the serpent’s head? / I do not know. I was still conscious. / I do remember clearly / the terrified look on my mother’s face. / How her voice trembled as she pleaded / with the nurse to be careful. She was afraid / the syringe’s needle was going to puncture through / my tiny toe. Mother slammed the brakes as she forcefully corrected. / Car came to a screaming, precarious halt / in a cloud of swirling dust. / We stayed parked at the side of the road for a long time. / Her hands shaking, she gave us grapes, / while she collected her frazzled self. / She swore never to drive again. / Never did. “Let the creep go”, the second robber, / who had just cleaned my pockets with swift efficiency, / told the one holding my life at the tip of his knife. / They took pity on me when I told them / there was nothing in my wallet. / They slipped it back. Walked off. / It took my rage weeks to subside. I could see the whites of the wide-open eyes / of the truck driver, as I twitched awake! / He was already moving to his left / to avoid hitting me. But my reflex was to jerk the wheel / to my right to get back into my lane. / I also stomped the brakes. / We came within a hair of a head-on collision, / as he swerved back into his lane. / That was when time switched / to slow motion… / Me sitting still. / Blazer skidding sideways / on the wet grass / along the shoulder. / Dull-black asphalt road passing / in front of me. / No sound. / Finally, / everything / coming to absolute / rest. In this one an invisible hand / still cradles / my bones. © Assef Al-Jundi
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This beautiful Rose was crying out to be photographed, then I came along and ruined it. LOL / Taken in the gardens of Buckfast Abbey, Devon. / If you ever come to Devon, or on your way to Cornwall, please make time to visit this wonderful place. It is just 2 minutes off the A38 Devon Expressway. Thanks for looking. / Hope you like it. Pentax K110D. / Pentax 18-55mm Lens. / Aico x2 Tele Converter. /
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Having put my back out a few days ago, its been hard for me to get round, so out come the Omax Close Up Lenses to do a bit of macro work. / The miniature Roses seemed to enjoy being outside for a while, in some warm Autumn sunshine and fresh air, and a quick shower of rain For someone Special. Hope you like it. / Thanks for looking. Best Viewed Large. Pentax K110D. / Pentax 18-55mm Lens, @ 50mm. / +4 and +1 Omax Close Up Lenses. / f/ 5.6. / ISO 200. / 1/90 exposure.
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Thank you to all of you who have donated and prayed for little Grace. She is now in good health and has made a great recovery. Praise God, I am so happy right now. Grace and other children who suffer so much Inspires me to work 12-14 hours per day sharing their plight with others and fund-raising.. I have not had the good fortune of ever having a salary for what I do. but God rewards me in many other ways. To see a child tat would have died now live and smile is wonderful. To empower the poor with more than just hope is what I live and work for. In Tunga/Zuga village, a remote village in Kebbe state Nigeria, there are so many children who are without ANY source of help. The village has no source of clean water, since their well collapsed in 2006. Intestinal worm infections, river Blindness, Chronic Diarrhoea, Malnutrition and other preventable diseases are killing and disabling many. We are making a difference and with your Prayers, Donations and support we can not only save their lives, refurbish the old school adn give them education. If it had not been for your prayers and donations for Grace, she would certainly have died. I am deeply thankful to you all. We can make a difference. / Please continue to donate and support these precious people and this mission. You are part of Gods end time plan. ALL PROCEEDS FROM SALE OF MY ART, PLUS DONATIONS MADE TO PHILADELPHIA MISSION CHARITY, GOES TO HELP EXTREME POOR AND SICK IN REMOTE AND RURAL VILLAGES IN AFRICA. WE NEVER TAKE ANYTHING OUT OF YOUR GIVING. ALL CHARITY OVERHEADS ARE COVERED BY OUR MEMBERS AND VOLUNTEERS. Please visit my Charity website: / http://www.philadelphia33.org/ See all my art and video at: / http://www.missionary.smugmug.com/ Camera: Canon 400D. Lens: Canon 50-300 zoom. Email me at: irwin141@msn.com / trevor@philadelphia33.org.
