Dark design
861 creative works found
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Piece 5 of Once Human series. / Thanks for viewing.
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www.yanmostees.com
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yup i know I haven’t uploaded anything “serious” for a while, so here comes a new work in progress. have to do some minor change before the final version, but so far I’m quite satisfied with what I got (or should I be worried about its being too “orange”?!). comments are much appreciated. ;) Update: / / Finally i set up a shop to sell my own prints! in my shop you can get signed, limited edition of prints, by limited I mean, well, really limited! :)
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I decided to make a shirt with just the bird from my Whistle drawing. Why? Cause I’m thinking about buying it myself, once I have lost some weight (so I can fit in the M size). =P There is a version for dark shirts (this one) and one for light shirts here . I also made an Illustrator version of the bird, but after some feedback on the forums decided not to post it. You can see them all here . / If you are interested in them though, be sure to let me know. =P For the Boy version of this shirt, go here
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There is another part of me that feels empty. Hatred becomes me. My revenge are your nightmares. When you see me I will take away what you have taken from me. I will suck your life out into me.
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Classic Chair Design / Sometimes function over rules style. / Eames Lounge Chair by Charles and Ray Eames – 1956 / Old Sparky Electric Chair by Huntsville Inmates – 1924 / Ball Chair by Eero Aarnio – 1966 / The t-shirt: / Other tees, just click: / / / Or see them all here
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Browse Palinchak Mikhail art by categories Art Nudes · Fractal Art · Egypt · Landscapes · Conceptual / / / /
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All my prices have reduced until the end of december! Merry Christmas! / . / Literally Billions of requests for a white ‘tree shirt’ design for dark tees! / Hope this does the trick / . / MORE DESIGNS / . / / / / / / / /
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Thanks for viewing.
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Thanks for viewing. Don’t forget to download my free textures from ParableVisions.com
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Thanks for viewing.
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Do you know the relationship that you are all looking for? Do you know what it really is? You want the relationship between you and you. And when you meet a person who looks fondly at you, or who is appreciative of you, or someone you look fondly upon, or someone you appreciate, it just hooks you up to your Inner Being, which is what you want all along. So the relationship you are all looking for is the relationship between you and you. And everything else is just helpful in that, really. Don’t you find that interesting? That what you really want is a reason to vibrationally connect with who you really are. And so, you ask so much of people because you say to them, “You need to be the one who causes me to feel good.” And what we want to say to all of you is: If any of you are without the relationship of your dreams right now, that’s a wonderful thing. Because now you have an opportunity to work on the relationship that really matters first and foremost. And then, in that connection, the relationship of your dreams will come. But you are going to discover the relationship of your dreams is really your own Inner Being. It’s that infusion of clarity and confidence and wellness, that’s what you are reaching for. And it is nice to have a human friend who holds you as their object of attention and adores you right into your connection. But we want you experience greater independence than that. We want you to say to you lovers, “I love you, but I don’t live for you. Because Source Energy flows through me. You are a catalyst to my wellbeing, but you are not essential to my wellbeing. Because I’ve got that figured out on my own. I have reached for thoughts that give me relief. And I have relieved myself all the way into my full connection of who I really am. And now we can just dance and play together.” Can you feel how you take them off the hook? In other words, do you know how many men would flock to you.? (ALL OF THEM!) .if they knew that you would allow them to be as they are and you would not hold them responsible for your happiness. That’s what everyone wants. How much bondage is there in believing that your happiness depends on me, so I’ve got to figure out what you want, and stand on my head in all those different ways, and it’s not even possible! The greatest gift you can give anyone is to be happy. And we will take that further. The greatest gift you can give to any partner, past, present or future is to be so connected with who you truly are that they are irrelevant to your connection. And when they are irrelevant to your connection, then you are going to have a really good time together / Abraham-Hicks..1999 Well now.. thats alot to think about.. smile.. Love you Guys,,, xox PLEASE VIEW LARGE Here’s the thought: “what would it be like to enter an elevator and get all of lifes questions answered…. you know the old fashion type of elevator.. with the pull metal door that perhaps now you only find in freight elevators… I have been and will be working on a images that I plan to use as a series for sale as art and as a book. Elevator Instructions…Have a peek at the others.. ELEVATOR INSTRUCTIONS… BOOK 1..How to Live / ELEVATOR INSTRUCTIONS… How To Avoid Alienation / ELEVATOR INSTRUCTIONS… When Dad Leaves / ELEVATOR INSTRUCTIONS… On Loving Lifetimes / ELEVATOR INSTRUCTIONS… On Becoming Enlightened / ELEVATOR INSTRUCTIONS…On Being Naked / ELEVATOR INSTRUCTIONS.. On What Is Evil / ELEVATOR INSTRUCTIONS… On Writers Block / ELEVATOR INSTRUCTIONS… On Sailing Through Life / ELEVATOR INSTRUCTIONS… On Fanaticism
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Self portrait – Self painted. – Canon Sold piece / Oct 09 – Featured in the group “Bits & Pieces” Sep 09 – Won the challenge Purple passion in the Makeup Creations group Apr 09 – Featured in the group: Makeup Creations Apr 09 – Featured in the group: Strictly human faces Apr 09 – Featured in the group: Behind the mask May 09- Featured in the group: Latin flair
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Stock: / Horse
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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Inspired by Ed Banger T-Shirt from the Justice D.A.N.C.E music video / Click browse t-shirts for more designs
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