Design picture
559 creative works found
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Tulip of the spring brought together with the sanitary environment of the loo!
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The full title of this picture is ‘Hate Delirium [ Never Forgive, Never Forget]’ and goes with my other picture, Love Delirium. Whereas Love Delirium is in a happy relationship, Hate Delirium isn’t – she is being torn apart and ripped by her feelings which were binding her. She is full of revenge due to her partner stabbing her with all his lies, and from cupid shooting his arrow at first and making her fall from him. The heart which is badly ripped apart and shattered shows how it has been damaged so much thats its too late and now she can’t use it at all… she is too hurt that all she wants is to get her own back. —-—-—-—-—-——- Thank You For Viewing / Original By Emma Black / Do Not Use Without Permission
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Yes, this cameleon is eating a grass hopper..
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Minimalist abstract study of speeding cyclists, focusing more on the dynamics of the speed and motion of their movements / Oil on Stretched Canvas – No Airbrushing 37 X 59 inches / 94 X 150 cm contact my Agents at Gallery 112 / .....................................................................................
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Drawn using a wacom pad and photoshop Another version of /
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This is the second design in my android T shirt series, slightly tweaked, and now available to put on your wall.
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butterfly by earhart chappel photography. / earhart on photography. / chappel on hair, make up and costume design. / model is megan from model mayhem. / final edit by chappel.
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Just finished working on this image and I could not wait to upload and share ….this is another image from my second children’s picture book….I am really learing a lot not just about writing but also about character development….i love it :)....still working my way through illustrator but not as frustrated as when i had started…...
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Featured in Who are YOU to Judge? / “Spring Blooms” was featured in Olympus and Four Thirds Group
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Named after Jim Jarmuschs Film
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I never knew I had one ‘til I saw yours shine, Spinning from your laughter, sparkling in your eyes, Sharing my confusion, sharing my surprise, At finding part of me in you… alive! - Juluka / (South Africa’s first multi-racial rock band)
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skull with a decorative carving
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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A close-up encounter of the flower kind! I hope you’ll enjoy the pretty color & femininity/delicateness of this image. Thanks so much for taking time to view my portfolio! Smiles Leilani
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Subtlety is king All photography and editing by R-evolution photography And if anyone would like any of my art/photography put onto a shirt feel free to request it Some other art of mine /
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Some more of my matchstick series. All photography and editing by R-evolution photography And if anyone would like any of my art/photography put onto a shirt feel free to request it Jay. / R-evo GFX Some other art of mine /
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Even more long exposure fun! :D one of my fav’s, very easy to do though. All photography and editing by R-evolution photography & Graphic Design And if anyone would like any of my art/photography put onto a shirt feel free to request it Jay. / R-evo GFX Some other art of mine /
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I hope you love this amazing zoom shot of this beautiful tropical plant! I really had fun enhancing this photo! I truly hope you’ll be inspired by this lovely design! Smiles Leilani
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Influence of nature. Graceful curves. The wispy lines resambles branches and leaf motif on this piece. Enjoy it!
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Another shapes inside shape design. (just love creating them). This was created using free vector shapes as well as some of my own. This song has been my own personal little anthem for over 10 years that always gets my heart through everything /
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