Dark powerful 

349 creative works found

  • STALKING TIGER Slowly through the grass / The tiger stalked his prey / His movement long and languid / In the middle of the day / The sun was high and bright / As a vivid burning orb / His body moving slowly / Less heat there to absorb / Gazelles were moving fitfully / Around the waterhole / Nervous eyes were flitting wildly / As the world they did behold / A movement in the distance / And the animals did jump / The nerve ends all a jangling / Each one with quivering rump / Then like avenging angels / The tiger now does pounce / Gazelles are scattering wildly / With a death like spinning dance / And one of them is slower / No longer held at bay / The tiger now triumphant / As it finishes its prey Phil Sanders (aka Brummieboy) / 5/4/07 Thanks for the wonderful poem Phil!

  • Sumatran tiger emerging from the shadows Portfolio Areas / Tigers / Wildlife / Macro / Landscape / Birds / Abstracts / Cats~wild and domestic

  • Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate you taking time to view what I’ve been up to, and enjoy reading your comments. Calendars: Sets available on request. / / Writings (or ramblings) / Ballerinas & Stuff / Music of the Spheres / Another World / Time & Tears / The 10th / I Knocked / A Long Walk / Weaver / High-Flyer / Paper Boat / The Great Feast More Here

  • In the warm summer night, I watched this amazing dry storm cell pass over me from the West. It looked like it was going to cross right over top of me – so I made an escape plan (run like hell!) But in the end, it turned north and head away from me – not before I captured this. Camera Tech / Make: SONY / Model: DSLR-A100 / Shutter Speed: 50 second / F Number: F/4.0 / Focal Length: 18 mm / ISO Speed: 80 / Date Picture Taken: Jan 27, 2007, 10:04:06 PM

  • experimenting. powerful. PRINT AVAILABLE!

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  • “That which the dream shows is the shadow of such wisdom as exists in man, even if during his waking state he may know nothing about it…. We do not know it because we are fooling away our time with outward and perishing things, and are asleep in regard to that which is real within ourself.” / ~Paracelsus / —-—-—-—-—— / photo taken at tedford power plant / more photos online at www.abandonedamerica.org

  • something was wrong with him. every time he looked in the / mirror he became more certain of it. every passing day / widened a chasm, a certain kind of emptiness within him. it / was something he could see in his eyes, a hollowness where / some fundamental building block of humanity was supposed to / be but was not. he could still talk and smile, and seemed to / function well around people, but he knew it must be because / they hadn’t sensed yet that he had a labyrinth of knowledge in / which he had somehow become lost. in his dreams he was / always wandering in the forlorn husks of things that had once / been magnificent but now only echoed his seething discontent / at his own imperfection. the way that he had entered was / sealed and these places in which he had once sought refuge / from the capriciousness of the world were now his prison. each / corridor he tried to exit by only led to more empty rooms, / more places where people had once been but no longer were. / even when he was externally surrounded by others the world / had become a wasteland; the very dimensions had shifted so / that all welcoming things before him were shadows and smoke. / the vaulted ceilings of his most precious hopes were slowly / crumbling and the machinery that drove his will to continue / had ground to a halt. though it was hard to define the outline of it, there was a / certain kind of emptiness about his features. he wondered why / no one else noticed. / —-—-—-——- / picture taken at portside power plant. all rights reserved. / more of my work is available at abandonedamerica.org

  • / / When Darkness Falls features photographic artist Jaeda DeWalt (as the lifeless woman) and is taken from her, When Darkness Falls series – part of the DeWalt Gallery collection. / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / Available for sale as Laminated Prints, Cards, Matted Prints, Posters, Mounted Prints, Canvas Prints and Framed Prints / / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / When Darkness Falls When darkness falls / You’ll lay across the sky / Casting all your fears aside / As the light of illumination / Gently kisses your delicate / LIFELESS / eyes . . . You’ll dance with death and demons alike / As you sense your Spirit / Simultaneously spiraling / Back toward life The constant struggle of flesh and Spirit / Twisting you up inside / Reminding you / You are / ALIVE © Jaeda DeWalt listen to Jaeda recite When Darkness Falls / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / visit the rest of this series . . . / —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-— / browse Jaeda’s photographic art by category: / dreamscapes, artistic nudes, couples, glamour, erotica, conceptual, sensual, portrait, spiritual, survivor art / /

  • So called for the 16:9 aspect ratio, and the feel of the image. The inspired Jo O’Brien, inner Melbourne, early 2008. / For those who are interested, the technical details of this image are: Canon EOS 5D 100mm f/2 lens ISO 1250 f/2, 1/2 sec Lightroom “Wet Chrome” preset, 16:9 crop

  • Taken tonight. I leveled in CS3 / Thanks for looking! / Shot outside of Cashion Oklahoma with Sony A-100 THANK YOU! /

