Dark urbane Wall Art
1796 creative works found
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Fitzroy melbourne australia
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This is picture three in a series of artworks which are composed from images and re-done in composite form. I was trying to catch the essence of a modern concrete jungle and it’s parts. The originals are 500×500 canvas prints.
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Taken in London EC3 COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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Looking down Flinders street, Melbourne on a wintry afternoon.
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A South London Station on August evening COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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Silence Lane / I love cemeteries. / For some people, cemeteries are places of dread. For me, they are places of wonderful quiet and peace. A place of resting, whatever your religion, if any. Memories wrapped in stone and tree shadows. A place to reflect, and wonder about life. Perhaps our lives are just perfect – loved ones all around, financial independence; maybe fame and fortune. / In the end, we all wind up here. / / One life, one chance to feel good about it. / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate your taking time to view what I’ve been up to, and enjoy reading your comments. / / / / Writings (or ramblings) / Come, Dark / Chandelier Brain / Eat Me / The 10th / You’re Strange, Rick / Ever-Queen / Sleeping / Beauty / The Black, White & Grey / / / / Hope / / / One / / / Reap what you Sow / / / Trust / / / Directions / / / Unconditional Love / / / The Long Road / / / Silence Lane
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Winning entry for Creatives Behind the Lens 2007
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COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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photography: jo o’brien / model: jessica tremp
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A ward full of beds in an abandoned mental asylum.
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The remainder of a building, partially demolished stands right on the waters edge at an abandoned shipbuilding yard. What were once doors into rooms now lead to a drop where the side of a building has been removed. / / / Have a look through the rest of my portfolio to see more pictures from the abandoned buildings i visit. / / / Or you could view my current set where i explain the process and situations you bump into walking around and taking photos in derelicts, which can be found here / / /
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Angled shot taken inside the Anglican Cathedral in Liverpool. Really enjoy finding new angles and views within this building and its a great place to practice my photography. / . / Spent a lot of time with the position and cropping of this image to produce the desired look. / . / Your comments always help. / . / ste / . / Location: The Lady Chapel / . / The first part of the Cathedral to be completed and consecrated for worship was the Lady Chapel. The style of this lovely Chapel, which stands at the far south east corner of the Cathedral, is more elaborate than the main body of the Cathedral in a way which reflects its date and the influence of G F Bodley who was, at that time, working with the Cathedral architect.
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damn, my back hurts!
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Most of the windows in this place were either cracked, broken or completely removed. It made for some eerie nosies when walking about in the place with the wind rattling through and the curtains flapping about etc.
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These were so lovely that coming at them from any new angle gave you an entirely different shot that you just had to take. Someone had obviously stolen the brass rods as you can see from the carpet being bunched here, but thats so very little to worry about when i think about what they could have done here.
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A brief candle; both ends burning / An endless mile; a bus wheel turning / A friend to share the lonesome times / A handshake and a sip of wine / So say it loud and let it ring / We are all a part of everything / The future, present and the past / Fly on proud bird / You’re free at last. - written by Charlie Daniels, en route to the funeral for his friend, Ronnie Van Zant of the band, Lynyrd Skynyrd. / —-—-—-—-—-—-—-- / all rights reserved. photo taken at teton state hospital. / more of my work is available at www.abandonedamerica.org
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photo taken at rosevale institution if you get a chance, my new book is available, please take a look at: / www.blurb.com/bookstore/detail/494773 you can read about it there, but it has a lot of high quality prints of my work. and as always, please visit my site abandonedamerica.org if you’d like to see more of my work. thanks and i hope you have a great holiday.
