Crumpled
82 creative works found
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Computer generated Gray spikes
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Bordeaux, France, March 2007. ©Marianne Le Carrour
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Just a crumpled napkin at a Cold Stone in Santa Barbara, California, waiting for the rest of my group to get their ice-cream.
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...was board.
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Combination of several images edited in CS3
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Frank Gehry’s emp (experience music project): Who could have guessed what that crumpled piece of paper in the waste bin would turn into? MOST VIEWED IMAGES of all works by Bruce Dickson.
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I love this one! It really looks like it is made from crumpled water color paper…but it’s not! It is a real flower in my garden right now…I did nothing except take the shot and upload it:) Gorgeous candycane colors!
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Just more flowers I had fun with …;-)
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YOU know your name / you never rang / I lay in pain / crying tears like rain / you never rang / I called your name / and you never came / my heart died and wilted / I cried as I saw me jilted / craving your lovely face / your strong embrace / simply you didn’t ring / am I just..a thing / do you know how it hurts / when your love one deserts / do you know the shame / can you recall my name / tear-drops on the phone / I lay here all alone / with my tear-drops on the phone / become another ….unknown / To leave me empty ,.. alone ,..abandoned… / crumpled and withered I wai…...........
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Macro milk splash, with a dash of food colouring… Featured, Colour Me a Rainbow (yellow), 15/10/09. / 5th, Colour Me a Rainbow challenge, yellow, Oct 09. (ref. 899, 12/2008, Nikon D300, Sigma 105) More like this:
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this is something i took a long time ago…..hope you like it
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WHAT: Found on the ground at a neighbours farm a few weeks ago. Until today I was unsure how I would present this image, if at all. After various ideas with GIMP, this is the result that worked for me. LOCATION: Kangaroo Island, South Australia (whilst on a short holiday). HOW DID I DO THIS? With five layers of the same photograph! [1] Using GIMP, I applied what I call the “OrtonPlus Effect” thereby creating 3 of the layers. (Going to write an article/tutorial on this ASAP.) / [2] The next layer was given about 66% opacity and coloured red, then adjusted with curves to enhance the rust. / [3] The fifth layer was a translucent-grey to enhance the shadows in the ripples of the metal. / I tell you this because I enjoy learning more about post-production methods, then adjusting for my own uses. I hope you enjoy the result as much as I did enhancing this photograph. All artwork is copyright© to Stephen Mitchell All Rights Reserved. / You may not use, replicate, manipulate, redistribute, or modify my photography, writing, and artwork without my express consent.
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Grunge floral composition with carduus plants
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My gorgeous son Lewis’s face while unhappy! This was taken when he was around 6 months old with Canon 450D & Tamron 70-300mm Lens. Taken in colour and converted to monochrome in Adobe Photoshop Elements 4 – no other editing has taken place, All profits from sales in 2009 will be donated to Macmillan Cancer Support: www.macmillan.org.uk
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There is something that appeals to me about this flower in that it isn’t perfect and looking a little “crumpled”. Sometimes the real beauty is in imperfection. /
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<3
by Sam ChapmanProbably not a real original idea, but ah what the hell
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The Dress looks nice on you – Sufjan Stevens / I can see a lot of life in you. / I can see a lot of bright in you. / And I think the dress looks nice on you. / I can see a lot of life in you I can see a bed and make it too. / I can see a fireside turn blue. / And I can see the lot of life in you. / Yes, I can see a lot of life in you When the world looks back, / when the face looks after that, / I can see a lot of life in you. / Yes, I can see a lot of life in you I can see a lot of life in you. / I can see your bed and make it too. / And I think the dress looks nice on you. / Yes, I can see a lot of life in you. / I can see a lot of life in you. / Yes, I can see a lot of life in you Self Portrait Featured In The Woman Photographer / Poetry & Beautiful Woman
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This small 16” x 24” acrylic painting was done in the summer of ‘08. It’s one of those compositions that sits around in my head for weeks, like a vague (and in this case) nasty feeling. I experimented during several starts. A sheet tangled up in the middle of the floor. Over-painted, try again… “what’s this about?” / Eventually this unbalanced and tipsy image emerged. The twisted sheet now with contorted faces or sneers, the floor totally unreliable and unsafe. Painted flies came and settled into the painting, as if it stunk of death. An inch worm crawled out of the fabrications. Yet, there’s light, or the freedom of a clear sky behind, seen through the central doorway or through the small holes in the racked and twisted floor tiles. / Once into it the painting flowed like under its own accord. Yes, late into the night and no sleep until finished. In the morning and through out the following days it sat there on its easel, taunting with its question of (like surprised); “What’s this?” / Today, over a year later, I know I was within another bout of spiritual identity crisis. The ‘who?’, ‘what?’, ‘where?’, questions; that were leading me to another, less fettered, looser, freer, more present sense of self. The painting is the twisting, turning resistance to the new, the clinging by the old (through fearful ugly visions of warning.) / Spiritual growth is not always an easy experience. Not always a simple parting of the veil and a saunter into the ‘light’. For me this painting reminds me of many of ‘my dark nights of the soul’, that have heralded my next inner awareness and outer experience of The connected presence. / My teenage son saw it and said; “Oh, I know that place! I’m there part of almost every day!” I gave it to him… and it took some doing to get a picture of it for RB submission. He says; “I love that painting, it’s the inner state of outer growth.It’s what’s been going on with me since puberty!” / Great guy, he deserves to have it!
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