Crucifiction
44 creative works found
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Statue of Jesus with Cross
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©Seth F.Weaver,Sr. 1972. A linoleum block print. A traditional theme in Religious art is Christ’s crucifiction. This work is on the faces in the crowd…the Watchers.
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A line drawing of the crucifiction of Christ.
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my one and only piece of work that i actually painted …..with a brush . it has NOT been altered by computer . tis a first for me. !!
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One of the bane’s of a Melbourne photographer’s existence is the amount of visual pollution caused by overhead lines. Electricity, telephone, cable tv and tram power lines criss-crossing a few metres above your head. It’s impossible to take a streetscape with them intruding. Then there is the way modern society has wired itself to the crucifix of consumption, enjoying the view, but dying because of it. And there is no resurrection. My son’s school is having new classrooms and an administration block built at the moment, and there are square metres of north facing roofing. Not a solar panel in sight. In Australia, one of the most sun-drenched nations on the planet, despite all the rhetoric about carbon emmisions, G8 discussions, Kyoto and the rest the government can’t even do the right thing on a new construction. If every government building had solar panels three things would happen. First, the populace would see that they were serious, and putting their money where their mouth was. Second, the increased production of solar panels would bring economies of scale into play, thus making them more affordable to the person in the street. And thirdly, carbon emmissions would be reduced by using renewable energy (well, effectively renewable, because the sun will cease fusion one day).
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Here is the sign that was posted near the Via Delarosa. /
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Acrylic
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Buttress gave us this design, and we were all like “What does THAT mean then?”, and she was all like “It’s the Agenda” and we were all like “Oh, okay”. Notice, if you will, the Chemical Brothers font she used for the mysterious “B O K”... And, if you care to, do enjoy a selection of her audio works at myspace.com/buttressokneel, interwebmegalink.net, or numerous other odd places on the InterNet.
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Top right hand corner. / It’s a cloud. / It’s bound to be a cloud. / It must be a cloud. I increased the contrast but changed nothing else. Look, carefully, and you can see what looks like the crucified Christ. Behold, he comes. The original picture (cropped)
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copyright 1981, pencil
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No explanation needed. Canon EOS 5D / Canon lens EF180mm macro 3.5 L Ultrasonic / afternoon light / Focal length 180mm / F/3.5 / Exposure 1/500 sec. / Metering mode: Pattern / Exposure compensation: -1 step. Thanks for looking – view large. Cheers Crispin. .
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Easter Card Series. All photos taken in Lourdes, France 2008
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Easter Card series. All shots taken in Lourdes, France 2008
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Easter card series taken in Lourdes, France 2008
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Easter card series. All photographs taken in Lourdes, France 2008
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Easter card series. All shots taken in Lourdes, France 2008
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Easter card series. All shots taken in Lourdes, France 2008
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Digital Photography /
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I think this my best work to date. Which is strange as I can’t even say what was on my mind here. I mean . . .running along at 70 MPH on a country road and snapping pictures. The camera there, not a tool, not an end. You could ask for worse moments. And, incidentally, almost hitting one of those big slow farm things rolling along the side of the road at 5 miles an hour. Mormons, Muslims, Amish, the (gasp; sorry to swear) Republicans . . . one of those weird religious phantasms that believe food comes out of the ground instead of from supermarkets. I think I envision it on canvas and large. (I’ll get to the EXIF data.) I can say it was my trusty and beloved Olympus 510 (my bestest friend after Sarah the Malefactorious Invincibus Eruptum) and the 14-45 at 14. (Weird: I have good optics for once in my life and you wouldn’t exactly notice.) IS on. I really didn’t have to process it much. I cropped a bit off the right side, slightly vignetted it for that old-timey flavor, used OnOne to make it huge and let it go. The title is at least predicated on that massive tome of biblical fiction, filtered through Catholic logic. Nonsense? Most likely. I honestly have no idea, and am in no hurry to find out. Anyone willing to die and come back to tell me is entitled to a $50 gift card. Paid out of my pocket, which is seriously thin. Anyway, while I’ll cross the street to avoid a “purist”, I’ll also admit to a certain satisfaction when it ain’t ‘Shopped to death. I’m going to spend some time trying to figure this one out as I don’t really understand why it works. Here’s the real statement: can I pull this off again? More words. (Less talky, more snappy . . .? It’s a quote from Lennie.) I do want to pull this off again. I’ve engaged a few models who are willing to be nailed to telephone poles. It’s strange and contentious; a camera? It offers a depiction of what is. A camera? Myth riding the intersection of reality and what we’re actually trying to say about the reality we live within. Myths exist because we want to understand what’s around us. So that we may influence reality to our benefit? For whatever it may be worth, I’m guilty of being influenced here. It said Albert Pinkham Ryder to me.
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A detailed graphite drawing of Jesus and Mary from Michelangelo’s Pieta. .
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