Creativity designing
922 creative works found
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Words of love and lust
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The words of truth and the images of love.
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The wonder and the colour of the rainbow, dripping into the daisy!
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The glory of the sunflower and the wonder of the sunset!
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Tulip of the spring brought together with the sanitary environment of the loo!
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The painting is based on a photo I took on Dartmoor a few years ago. The light was fantastic and I’ve expanded on that to create this vibrant landscape.
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Pencil + Photoshop Thank you carltron for uploading a picture! / Detail / /
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Sometimes we try so hard to find “life” from “without” only realizing in the end that it has always been “within” us; sometimes hidden in the most obscure part of ourselves, but it is there. Credits: / Man – Morf-stock / Crack – SockMonkeyStock / Texture – tExTuReMaTtIc / Tree – Markopolio-stock / Roots – SixWings / Window – GrannysAtticStock
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a design I did whilst studying in Sydney which was incorporated into one of my college pieces. the image is a vector drawing based on a photo taken of me in a dressing room. {vector drawing
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A renovated blockhouse exterior with a mighty urban tree from Budapest 14th district. You can license this photo on Getty Images.
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TOP TEN in the challenge Your Favourite Tee T-Shirt
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Heather falling dawn and creating a shadow TOP TEN IN THE CHALLENGE Best Design for Black Shirt
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Vector art background with decorativ floral ornament
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Photoshop Design – textures – stained glass style All rights reserved! © 2009 Scrapbook Design Down Under / Please do not use my images without permission. Feel free to / contact me if you have any question about this item. Thanks for checking out my work! Scrapbook Design Down Under aka Yvonne Less —-—-—- If you are interested in my digital work for scrapbook / designs go to: Scrapbook Design Down Under —-—-—- 231 views 10/11/2009
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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From the article “Images that Intrigue” by Peter Skinner www.aftercapture.com A superb example of a campaign eliciting / that emotional response is one of / Dean’s most recent success stories—images / for an ongoing series, “Fabricate,” for / couture designers MXM Couture (www. / mxmcouture.com). Significantly, the initial / two images in the “Fabricate” campaign / claimed first and second place in / the latest Commercial/Advertising Photographer / of the Year International Aper-ture Awards. In the only other competition / Dean has entered—as a student—he / claimed a gold and silver distinction and / a runner-up award for prints in the annual / Australian Professional Photographers / Association awards. / “ ‘Fabricate’ is a collaboration of / some of the best stylists and production / people that Australia has to offer / and I feel it definitely shows. There will / be five images in the series and the first / two took months to produce so there are / still three more to complete. It’s a really / exciting campaign,” says Dean. / “Fabricate,” as Dean explains, has a / double meaning and is an exploration / into conceptualization; its execution / is definitely a mental exercise. “ ‘Fabricate’ / refers both to the subject of fashion / photography, the clothes, and more / importantly to the images’ fabrication—how they are created in the sense that / they are highly stylized pre- and postproduction / collages,” he says. / Each image is designed and created / with the intention of arousing intense curiosity / and examination into not only its / finality but also how it was made and its / underlying theme. “The images turn the / exhibition of fashion through photography / back on itself by exposing the process / of exhibition itself—exhibiting the / exhibit, if you will,” says Dean. While this / is a classic case of a picture being worth a / thousand words, Dean points out that the / multi-layered images allow viewers to analyze / the process of digital photography itself, / which incorporates surreally collaged / objects or has perfectly manicured and / poised models caught in mid-jump. / “The series is united by a sense of volatility,” / Dean says. “Subjects are frozen within / turbulent scenes. This chaos, depicted / through flapping wings, flowing dresses / and crashing objects, is meant to reflect / the flippant, fleeting and unstable nature / of the fashion industry. And yet within this / chaos each image captures an ephemeral / moment of beauty, allowing the models to / maintain their dominance—to which the / audience is unwittingly subjected.” Scrutinize / the superb images and you will see / exactly what he means. / As with all complex and multi-faceted / campaigns, the genesis of “Fabricate” has / been long and demanding. Several months / were devoted to drafting the original concepts, / set building, hair and costume design. / Each image is multi-layered and the / set design was a combination of over 20 / different elements. All backgrounds for / the series’ images were shot in an old museum, / a location that provided ideal elements / such as walls, floors and windows. / A major technical challenge was ensuring / consistency of lighting—its quality, intensity / and direction. A Sydney retouching / company, Electric Art (www.electricart. / com.au), was hired for conformity maintenance— / to ensure the same look and feel / was infused into each image, / With two “Fabricate” images under / his belt, Dean is now working on the remaining / three but no specifics have been / finalized—although the models have / been selected and some shooting on various / elements has been completed. Don’t / be surprised, however, if themes such as / exorcism, dead swans and models in dark / or macabre locations are featured.
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Photoshop Design – digital altered photo from boab trees, combined with textures by using different blend modes and layer characteristics. I’ve just made a sale to a mystery buyer! THANK YOU VERY MUCH!! / 1x Framed Print of Boab Trees / Print Size: Large / Frame Color: Black / Matte Color: Black / Frame Style: Flat Frame (30mm wide x 20mm deep) All rights reserved! © 2009 Scrapbook Design Down Under / Please do not use my images without permission. Feel free to / contact me if you have any question about this item. Thanks for checking out my work! Scrapbook Design Down Under aka Yvonne Less —-—-—- If you are interested in my digital work for scrapbook / designs go to: Scrapbook Design Down Under —-—-—- 507 views 10/11/2009 More of my digital work here:
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Photoshop Design – For this creation I used one of my pictures from a small bushland near by and I tried to draw a face from a wolf. I mirrored the left side :) To get these grungy effects with colors I used a couple of textures, gradients, filters, blend modes and layer styles. About 6 hours of work…it’s not perfect, but I hope you like it. :) Was featured in: / “The Patchwork” / “Enchanting Powerful Photo Manipulation” / “Animal Composites & Fine Art” / “Spirit of the Native American” All rights reserved! © 2009 Scrapbook Design Down Under / Please do not use my images without permission. Feel free to / contact me if you have any question about this item. Thanks for checking out my work! Scrapbook Design Down Under aka Yvonne Less —-—-—- If you are interested in my digital work for scrapbook / designs go to: Scrapbook Design Down Under —-—-—- 594 views 6/11/2009 More of my digital work here:
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For anyone who is creative!
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Pencil, pen, photoshop. Available on a T-Shirts
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textures, coloring, brushes This is by far the nicest piece of art which I have created. This piece of art is a piece of my soul. I had an awsome feeling by the treatment… I was completely excited as it was ready … and quarrelled with me whether it really ready something is to be changed…, however, with every attempt something suggested itself upon me that it was better before… I hope you like it like me… “
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