D80
1766 creative works found
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Newly unfurling maple leaves. First run with a D80 :)
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B&W version of maple leaves. The veins really stand out without colour to distract. This image was given an ‘Honourable mention’ (3rd place) in the Toowoomba Royal Show, 2008.
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Title: The Other Side / Capture Date: 04/29/2007 / Dimensions: 2536×3788 / Exposure: 1 sec at f/3.8 / Focal Length: 22mm / ISO: 100 / Filter: No / Flash: No / Uploaded Date: 06/2007 / Comments: Boston Museum of Art © 2008 Charles Dobbs Photography. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Charles Dobbs. Any reproduction, modification, publication, transmission, transfer, or exploitation of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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Title: Pigment of Imagination / Camera: Nikon D80 / Capture Date: 12/06/2007 / Dimensions: 3872×2592 / Exposure: 1/6 sec at f/4.0 / Focal Length: 100mm / ISO: 100 / Filter: None / Flash: None / Tripod: None / Uploaded Date: / Comments: / Taken with a Tokina AT-X PRO MACRO 100mm f/2.8. © 2009 Charles Dobbs Photography. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Charles Dobbs. Any reproduction, modification, publication, transmission, transfer, or exploitation of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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Gorgeous winter cherry blossoms
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Title: Garden of the Gods / Capture Date: 01/01/2008 / Dimensions: 2842×2592 / Exposure: 1/90 sec at f/4.8 / Focal Length: 70mm / ISO: 100 / Filter: Circular Polarizer / Flash: No / Uploaded Date: 01/02/2008 / Comments: HDR image. Taken at Garden of the Gods in Colorado Springs, Colorado. © 2008 Charles Dobbs Photography. All photographs and artworks in this portfolio are copyrighted and owned by the artist, Charles Dobbs. Any reproduction, modification, publication, transmission, transfer, or exploitation of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.
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Trails End
by Laurel -
Kuala Lumpur Butterfly Park
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mmm…. coffee
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More gerberas :)
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Another shot of the buildings in Federation Square, Melbourne, Australia – this one was taken inside the cavernous entrance area. I have saturated the color a little to highlight the very blue impression of this interior. / / Shot with Nikon D80 handheld indoors 1/50sec, f/4.5, 42mm, ISO 250
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San Diego, CA — Infrared Image Captured using a Hoya R72 filter
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Another in my Crape Myrtle series. Macro photo of bark of the tree – the bark peels and reveals extrordinary colors. These grow in abundance where I live and no two are the same. I rotated this 90 degrees to provide this ‘landscape’ picture of rock pools on a rocky sea shore. Shot with Nikon D80 on tripod, f/13, 1/10 sec, 105mm ISO 640.
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Nikon D80 / Nikon 105 Macro VR / f/11; 1/125 sec; ISO 100 / SB-800 fired from behind the bottle. View my other Glass pics
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Welcome to the planet Nagoya!! / Now we are on the side where I used to live and work for about three and half years :-)) For those who is wondering what “TTI” stands for: “Toyota Technological Institute”. A little bit about how it was done. Using Nikon D80 with 18-200mm VR Nikkor lense I first took 23 NEF (RAW) files, then processed them with CaptureNX to make several different exposures. After that with the help of PTGui created a normal 360° panoramic image. With a simple trick I could use absolutely same control points and alignment parameters for all exposure sets of images, so final panoramas were almost 100% same. In order to avoid some tonal or contrast mismatches at the opposite edges of panorama as a result of HDR processing, I first created “planetoid” images with different exposures. And making the HDR and ToneMapping by Photomatix was a final step. / Final touch was done in CaptureNX as it has a unique tool called “control points” (it saves a lot of time), and also it allows saving the modified image in NEF format preserving all the workflow so that later you can open it again and modify some control points or other settings.
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More dewy droppy dandies from me tonight :-) /
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Hands up who likes the scent of frangipanni. One day I’m going to retire to a place where I grow my very own.
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So here’s one of my first tries with the HiTech filter system (similar to Cokin, Lee etc). ..... and my first set of shots after nearly a month of not being able to get time to shoot. HELP / I ran into a little trouble with it on my 10-20 and other lenses – light seepage – light seems to enter between the gap formed by the front element and the filter holder and bounces around inbetween causing ghostly reflections (and in some cases perfect reflections of my front element) – could do with some advice on how to deal with it (here, I dealt with it by shooting with my back to the sun as far as possible – and blocking the gaps with my fingers) Nikon D80 / Sigma 10-20 at 15mm (it vignettes a bit even after I sawed off the front two holders – so forced to use 12mm and above) / 10-stop ND filter (HiTech) / f/11; 10 Secs; ISO 100
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Dew on dandelions – one of my favourite things … actually dew on pretty much anything looks terrific.
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I was shooting pleasure craft in dry dock for repairs. I spotted this repeating pattern along the side of one boat – it appeared to be the effect of salt spray permanently marking the side. I used a 60mm macro to get this super closeup of a very small area. NIkon D80 Nikon 60mm macro on tripod 1/200s f/10 /
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Single flash close to the fork to light up just the tines. I liked the almost abstract quality the light gave this. Nikon D80 / Nikkor 105 AF-S VR / f/13 at 1/30 sec / Nikon SB-800 home-fashioned snoot fitted and aimed from close range onto the fork.
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