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it’s easy to only focus on the sadness inherent in an old derelict building like teton. / when you know the misery in the history of a asylum, and you see / only the ruins of what it once was, you sometimes become blinded / by the macabre and morose, by thwarted hopes and unchecked corruption. / if this is all you see – in an abandoned building, in your own life, in the world around you / it’s easy to feel that perhaps it would be best to erase it all, to hide everything away / so deep that it can’t encroach upon your fleeting comforts and contentment. / but, in this place where such terrible, tragic things occurred / there is something else that resides there – sometimes in the brilliant green ivy / that works its way into cracks and crevasses the way lovers’ fingers entwine, / sometimes in the softness of the wind, or the stillness of untouched afternoon sunlight – or / the way gravity welcomes the falling rafters back to the earth and time / absolves its past in the oblivion of unmolested sleep. teton had such beauty – in / the sincerely charitable ambitions that built it, in the graceful forms of its architect’s true design, / in the naive hope of the many who genuinely believed it could bring a cure for the ill, / and in those confined who stole friendships and dignity from the greedy hands of / disgrace and neglect. if you can’t see these things, you’ll never understand why i do what i do. / photographs capture slivers of time. they preserve a point of view, a moment / that would otherwise be forever lost. if you seek truth through them, / maybe you can illuminate the soul of a thing, and maybe show someone else / the proud glory and splendor of the forgotten and forsaken. / the triumphs and frailties of human endeavor may now be heard only in echoes, / but i guarantee you if you are quiet and you listen / you will hear not screams of agony and anguish, but the sweet serenity of final release. / if you approach the past with humility and reverence in your heart you’ll realize that / immortality is not something anyone can ever capture – but if you are very lucky, / through a photograph perhaps you may capture a glimpse, / a fleeting moment of something that, in its own abstract and inexplicable way, / proves beyond a doubt that nothing ever dies. / —-—-—-—-—-—-- photo taken at teton state hospital / more of my work is on www.abandonedamerica.org / please check out my new book, filled with photos and text – the link is on my site’s main page!
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I had seen this great phone box , and one night I decided I was going to take a photograph with it. / there’s a whole story behind this picture see here / http://www.flickr.com/photos/ar_photography/3258831426/
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Taken in Capileira, the Alpujarra (Granada, Andalusia) / Canon 400D+18-55mm Feature work in: / - Freedom to Shine group (September 09) / - Moody, Dark, Evocative group (August 09) / - Live, Love and Dream group (August 09) / See also /
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Clandestine
by parmiAnother one of Melbourne’s magical lane ways. This one runs between Bourke Street and Little Bourke Street. I love the industrial urban grunge this one has. The graffiti on the bin in the foreground reads COOKIE, as the building at the end of the lane way is The Curtain House, a multi level building housing Cookie, The Toff In Town and the Rooftop Bar & Cinema (in summer). This particular lane had a dark feeling to it. Although not overly dirty or strewn with rubbish, I could imagine the underbelly of Melbourne meeting here for some illegal operation. Do we have assassins in Melbourne? If we do, I’m sure this would be the perfect crime scene! Featured on the Home Page / Featured in Tunnel Vision / Featured in Beautiful Garbage Top 10 in Cross Process It Challenge Canon 50D / 58mm, 18 – 55 / f5.6, 1/25, ISO 1600 Multiple layering of the same image, one b&w, one colour, one colour high contrast to achieve this. MCN: C219J-CGHQ2-Y74GY
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I want to fall in a letard and leave my fate in your hands / I don’t want to know if I indicate trace nor where my steps lead / Lullabies and rage mix in the dawn / In my head imaginary storms roar / I want to drink water dream sleep / and feel how my time escapes / Back to yesterday at the same temple to the wishing well. / Prayers pouring bottles / rumors of loaded weapons / in my head imaginary storms roar. / Deserts that I never crossed / and trains that I never took / uncertain time is coming / in which all the answers / crowd behind the door of a pending to a why. / I want to find a good shelter with you / escaping from the world / I want to find a good shelter / and want that fire makes us become into smoke. / Flowers with blood on their sap / statues looking for their soul / in my head imaginary storms roar. “Tormentas imaginarias” by 091 rock band Capileira village, Grenade (Andalusia, Spain) / Canon 400D + Texture layer Feature work in: / - Universal Innovation group (September 09) / - Digital Photography group (September 09)
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