Design Wall Art
18891 creative works found
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From The Depth II
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Prima Donna
by JarkoThis work has been favorited 93 times acrylic on wallpaper 60×40cm
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From the Depth
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This was taken in the lobby of a building on Bourke Street, Melbourne. 2002 The Green Room was featured on the home page, 26 Aug 2008. Featured in Sold! in November, 2008. Sold a mounted print of this work here on RB to a mystery buyer. / © All images are copyright Daniela Di Cesare 2008. You may not use any images (in whole or in part) without written consent from artist. All rights reserved.
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Thank you everyone for your lovely comments !! Available as a matted print , laminated print, mounted print, canvas print framed print and card . Summer And Polkadots / / Patterns#2Red Hill All Origional art work can be purchased through the artist. —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-——- Copyright notice: / All rights reserved. All images contained on these pages are © copyright protected by Mariska and any use of these images in any form without written permission will be considered an infringement of these copyrights.
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Monapali is a bengali indian name. beautiful and divine. hope you like it. depicts very indian and african inspired fashion and art.
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/ My ‘First Tree’ is officially published in the coffee table book Artists of the West / For information on purchasing a signed copy of the book, go to Carrie Glenn Studios Thanks! First Tree was Featured in Lifestyles Magazine as part of an article about the Artists of the West coffee table book I am also honored to announce my painting First Tree was a part of the Rialto Towers two week art exhibit in Melbourne, Australia in of July 2007 Acrylic and pastel on illustration paper. (1995) This is truly the first tree I ever painted, the need to paint and create was something brewing so strongly inside I had to do something about it. Yet my resources were very limited, I grabbed the only paint I had any access to, a can of my father’s black spray paint, I sprayed it into the lid of the can and used the only paintbrush I owned a cheep nylon brush from a water color kit and created. I then finished my work with the only two pastels I owned brown and black. / Necessity is the mother of invention, or maybe it’s that there is more than one way to skin a cat. (Sorry cat lovers) At any rate I grew up in a home with very few luxuries but I did have a passion to create, always, I had to feed the creativity. So this is a very special piece to me and I hope to you as well. Down through the dark trees, you came and saved me... For commissioned work you can contact Carrie at: carrie@carrieglennstudios.com and please visit Carrie Glenn Studios / CarrieGlennStudios.Com
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/ / / BUTTERFLY TREE CARD / When you buy this as a greeting card, the bottom of the tree will most likely be cut off, which is why I created a framed version (next image in my gallery): / / / (17275 views when last checked)
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Moth
by Alex CherryI won’t fly around your fire anymore Burned and left behind / So many times before I don’t fly around your fire anymore
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Medium: Acrylic and Watercolour Paint on Paper / Size: A4 / Description: About an octopus who has developed a suit so that he may walk with the humans. A piece to fulfill my curiosity with octopuses and old looking diving helmets. The character’s odd infatuation with the human race mirrors my own with his species. Completed in 2008. Contact me at lloydharvey[at]shrunkenheaddesign.co.uk / www.shrunkenheaddesign.co.uk
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One of my favourite artoworks. / I could take out all my feelings and thoughts I had when i was a child, and even now I have most of them. Photography of the boy is by my friend Parris Whittingham. Theme : DREAMS PRINT AVAILABLE!
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Disney Concert Hall, Los Angeles, California, detail. Architect: Frank Gerhy. note: home page feature 9/22/08 Sold on April 4, 2009 as a large laminated print on black. / Sold on June 2, 2009 as medium framed (black/flat) print on bright white matt. / Pair with… / and… / / / NOTE: Crossroads was nominated to the Pay It Forward group by Geoff Coleman and here is what he had to say: “There is an effortless grace and perfection in Julian Escardo’s architectural compositions that make him, by far and away, the best photographer of line and form I’ve come across anywhere. It’s a rare thing for an artist to add value to another artist’s work but that is what Julian does in his images of architect Frank Gehry’s buildings such as Crossroads.” I am grateful for this as I am to be your contact Geoff – I also am (and have been for some time) a keen enthusiast of your work, thank you!
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Chinese character “hei” means “double happiness” in english. A symbol used in all chinese weddings. Check out more wedding related products from this design here! Check out more products from this design here! a BIG THANK YOU to the fabulous buyer who bought 2 canvas print of this design on the 1st of September 2008…cheers! :) / a BIG THANK YOU to the fabulous buyer who bought a laminated print of this design on the 7th of September 2008…cheers! :) / a BIG THANK YOU to Peita (RB member) who bought a mounted print (size medium) of this design on the 16th of November 2008…cheers! :)
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grow your own cupcakes! featured in Christmas and Seasonal Greeting Cards on August 16, 2008 Check out more products from this design here!
