Dark photography
2541 creative works found
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Photographic based digital montage, 2007 (no 2 from series of 3 re-worked). Shot two seperate models & combined them. Draw in & enhanced part of the headpeice, body, dress, added fringe to face, made the features more angular, blew up lips, created cheekbones, reworked branches, filtered wallpaper effects, extended chandelier, added lacework/flower elements, desaturated & added a sepia tone. Approximately 50 Photoshop layers.
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Self portrait.
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My beautiful Russian Blue boy Mishka, doing a spot of bird watching. More cat pics: / / / / / / / /
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This was my 3 year old daughters first time playing in the rain. It was so amazing to watch her delight . I think we can all relate to tilting our faces up towards the the sky, trying to catch the rain as it falls on our cheeks. FOR PAY IT FORWARD: “Nominated by- Danae Leach” / “what she wrote“ “This is one of my most faves. I love children so much and their innocence, pure happiness and complete faith in all things good and magical. I remember when I used to be little and I loved being out in the summer rains”
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Taken in London EC3 COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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Absorption
by nancz -
Above and Below / Left or Right / Real and Reflected / / make your choice… / / Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate you taking time to view what I’ve been up to, and enjoy reading your comments. Calendars: Sets available on request. / / Writings (or ramblings) / Ballerinas & Stuff / Music of the Spheres / Another World / Time & Tears / The 10th / I Knocked / A Long Walk / Weaver / High-Flyer / Paper Boat / The Great Feast More Here
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Enjoy!
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COLOUR PORTFOLIO IN THE MOMENT – PHOTOJOURNALISM URBAN DECOR ARCHITECTURAL MOTHER NATURE SUBLIME GRIME PORTRAITURE
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Model is Electra © Cadence Gamache
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Photographer for Hire – All Occasions – Mail Me :) / / My rules for photography and art are very simple – I like it, or I don’t… / / Thanks for visiting my folio :) / I certainly appreciate you taking time to view what I’ve been up to, and enjoy reading your comments. Calendars: Sets available on request. / / Writings (or ramblings) / Ballerinas & Stuff / Music of the Spheres / Another World / Time & Tears / The 10th / I Knocked / A Long Walk / Weaver / High-Flyer / Paper Boat / The Great Feast More Here
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Lone figure walking into the shadows…...
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Resign! Now!
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Dark Secrets
by IngzCanon 350D / F/5 / 1/60seg / ISO-400 Featured in the Flowers in Marco group October 2008 / Featured in the Flowers in Macro group November 2008 / Featured in Your Accepted group November 2008 / Winner the black and white challenge in the Flowers in Macro gourp 8th December 2008 / Won the Scavenger Hunt challenge 18th February 2009 / Featured in Photography 101 18th April 2009 / Winner of the High contrast in black and white challenge in ‘The Woman Photographer’ group – 30th June 2009 / Featured in Canon DSLR 3rd August 2009 / Featured in Unlimited Quality 4th August 2009 / Featured in Tone it down 29th August 2009 / Featured in Canon DSLR 29th September 2009
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A dawn shot from a series I shot from the East Beach in Lossiemouth, Moray, Scotland. The Bin of Cullen, which is further down the East coast, can be seen in the distance. Nikon D80 / Manual / 1.5s at f11.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 18mm / 0.9 ND soft Grad. / tripod / remote release
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Canon 350D / F/5.6 / 1/60seg / ISO-400 Featured in ‘Flowers in macro’ 22nd novemeber 2008 / Featured in ‘Out of the Blue’ february 2009 / Featured in Bokeh 27th May 2009 / Featured on the Homepage 19th July 2009 / Featured in JPG Casts-Offs 14th September 2009 / Featured in The Woman Photographer 14th Septmeber 2009 / Featured in Dimensions 17th October 2009 /
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The low dawn sun just catching the tops of a roller as it heads towards the East beach at Lossiemouth, Moray Scotland. Nikon D80 / Manual / 1/3sec. at f13.0 / ISO 100 / 18.0-70.0mm f/3.5-4.5 at 70mm / 0.9 ND soft Grad. / tripod / remote release Featured at Sea Group and Masters of The Scenic Group
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Dyin’ Alone Thou shalt not fear the lonely life / For to fear livin’ alone / Is a life not for livin’ Thou shalt not fear the lonely death / For to fear dyin’ alone / Is a death not for dyin’ The shade may hide you / The light may guide you / The stranger may find you / But at the falling of the darkened veil / Forgive and forget what has been And know that irregard of friend or foe / Everyone dies alone —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- Location: Loch Lomond, Trossachs National Park, Scotland © Donald Cameron 2009 / Monophotography.co.uk This image was featured on the Redbubble homepage, / Friday 5th June 2009 / / For Alice / I’m dedicating this image to Alice Oates who suggested I enter this in the Loch Lomond challenge in the UK National Parks group. I promised if it won I’d dedicate the image to her, and indeed it went on to win, so this is for you Alice :) Pay It Forward / I was also delighted to hear that his image was nominated for the prestigious Pay it Forward group by Alice Oates (above). Each person is allowed to nominate their absolute favorite work created by someone else on Redbubble – and they are only allowed to choose one, so it’s a huge honour to be selected. Thanks a million Alice!... ”I would like to nominate Dyin’ Alone by Donald Cameron because, as you can see in his description, he went ahead with his promise that he’d dedicate the image to me if he won a challenge I suggested he enter. Also, I think it’s a fantastic image in itself, and deserved said win.”
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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Taken in Capileira, the Alpujarra (Granada, Andalusia) / Canon 400D+18-55mm Feature work in: / - Freedom to Shine group (September 09) / - Moody, Dark, Evocative group (August 09) / - Live, Love and Dream group (August 09) / See also /
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/ —-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—-—- / / Location: Cambo Sands, Fife, Scotland / / © Donald Cameron 2009 / Monophotography.co.uk
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