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  • the same cold fate awaits them all; / every empire must eventually fall. / —-—-—-—-—-—-—-—— photo taken at atlantic avenue electric company / more work is on my site, www.abandonedamerica.org

  • The wonderful and beautiful girl in this manipulation is Angel. / I saw this picture of hers in her gallery / / and I really got inspired! Well all her work is truly beautiful! :) / Check out her Profile. Angel / Thank you Angel! / Incredible Background / Amazing hair brushes /

  • —-—-—-—-—-—-—-—-—-—-—-— / Photographic Manip / created in ps. / --—-—-—-—-—-—-—-—-—-—-—- Shadow the Witchs Cat :) / Messing with some spells.. —-—-—-—-—-—-—-—-—-—-—-- Part Two The Familiar / / —-—-—-—-—-—-—-—-—-—-—--

  • Sometimes I get overcharged that’s when you see sparks / You ask me where the hell I’m going at thousand feet per second? / Hey man, slow down, slow down, idiot slow down, slow down… Radiohead / OK Computer (1997) / The Tourist Model – my son, big fan of Radiohead, these days learn to play guitar…. http://s-t-r-a-n-g-e.deviantart.com/art/x-102441882 / http://s-t-r-a-n-g-e.deviantart.com/art/growing-125109553 / http://s-t-r-a-n-g-e.deviantart.com/art/how-it-works-122419167

  • I AM GOING TO CUT YOU IN LITTLE PIECES featured in Globes, Sphere’s & Curves 08-25-2007 / featured in Freedom to Shine 08-09-2009 / featured in A Fractal Energy Passion 08-09-2009 / featured in Put out or get out 08-08-2009 / featured in Creative Cards 08-02-2009 I created this image in support of a Redb friend because I know his feelings from my own experience…...(you know who you are!Get it OUT! So that it doens’t get YOU!) Created with Incendia & Apophysis

  • Model: Elsie / MUA: Raeoni Thankyou for all your comments and words of encouragement .

  • Lyrup Flats, South Australia. Canon 50D / 10-20mm (at 10mm) HDR (3 bracketed exposures blended manually). / + slight texture added. Click image to see larger preview.

  • featured in A Fractal Energy Passion 10-02-2009 / featured in A Fractal Energy Passion 09-25-2009 / featured in Digital Artists United 09-24-2009 / MUSIC No one would have believed, in the last years of the nineteenth century, that human affairs were being watched from the timeless worlds of space. No one could have dreamed we were being scrutinized, as someone with a microscope studies creatures that swarm and multiply in a drop of water. Few men even considered the possibility of life on other planets and yet, across the gulf of space, minds immeasurably superior to ours regarded this Earth with envious eyes, and slowly and surely, they drew their plans against us. At midnight on the twelfth of August, a huge mass of luminous gas erupted from Mars and sped towards Earth. Across two hundred million miles of void, invisibly hurtling towards us, came the first of the missiles that were to bring so much calamity to Earth. As I watched, there was another jet of gas. It was another missile, starting on its way. And that’s how it was for the next ten nights. A flare, spurting out from Mars – bright green, drawing a green mist behind it – a beautiful, but somehow disturbing sight. Ogilvy, the astronomer, assured me we were in no danger. He was convinced there could be no living thing on that remote, forbidding planet. ‘The chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but still they come!’ Then came the night the first missile approached Earth. It was thought to be an ordinary falling star, but next day there was a huge crater in the middle of the Common, and Ogilvy came to examine what lay there: a cylinder, thirty yards across, glowing hot… and with faint sounds of movement coming from within. Suddenly the top began moving, rotating, unscrewing, and Ogilvy feared there was a man inside, trying to escape. he rushed to the cylinder, but the intense heat stopped him before he could burn himself on the metal. ‘The chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but they still come!’ ‘Yes, the chances of anything coming from Mars are a million to one,’ he said. ‘The chances of anything coming from Mars are a million to one – but they still come!’ It seems totally incredible to me now that everyone spent that evening as though it were just like any other. From the railway station came the sound of shunting trains, ringing and rumbling, softened almost into melody by the distance. It all seemed so safe and tranquil. / / created with Apophysis & Incendia

  • PLEASE VIEW IT LARGE ON BLACK HERE 1 raw, Photomatix / With a little help from Lucisart plugin :) f/11, Nikon D80

  • This is one of the power and telephone pole across the road from my house. Being so close to home it has taken me over a year to pick up the camera, walk to my front gate and take a photo of it! Added a viewfinder texture to the shot and three filters, blue, green and cooling. Featured in The Grunge Art Gallery / Featured in Canon DSLR / Featured in Moody Dark & Evocative / Featured in The Male Photographer / Featured in Dimensions / Featured in The Art Of The Mundane Top 10 in the Live & Let Live November Avatar Challenge Texture from vin60 free use stock. Canon 50D / 58mm, 18 – 55 / f10, 1/250, ISO 100 MCN:CCWNR-JVBTX-DWMYA

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