Crossprocessed
133 creative works found
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At the end of a sunrise shoot at Charlottes Pass, Kosciuszko National Park, one cold autumn morning, the sun was catching the frost and that caught my eye – luckily I had a sleeping mat with me to lie on to get down and get this perspective. (brrrrrr!!!!) Taken on slide film and Cross Processed, then scanned…
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inspired by Warhol… Digitally cross processed…
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A summer at the California state fair in Sacramento.
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This image was shot on negative film then cross processed and the transparency was manipulated further using a Daylab printer and Polaroid pull apart film where the film is pulled apart before a positive can be processed. The dyes remaining on the Polaroid film were then transferred by rolling onto blotting paper. This is a very unique technique as you will never be able to reproduce the same image twice. There will always be a different amount of dye remaining on the film each time you do it making each image different from the last. More works created using this technique can be found here An emulsion lift off was also created from this image and can be found here
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a little lift off antique mirror / ambient views / this is me yesterday / when i stood before you time and space has broken / we were once side by side / as the edges peel away / we now drift by the tide. remember me always / i will fade from you now / i will be waiting for you here / when you decide to come around. antique mirror / trust / i am within your new view / and there is nothing that will take me / from the centre of you. A little lift off written by the extraordinarily talented Nicole Ryan This image was shot on negative film then cross processed and the transparency was manipulated further using a Daylab printer and Polaroid pull apart film. Once the positive was formed, some citroclean was sprayed onto it and it was placed into a bath of water. The emulsion lifts off its backing and is floating literally like very fine seaweed in the water. Extreme care was taken to lift this emulsion out of the water and onto blotting paper. Whilst it is still wet it can be manipulated further into any shape you wish. In this case a very subtle border. Once dry it sets into the blotting paper. This is the final result. This is a very unique technique as you will never be able to reproduce the same image twice due to the fact that it is dependant on how carefully you retrieve the emulsion out of the water and how you manipulate it on the paper while it is wet. More works created with this technique can be found here A Polaroid film transfer of this image was also created and can be found here
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This is the last of my little micro crossprossesed series of shots taken at Bondi beach. And even though its very very nearly winter here its still well and truely warm enough to swim in the seas….... and that is way cool…... the seas get a bit heavier but no matter what time of year it is there will be swimmers in the waters of Bondi and all the beautiful beaches that litter the coast of this beautiful country around these parts…......
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Shot using Fuji Super G100 colour film (pushed 2 stops and overexposed 2 stops) and chemically cross processed (c41 in e6). / This image is a straight scan from the original positive, no editing, no retouching. Only vignette has been added using editing software.
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Canon 350D, 50mmf/1.8 lens / Berkeley, California x-processed, but mostly this is the work of the amazing fall foliage!
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Long exposure of a train entering Union Station in Providence, RI. Captured with a Diana+ with a 35mm back and cross processed Kodak Elite Chrome 100 film. No photoshop manipulation, but the negative was woefully under-exposed, so the scanner had its work cut out to bring the darkened photo to life. “Warped Speed” is featured in the Experimental Photography and Editing and Rhode Island groups. (c) Paul Lavallee 2008 /
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Even dragons are not out of place in the imagination of children. The tail end of the dragon on the roof of the Providence Children’s Museum. Crossprocessing Velvia F slide film really oversaturated the red and increased the contrast. The Diana camera created a soft light leak on the top of the tail and some slight vignetting. No digital manipulation. This image is featured in the XPro – Cross Processed – Photography group. (c) Paul Lavallee 2007 /
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“Blue Couch Green Wall” by Paul Lavallee has been published in a magazine, exhibited in art galleries, and described by The Providence Journal as an “electric color study”. Paul created this image using his antique AGFA Clack camera with cross processed tungsten slide film. No digital manipulation was used. “Blue Couch Green Wall” was featured on the RedBubble Home Page March 30, 2009 and is featured in the Experimental Photography and Editing , The Feature Fraternity , and XPro – Cross Processed – Photography groups. (c) Paul Lavallee 2007 /
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Fun red-purple color shift of cross processed Fuji T64 (as opposed to 64T which does a blue-green color shift) image of the Cranston Street Armory using a Diana+ camera. No digital manipulation used on this photo. (c) Paul Lavallee 2008 /
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mixed media, original image chemically cross processed (c41 in e6).
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/ Cross Processed / Our Images Do Not Belong To The Public Domain. / All photographs in this portfolio are owned and copyright © N & L Williams Photography. / Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from ourselves is prohibited. All rights reserved.
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/ Cross Processed / Our Images Do Not Belong To The Public Domain. / All photographs in this portfolio are owned and copyright © N & L Williams Photography. / Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from ourselves is prohibited. All rights reserved.
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/ Cross Processed / Our Images Do Not Belong To The Public Domain. / All photographs in this portfolio are owned and copyright © N & L Williams Photography. / Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from ourselves is prohibited. All rights reserved.
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Selfportrait Resources: RedheadStock
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Selfportrait in the brace
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Selfportrait / *~*~ / Featured / (Thank you to the RB Powers That Be – lots of lovely work there, go check it out if you haven’t already!) / *~*~ / Resources: SmirnoffSweetie / RedHeadStock “Well she said she’d stick around until the bandages came off / But these mama’s boys just don’t know when to quit / And Mathilda asks the sailors “Are those dreams or are those prayers?” / So close your eyes, son, and this won’t hurt a bit Oh it’s time time time, and it’s time time time / And it’s time time time that you love / And it’s time time time” “TIme”, Tom Waits / *~*~~
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Pain is a demanding tenant / coiled at the base of my spine / it’s up at all hours / of the night - / claws its way up / my ribcage / like a ladder / digging its talons / into my tailbone / it perches / on my Adam’s Rib / grabs me by my throat / and takes me / shakes me / wakes me up / then / breaks me down bit by bit / bone by bone banging on my skull / like a drum / pouding out its beat / in my blood / in a frenzy / that brings me to my / knees / - i hit the ground / then hit the bottle pills / or wine two, four, six, nine - its all the same / its all in the name / of drowning the pain / my troublesome tenant / (i should really raise the rent) / until it evolves / grows some gills / and it will / because you can’t kill it / and you can’t kick it out / you can only make its home / a little less hospitable for awhile Until it develops a habit / right along with you / and then, my friend, / You’re screwed.
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Self-portrait, listening to Miles Davis
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Self-portrait, listening to Miles. Last in Triptych.
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