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featured in Group Incendia 10-16-2009 / featured in OUTSIDERS *04-05-2009 Hide in your shell cos the world is out to bleed you for a ride / What will you gain, making your life a little longer? / Heaven or Hell, was the journey cold that gave you eyes of steel? / Shelter behind, painting your mind and playing joker / Too frightening to listen to a stranger / Too beautiful to put your pride in danger / You’re waiting for someone to understand you / But you’ve got demons in your closet (You’ve got demons in your closet) / And you’re screaming out to stop it (And you’re screaming out to stop it) / Saying life’s begun to cheat you / Friends are out to beat you / Grab on to what you can scramble for / Don’t let the tears linger on inside now / Cos it’s sure time you gained control / If I can help you, if I can help you / If I can help you, just let me know / Well let me show you the nearest signpost / To get your heart back and on the road / If I can help you, if I can help you / If I can help you, just let me know All through the night as you lie awake and hold yourself so tight / What do you need, a second-hand-movie-star to tend you? / I, as a boy, I believed the saying the cure for pain was love / How would it be if you could see the world through my eyes? / Too frightening, the fire’s getting colder / Too beautiful to think you’re getting older / You’re looking for someone to give an answer / But what you see is just illusion (What you see is just illusion) / You’re surrounded by confusion (You’re surrounded by confusion) / Saying, life’s begun to cheat you / Friends are out to beat you / Grab on to what you can scramble for / Don’t let the tears linger on inside now / Cos it’s sure time you gained control / If I can help you, if I can help you / If I can help you, just let me know / Well let me show you the nearest signpost / To get your heart back and on the road / If I can help you, if I can help you / If I can help you, just let me know / I wanna know, I wanna know, I wanna know, I’ve got to know / I wanna know you, I wanna know you, well let me know you / I wanna feel you, I wanna touch you, please let me near you, let me near you / Can you hear what I’m saying? / Well I’m hoping, I’m dreamin’, I’m prayin’ / I know what you’re thinkin’ / See what you’re seein’ / Never ever let yourself go / Hold yourself down, hold yourself down / Why d’ya hold yourself down? / Why don’t you listen, you can trust me / (So what, you’re gonna take it to?) There’s a place I know the way to / (So what, you’re gonna make it do?) A place there is need (So what’s he gonna…) to feel you (So what’s he gonna…) / Feel that you’re all alone (So what’s he gonna do?) / Oh won’t you hear me (So what, you’re gonna take it to?) / I know exactly what you’re feelin’ (So what, you’re gonna make it do?) / Cos all your troubles are within you (So what’s he gonna…) / So begin to (So what’s he gonna…) see that I’m just bleeding to (So what’s he gonna do?) / Love me, love you (So what, you’re gonna take it to?) / Loving is the way to help me, help you (So what, you’re gonna make it do?) / Why must we be so cool (So what’s he gonna…), oh so cool? (So what’s he gonna…) / Oh, we’re such damn fools (So what’s he gonna do?) / (So what, you’re gonna take it to?) (So what, you’re gonna make it do?) / (So what’s he gonna…) (So what’s he gonna…) (So what’s he gonna do?) FRACTALS CREATED WITH INCENDIA
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model: Grace, the the love of my life….. / FAESTOCK for the desert scene © copyright jokiargu creations 2009 music
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featured in True Potential 11-11-2009 / featured in Fractal Art Frenzy 06-16-2009 / featured in Creative Cards 06-16-2009 / featured in A Spiritual Walk 06-16-2009 MUSIC (hes here! hes here! / Hes here! hes here!) I hear him, before I go to sleep / And focus on the day thats been. / I realise hes there, / When I turn the light off and turn over. Nobody knows about my man. / They think hes lost on some horizon. / And suddenly I find myself / Listening to a man Ive never known before, Telling me about the sea, / All his love, til eternity. Ooh, hes here again, / The man with the child in his eyes. / Ooh, hes here again, / The man with the child in his eyes. Hes very understanding, / And hes so aware of all my situations. / And when I stay up late, / Hes always waiting, but I feel him hesitate. Oh, Im so worried about my love. / They say, no, no, it wont last forever. / And here I am again, my girl, / Wondering what on earth Im doing here. / Maybe he doesnt love me. / I just took a trip on my love for him. Ooh, hes here again, / The man with the child in his eyes. / Ooh, hes here again, / The man with the child in his eyes. / / Created with Apophysis
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This fractal artwork reminds me of a sci-fi scenery somewhere in universe. The hearts are flying and following the first one. I created this fractal design with Incendia. I used Photoshop to add the little stars. Designer: Thea Walstra /
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The Precious Paperweight – III Under the light weight of flowers and glass / is pressed a kiss in time. One kiss in time. Instantly presumed no passionate impasse, / for this Miss in time. Sweet kiss in time. Hot on the neck and down the breasts, / He wonders in time, / Will She be mine? Voyeurs, all, we can only guess / the story’s ending line / to this sweet, hot kiss in time. —F.A. Moore, 2009 Digital Fine Art: watercolor style, by F.A. Moore, July 5, 2009 / Part 3 of 3 in “The Precious Paperweight” series. Special thanks to the following stock providers: for all textures, B-SquaredStock for male model, mizzd-stock and for vintage photograph, candiesforeveryone. The Precious paperweight is my own artwork, entitled, _Precious. FEATURES 2009-07-06 The Precious Paperweight – III in ABSTRACT DIGITAL ART AND WRITING Please see also The Precious Paperweight – I and The Precious Paperweight – II / _The Precious Paperweight – I / _The Precious Paperweight – II / The Precious Paperweight – III
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A little tattered round the edges, but still strong at heart, and beautiful. This image reminded me of what Enobarbus said of the ageing Cleopatra in Shakespeare’s play: ‘Age cannot wither her, nor custom stale / Her infinite variety.’ / William Shakespeare, “Antony and Cleopatra”, Act 2 scene 2 Canon EOS 450D, 18-55mm lens Processed with Dynamic-Photo HDR and PhotoImpact.
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featured in Metallic Junktion 10-20-2009 / featured in The World As We See It 10-14-2009 / featured in Globes, Sphere’s&Curves 10-12-2009 MUSIC Tell her i´ll be waiting / In the usual place / With the tired and weary / There´s no escape / To need a woman / You´ve got to know / How the strong get weak / And the rich get poor / You´re running with me / Don´t touch the ground / We´re restless hearted / Not the chained and bound / The sky is burning / A sea of flame / Though your world is changing / I will be the same / The storm is breaking / Or so it seems / We´re too young to reason / Too grown up to dream / Now spring is turning / Your face to mine / I can hear your laughter / I can see your smile / No I can´t escape / I´m a slave to love created with Incendia, Apophysis & PSP
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This fractal design reminds me of playing a game; an old fashioned one. You win if you succeed to warp a ring around a pilar. The heart just flies away from it. Created with Incendia 1.2.2 Designer: Thea Walstra / /
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/ i have had many love affairs… / this is one of them… keep me close to your heart ♥… / / hope your 2010 is a beautiful one © 2oo9 mimi /
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