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15 sales / 170 comments / 153 favoritings / 5493 views I entered this image in the all things Poetic, Artistic, Philosophical group challenge, A Slice of Life. The reason why I chose this piece is because it gave me an awesome feeling when I created it. This is by far the best piece of art I have created. This piece of art is my slice of life. / / CHECK OUT THE LIGHTER! GREAT PRODUCT, GREAT PRICE! / / NATURE’S KINGDOM IS NOT JUST ON LOVELY CARDS AND WALL PRINTS, I HAVE ALSO PLACED THE IMAGE ON JEWELRY AND WATCHES. THE WATCHES ARE FANTASTIC IN QUALITY AND ARE ADJUSTABLE FOR THE RIGHT FIT. NATURE’S KINGDOM ON A RECTANGLER STAINLESS STEEL WATCH, $11.99 / NATURE’S KINGDOM ON A ROUND STAINLESS STEAL WATCH, $11.99 / NATURE’S KINGDOM ON ANOTHER ROUND WATCH WITH A GENUINE LEATHER BAND, $12.99 / NOW ON A MAGNET AND A BUTTON! / / STAMP YOUR ENVELOPE WITH BEAUTY!! /
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(title of the image is taken from a song by Yann Tiersen, the notes show part of this song) / /
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children are our future, / they hold the key to our world’s growth … / and unity in this special occasion of festivities, / we must spread love, warmth and stand together, / no racism, no religion, no caste… no creed. we are all one. / let us be pure from our heart, like all children are. / We are all one! www.archann.net was great working with *TheLRD totally enjoyed and experimented. stock credits : http://www.stockvault.net
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for all my new friends, and friends to be, at RedBubble… / of 900 or so pieces up, this is the most viewed and faved on my dA site; at RB also (by far!!!)...that’s Hope-full! ”...I don’t wanna, hear nothin’ else, about killin’ / And that it’s God’s will…” (Dixie Chicks) what part of “thou shall NOT kill” don’t we understand??? may we all find the Hope we need, and share it…...... please have a look and a listen (EXELLENT sound & video)... ‘I Hope”, by the Dixie Chicks… / Sunday morning, I heard the preacher say / Thou shall not kill / I don’t wanna, hear nothin’ else, about killin’ / And that it’s God’s will / Cuz our children are watching us / They put their trust in us / They’re gonna be like us / So let’s learn from our history / And do it differently CHORUS: / I hope / For love, joy and laughter / I hope / We’ll have more than we’ll ever need / I hope / We’ll have more happy ever afters / I hope / We can all live more fearlessly / And we can lose all the pain and misery / I hope, I hope Oh Rosie, her man he gets too rough / And all she can say, is he’s a good man / He don’t mean no harm / He was just brought up that way / But our children are watching us / They put their trust in us / They’re gonna be like us / It’s okay for us to disagree / We can work it out lovingly For I hope / For love, joy and laughter / I hope / You’ll have more than you’ll ever need / I hope / You’ll have more happy ever afters / I hope / And you can all live more fearlessly / And you can lose all your pain and misery / I hope, I hope There must be a way to change what’s going on / No, I don’t have all the answers, but / I hope / For more love, more joy and laughter / I hope / you’ll have more than you’ll ever need / I hope / There’ll be more happy ever afters / I hope the Dixie Chicks / ..................................................................... ’...there must be a way to change what’s going on…” / ..................................................................... This image is now available as cards, both greeting and note size, blank inside, or with a holiday greeting at my Zazzle site USE THIS LINK TO BUY THIS CARD… / ..................................................................... Apophysis 3Dhack ~ 9000×9000px / (re-rendered @ qual=30,000; 7hrs) ~ use large view, please ~ / Thanks for the look! Peace… Serious Fun Studios ~ fractal art images and products Fractal Art Prints & Products by SBricker @ Zazzle fractal art by SBricker @ devientART Scott Bricker at Fine Art America Scott Bricker’s art at Art Wanted.com /
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sold large frame print from RB / sold canvas print 20×30 from Linaji Prints / Model: Alanna Reynolds POEM CALLED BY SAME FERVENT BY TERILEE Tonight I am hungry / Last night I rested / Tomorrow I will heal / But for tonight / I am starving / Not for subtle gestures / Or a gentle touch / I want you to be famished too / Hunt me / Feed from my nectar / And I will swallow / Your hunger too / Come with me / On this obsessive journey / Fly with me into the night / Penetrate my consciousness / I will consume your spirit / Together we will take flight / Blast through the threshold / Explode / Into infinity / Because / Tonight I am hungry / I want you to be hungry too! YOUR WORK THRILLS ME ALMOST AS MUCH AS HAVING YOU IN MY LIFE.. I APPRECIATE ALL THAT YOU ARE.. LIVING BREATHING WOMAN OF WOMEN. XOX
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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